Every sorority has its secrets... And college freshman Ginger Carmichael couldn't care less. She has more important things on her mind, like maintaining her perfect GPA. No matter how much she can't stand the idea of the cliques and the matching colors, there's something about the girls of Alpha Beta Omega--their beauty, confidence, and unapologetic sexuality--that draws Ginger in. But once initiation begins, Ginger finds that her pledge is more than a bond of sisterhood, it's a lifelong pact to serve six bloodthirsty demons with a lot more than nutritional needs. Despite her fears, Ginger falls hard for the immortal queen of this nest, and as the semester draws to a close, she sees that protecting her family from the secret of her forbidden love is much harder than studying for finals.

The beginning of Cleo Jones's life as a vampire was the end of her relationship with her first love and only submissive, college senior Benny Tarver. Mutual resentment and heartache have kept them apart for the past three years, but their responsibilities to the sisters of Alpha Beta Omega sorority have held them in each other's sights. With graduation looming, Benny knows it is time for her to move on from the sorority and her lingering feelings for Cleo, but when Cleo realizes she may lose Benny forever to a powerful demon, she must put her fears aside to discover if they can find the strength to let go of their pain and accept that the love between them is true. Annie and Sarah struggle to stay one step ahead of disaster as Annie's life becomes the war zone she once reported on.

Who's afraid of the big, bad Wolfe?Red Ridley knows he could have a happy life in Ever After, New York, waiting on tables at Mom and Pop's, making numbers add up for clients, studying business at the junior college - and maybe, just maybe having the man of his dreams, Mark Woods, the young owner of the local garage. One problem. Red's gorgeous. Amazing looking. Totally unique. And no one who sees him - especially his grandmother, who's his biggest promoter -- believes he won't end up on the cover of a magazine. Gran's dreams come true when famous New York agency owner, Brock Wolfe, shows up in Ever After and sets his sights on Red.Red doesn't want to leave Mark, but Gran has given everything to raise him, and the money he could make would give her a happy, easy life. Then, the news gets worse - Gran could lose her house -- so Red breaks down and goes to New York where the Wolfe shows just how bad he can be. Faced with a fate worse than death, Red needs a hero or needs to be one. Is there any chance to live happily in Ever After?

A nostalgic look at the golden years of Russiaphobia, red-baiting, and other Commie madness. Both amusing and a sobering reminder of the way we were, this book showcases America reveling in the golden age of Russiaphobia, an age in which our patriotic passions -- and naivet} -- were never stronger. But a unique kind of national fear also ran high -- in ways that now seem nearly unbelievable, but which forever altered attitudes and lives. An enlightening, startling, and often hilarious selection of the day's magazines, editorials, films, ads, paperback novels, comic books, TV shows, and even bubble gum cards, exemplifying America's xenophobia at its greatest excess.

Title and statement of responsibility from cover.

WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.

From the former director of the Museum of Arts and Design in New York, a timely and passionate case for the role of the well-designed object in the digital age. Curator and scholar Glenn Adamson opens Fewer, Better Things by contrasting his beloved childhood teddy bear to the smartphones and digital tablets children have today. He laments that many children and adults are losing touch with the material objects that have nurtured human development for thousands of years. The objects are still here, but we seem to care less and know less about them. In his presentations to groups, he often asks an audience member what he or she knows about the chair the person is sitting in. Few people know much more than whether it's made of wood, plastic, or metal. If we know little about how things are made, it's hard to remain connected to the world around us. Fewer, Better Things explores the history of craft in its many forms, explaining how raw materials, tools, design, and technique come together to produce beauty and utility in handmade or manufactured items. Whether describing the implements used in a traditional Japanese tea ceremony, the use of woodworking tools, or the use of new fabrication technologies, Adamson writes expertly and lovingly about the aesthetics of objects, and the care and attention that goes into producing them. Reading this wise and elegant book is a truly transformative experience.

With every commitment comes sacrifice … College junior Jill Babineux knows where her priorities lie. Between a full course load, her blood pledge to feed a certain vampire, and all the community service hours she’s got to log with her sisters in Alpha Beta Omega Sorority, the last thing on her mind is finding love, especially with an immortal. Which works out just fine for Miyoko “Tokyo” Hayashi who’s been so busy enjoying her wild days and even kinkier nights, she’s never had a reason to speak to the tiny know-it-all. But after a random run-in and a few carefully plotted encounters, Miyoko learns that there’s more to the sorority’s least favorite member. Miyoko never thought she’d actually start to like the girl, let alone love her, but when true evil comes for Jill, Miyoko finds herself willing to do anything to protect her. Anything.

Lister lives in a replica of Bedford Falls from It's a Wonderful Life, Rimmer is married to a supermodel, and the Cat lives in Denmark in a palace surrounded by a moat of milk. Life's good on Earth. Or is it? The crew of the Red Dwarf are trapped within an addictive virtual reality called Better Than Life, a game that transports you to a perfect world of your imagination. But it is killing them, and to escape, you have to want to. Rejoin this trepid band of space zeroes - Lister, Rimmer, Kryten, Holly and the Cat - as they continue their epic journey through frontal-lobe knotting realities where none dare venture but the bravest of the brave, the boldest of the bold, the feeblest of the feeble-minded.

Are we living the good life—and what defines 'good', anyway? Americans today are constructing a completely different framework for success than their parents' generation, using new metrics that TEDWomen speaker and columnist Courtney Martin has termed collectively the "New Better Off". The New Better Offputs a name to the American phenomenon of rejecting the traditional dream of a 9-to-5 job, home ownership, and a nuclear family structure, illuminating the alternate ways Americans are seeking happiness and success. Including commentary on recent changes in how we view work, customs and community, marriage, rituals, money, living arrangements, and spirituality, The New Better Off uses personal stories and social analysis to explore the trends shaping our country today. Martin covers growing topics such as freelancing, collaborative consumption, communal living, and the breaking down of gender roles. The New Better Offis about the creative choices individuals are making in their vocational and personal lives, but it's also about the movements, formal and informal, that are coalescing around the "New Better Off" idea-people who are reinventing the social safety net and figuring out how to truly better their own communities.