In this volume are hundreds of short pieces which represent the distillation of the experience of a funny, witty, wise and passionate observer of the bright tapestry of Irish life. All human life is here, and Keane tells its story in an astonishing procession of remarkable characters and in rare humorous glimpses of his own career. This is a collection to prize.

Sive is a young and beautiful orphan who lives with her uncle Mike, his wife Mena and his mother Nanna. A local matchmaker, Thomasheen Seán Rua, wants Sive to marry an old man called Sean Dóta. Thomasheen convinces Mike and Mena to organise the marriage. They will receive a sum of two hundred pounds as soon as she marries him. However, Sive is in love with a young man, Liam Scuab. But Liam is not suitable and is refused permission to marry Sive. Sive is distraught but is forced to do the will of her uncle and his bitter wife. Faced with an unthinkable future she takes the only choice left to her. Set against the harsh poverty and difficult times of 1950s Ireland, Sive caused considerable controversy on its debut in February 1959. Since then it has become an established part of Ireland's theatrical canon.

A collection of over fifty stories that captures the excitement, romance, and playful mischief associated with Christmastime in County Kerry, Ireland.

Life is harsh in close-knit community of Dirrabeg, a community on the Dingle Peninsula facing extinction in the mid-1950's. Many of the young have left for England or America, where there are opportunities and chances for secure lives. Those remaining behind love their land and their independence but fear for the future as the bogs get thin, the yields are poor, and the children have little hope of success. 'We never died a winter yet.' A wickedly funny and insightful novel from the author of Sive, The Field, The Year of the Hiker, and many other classic works. In the Kerry village of Dirrabeg in the 1950s, the annual wren dance is a moment of light within the dark winter, especially for bodhrán player Donal Hallapy, whose skills are in high demand. But this paganism, and the singing, dancing and drinking that take place, are anathema to Canon Tett, who resolves to crush the old customs. Donal Hallapy, devoted father of a large family, is a bodhran player. He is always in great demand whenever the once-a-year wrendances take place, a day long festival on St Stephen's Day, which can be traced back to pagan times. This paganism, the secret nature of the celebrations, the singing, dancing and drinking that takes place, and the fact that the church has no control over them has made them anathema to "the clan of the round collar," in the person of Canon Tett, an ultraconservative and downright sadistic priest determined to bring the free spirits of Dirrabeg to bay by ending the fun of the wrendances. Wickedly funny and full of insight into age-old conflicts and a lifestyle long passed into memory.

The Field is John B. Keane's fierce and tender study of the love a man can have for land and the ruthless lengths he will go to in order to obtain the object of his desire. It is dominated by Bull McCabe, one of the most famous characters in Irish writing today. An Oscar-nominated adaptation of The Field proved highly successful and popular worldwide, and starred Richard Harris, John Hurt, Brenda Fricker and Tom Berenger.

A fitting tribute to John B. Keane, for decades Ireland's favorite storyteller, this winning short story collection typifies the late author's folkloric imagination and storytelling arts. These are congenial tales, too, as this literary legend views the foibles and fallibilities of Irish country folk with abundant compassion as well as a shrewd, sometimes sardonic eye. Add to that Keane's glorious sense of fun and roguery that will make readers relish all the more how and why, in "Fred Rimble," Jim Conlon kills the best friend he ever had. Or how Willie Ramley determines that his future wife will be "Guaranteed Pure." Or how, to tragic as well as comic effect, a gasp, garlic, and gossip undo Denny Bruder in "The Hanging." In all, Keane uncovers the folly in the romantic pangs, exalted aspirations, misguided mischief, and everyday shortcomings of the characters in the village of his storyteller's mind-and beyond the folly finds their humanity.

A musical play dealing with emigration and the lack of jobs at home that forced people to leave their native Ireland for England. It describes the emigrants 'longing for home' - 'Everyone is lonesome leaving home' - their annual homecomings and their return to jobs and places they disliked - 'back to their night shifts, an' filthy digs ... with their long faces leanin' out o' the carriage windows with the thoughts of what's waitin' over'.

This book explores the drama of John B. Keane and focuses on his best-known play, The Field, in an examination of the cultural and psychological resonances present in his work. From the changing social, political, and economic contexts of the play’s genesis, to present-day austerity and malaise, The Field remains a popular and relevant piece of theatre, and in this publication possible motivations behind such popularity and relevance are posited. Unconscious resonant processes of identification at play within The Field are explored through the application of psychological and post-colonial filters, and the analysis of Keane’s representations of gender, both masculine and feminine, with strong reference to socio-historical contexts throughout. By doing so, further ways of re-reading Keane’s works are suggested, thereby encouraging a re-appraisal of an often critically overlooked Irish playwright. The examination of the concept of ‘resonance’, which is at the core of this book, provides a unique insight into Keane’s drama and how it interacts with the public at large. Through the modes of analysis of The Field employed in this work, further methods of reading Keane’s other dramas are suggested, and thus, this book is essential reading for anyone with an interest in Keane, Irish drama, or for that matter, the field of Irish studies itself.

The humorous words of John B. Keane live on in Celebrated Letters of John B. Keane, More Celebrated Letters, The Best of John B. Keane and The Short Stories of John B. Keane.

There is a wild man after descending from the mountains and it is the man of the triple name: Dan Paddy Andy.