Westminster is struck by a deadly killer... In Anne Perry's tenth Victorian mystery featuring Thomas and Charlotte Pitt, a murderer strikes at Members of Parliament crossing Westminster Bridge. Perfect for fans of C. J. Sansom and Harriet Smart. '[Anne] Perry once again demonstrates her true and lively passion... Her finely drawn characters couldn't be more comfortable within the customs and sensibility of their historical period' - New York Times Book Review In the few minutes it takes to cross Westminster Bridge, Sir Lockwood Hamilton has his throat slit and is tied to a lamppost with his evening scarf. The killer vanishes without being seen. Inspector Thomas Pitt thinks the motive might have been personal... or political. When a second Member of Parliament is murdered in the same way, politics seems certain to be the reason. Soon the suspect list includes anarchists and suffragettes. Public outrage mounts and fear grips London and Parliament after a third lamppost murder. Deep in his own investigation, Pitt must rely on his wife, Charlotte, and Great-aunt Vespasia to explore the drawing rooms of the upper class for clues to the mystery. With burning social issues swirling around them, the three of them must solve the case before another MP falls victim to the Westminster cutthroat. What readers are saying about Bethlehem Road: 'These are a great set of books. Pitt is a really likeable hero' 'I could not put it down. One of her best works' 'Gripping read'

Inspector Thomas Pitt's wife Charlotte helps her husband scout society's drawing rooms for clues to the appalling murders of Sir Lockwood Hamilton and his colleague.

The gentleman tied to the lamppost on Westminster Bridge is most elegantly attired—fresh boutonniere, silk hat, white evening scarf—and he is quite, quite dead, as a result of his thoroughly cut throat. Why should anyone kill Sir Lockwood Hamilton, the kindest of family men and most conscientious member of Parliament? Before Inspector Thomas Pitt can even speculate on the reasons, a colleague of Sir Lockwood’s meets the same fate in the same spot. Public indignation is boundless, and clever Charlotte Pitt, Thomas’s wellborn wife, can’t resist helping her hard-pressed husband, scouting society’s drawing rooms for clues to these appalling crimes. Meanwhile, the Westminster Bridge Cutthroat stalks another victim.

Clemency Shaw, the wife of a prominent doctor, has died in a tragic fire in the peaceful suburb of Highgate. But the blaze was set by an arsonist, and it is unclear whether she or Dr. Shaw was the intended victim—or did the doctor himself set the blaze in order to inherit his wife’s large fortune? Baffled by the scarcity of clues in this terrible crime, Inspector Thomas Pitt turns to the people who had been closest to the couple—Clemency’s stuffy but distinguished relatives. Meanwhile, Pitt’s wellborn wife, Charlotte, retraces the dangerous path that Clemency walked in the last months of her life, finding herself enmeshed in a sinister web that stretches from the lowest slums to the loftiest centers of power.

When a group of powerful Irish Protestants and Catholics gather at a country house to discuss Irish home rule, contention is to be expected. But when the meeting’s moderator, government bigwig Ainsley Greville, is found murdered in his bath, negotiations seem doomed. Unless Superintendent Thomas Pitt and his wife, Charlotte, can root out the truth, simmering hatreds and passions may again explode in murder.

When Inspector Thomas Pitt is asked to reopen a three-year-old murder case that had taken place in London’s luxurious Hanover Close, he is all too aware that his superiors want him to simply smooth things over. But penetrating the reserve of high society households will take more finesse than Pitt can muster. Enter Charlotte Pitt, his wellborn wife, and her sister, Emily. As the social equals of the inhabitants of the Close, the women are privy to conversations that would never reach the ears of a mere policeman. What they find is a secret so shocking it will lead to more deaths—including, quite possibly, Pitt’s own.

In the posh London street of Paragon Walk, an unspeakable crime is committed: A young woman is brutally raped and murdered. Once again, that incomparable team of sleuths Inspector Thomas Pitt and his young wife, Charlotte, set themselves against a vicious murderer. As the elegant masks of the wellborn suspects slip, it becomes appallingly clear that something ugly lurks behind the handsome façades of Paragon Walk–something that may lead to more scandal, and more murder.

It is a most incredible sight: a corpse sitting at the reins of a hansom cab–and not just any corpse, but the body of a peer of the realm. To Inspector Thomas Pitt and his wife, Charlotte, this macabre apparition seems like sheer lunacy. Who would ever want to exhume a decently buried old chap like Lord Augustus Fitzroy-Hammond? A doctor insists that Lord Augustus’s death was natural. But as far as the police are concerned, there’s certainly nothing natural about any of this gristly aftermath. Inspector Pitt is determined to unearth the truth–even if the digging puts his own life at perilous risk.

When the womanizing aristocrat George March is found dead over his morning coffee, the immediate concern of his shocked Cardington Crescent household is quieting the scandal as discreetly—and quickly—as possible. Unfortunately for March’s wife, Emily, that means accusing her of the murder. But the family does not take into account Emily’s beloved sister, who is none other than the indomitable Charlotte Pitt. Together, Charlotte and her husband, police inspector Thomas Pitt, take on the seemingly irreproachable, upper-crust March clan and uncover an insidious web of corruption and depravity that leads them from the elegant Crescent town house to the hideous London slums, and from genteel society to murder—again.

When the distinguished Mr. Justice Stafford dies of opium poisoning, his shocking demise resurrects one of the most sensational cases ever to inflame England: the murder five years before of Kingsley Blaine, whose body was found crucified in Farriers’ Lane. Amid the public hysteria for revenge, the police had arrested a Jewish actor who was soon condemned to hang. Police Inspector Thomas Pitt, investigating Stafford’s death, is drawn into the Farriers’ Lane murder as well, for it appears that Stafford may have been about to reopen the case. Pitt receives curiously little help from his colleagues on the force, but his wife, Charlotte, gleans from her social engagements startling insights into both cases. And slowly both Thomas and Charlotte begin to reach for the same sinister and deeply dangerous truth.