SSecret letters spark true love in this emotionally compelling romance from the New York Times bestselling author of A Curse So Dark and Lonely, Brigid Kemmerer. Juliet Young always writes letters to her mother, a world-traveling photojournalist. Even after her mother's death, she leaves letters at her grave. It's the only way Juliet can cope. Declan Murphy isn't the sort of guy you want to cross. In the midst of his court-ordered community service at the local cemetery, he's trying to escape the demons of his past. When Declan reads a haunting letter left beside a grave, he can't resist writing back. Soon, he's opening up to a perfect stranger, and their connection is immediate. But neither Declan nor Juliet knows that they're not actually strangers. When life at school interferes with their secret life of letters, sparks will fly as Juliet and Declan discover truths that might tear them apart.

Readers generally know only one of the two famous James brothers. Literary types know Henry James; psychologists, philosophers, and religion scholars know William James. In reality, the brothers’ minds were inseparable, as the more than eight hundred letters they wrote to each other reveal. In this book, J. C. Hallman mines the letters for mutual affection and influence, painting a moving portrait of a relationship between two extraordinary men. Deeply intimate, sometimes antagonistic, rife with wit, and on the cutting edge of art and science, the letters portray the brothers’ relationship and measure the manner in which their dialogue helped shape, through the influence of their literary and intellectual output, the philosophy, science, and literature of the century that followed. William and Henry James served as each other’s muse and critic. For instance, the event of the death of Mrs. Sands illustrates what H’ry never stated: even if the “matter” of his fiction was light, the minds behind it lived and died as though it was very heavy indeed. He seemed to best understand this himself only after Wm fully fleshed out his system. “I can’t now explain save by the very fact of the spell itself . . . that [Pragmatism] cast upon me,” H’ry wrote in 1907. “All my life I have . . . unconsciously pragmatised.” Wm was never able to be quite so gracious in return. In 1868, he lashed out at the “every day” elements of two of H’ry’s early stories, and then explained: “I have uttered this long rigmarole in a dogmatic manner, as one speaks, to himself, but of course you will use it merely as a mass to react against in your own way, so that it may serve you some good purpose.” He believed he was doing H’ry a service as he criticized a growing tendency toward “over-refinement” or “curliness” of style. “I think it ought to be of use to you,” he wrote in 1872, “to have any detailed criticism fm even a wrong judge, and you don’t get much fm. any one else.” For the most part, H’ry agreed. “I hope you will continue to give me, when you can, your free impression of my performance. It is a great thing to have some one write to one of one’s things as if one were a 3d person & you are the only individual who will do this.”

This original analysis of correspondence between E.M. Forster and Christopher Isherwood illuminates how these two influential writers grappled with WII, their personal relationships, and their creative works.

This book recounts the author's experiences as a paratrooper in the 101st Airborne in World War II through letters written home to his mother. As the title suggests, Guy's censored letters often forced his family to read "between the lines" to figure out the many subtle messages he was sending. Through these letters and Guy's narrative, we relive many of his experiences: Army training and the voyage to England on the S.S. Strathnaver; his historic jumps into Normandy on D-Day and into Holland during Operation Market Garden; and being seriously wounded by a German mortar shell that killed two of his friends nearly causing his own leg to be amputated. These letters show the progression of a young man as he grew in maturity and the resilience of the true and honorable soldier that emerged.

Longtime friends Helen Levine and Oonagh Berry decided they missed the tradition of "real" letters. The obvious solution for them was to initiate a correspondence project. Their goal? To write each other a longhand letter every two weeks for a year, and see what, if anything, they were missing in their usual friendship rituals of lunches, visits and telephone chats. The result is a wealth of insights yielded from over 150 years of combined life experience. Week in and week out, Helen and Oonagh weave together tales of family, work, politics, motherhood, aging and creativity. Reading Between Friends is like sharing a warm pot of tea with two frank, articulate and experienced companions.

In 1950, V. S. Naipaul travelled from Trinidad to England to take up a place at Oxford University. Over the next few years, letters passed back and forth between Naipaul and his family – particularly his beloved father Seepersad, but also his mother and siblings. The result is a fascinating chronicle of Naipaul’s time at university; the love of writing that he shared with his father and their mutual nurturing of literary ambition; the triumphs and depressions of Oxford life; and the travails of his family back at home. Letters Between a Father and Son is an engrossing collection continuing into the early years of V. S. Naipaul’s literary career, touching time and again on the craft of writing, and revealing the relationships and experiences that formed and influenced one of the greatest and most enigmatic literary figures of our age. ‘Rare and precious . . . if any modern writer was going to breathe a last gasp into the epistolary tradition, it was always likely to be V. S. Naipaul’ New Statesman

The brothers Berrigan wrote weekly letters to each other throughout their decades of activism for peace and justice. Those letters are published here for the first time, and offer a precious glimpse into the life and times of this famous pair.

The letters exchanged between Pierre Bonnard and Henri Matisse from 1925 to 1946 attest to a 40-year friendship between two of the most important artists of the 20th century. This volume documents an extraordinary correspondence between two great masters who respected and liked one another.

A social-emotional concept picture book that teaches readers the power of setting intentions and embracing mindfulness in our everyday. Appreciate art, become brave, and choose compassion. Pairing big ideas like generosity, respect, and joy with the letters of the alphabet, Letters to Live By is a beautiful picture book that encourages children to make the most of each day and leave their mark on the world.