"The best account yet available of this shrewd, enigmatic and remarkable woman."—Sunday Times [London] From the author of The Sisters, a chronicle of the most brutal, turbulent, and exuberant period of England's history. Bess Hardwick, the fifth daughter of an impoverished Derbyshire nobleman, did not have an auspicious start in life. Widowed at sixteen, she nonetheless outlived four monarchs, married three more times, built the great house at Chatsworth, and died one of the wealthiest and most powerful women in English history. In 1527 England was in the throes of violent political upheaval as Henry VIII severed all links with Rome. His daughter, Queen Mary, was even more capricious and bloody, only to be followed by the indomitable and ruthless Gloriana, Elizabeth I. It could not have been more hazardous a period for an ambitious woman; by the time Bess's first child was six, three of her illustrious godparents had been beheaded. Using journals, letters, inventories, and account books, Mary S. Lovell tells the passionate, colorful story of an astonishingly accomplished woman, among whose descendants are counted the dukes of Devonshire, Rutland, and Portland, and, on the American side, Katharine Hepburn.

A bounty of techniques and teaches clinicians how to incorporate these effective methods into their own practices both for individuals and couples.

"The best account yet available of this shrewd, enigmatic and remarkable woman."—Sunday Times [London] From the author of The Sisters, a chronicle of the most brutal, turbulent, and exuberant period of England's history. Bess Hardwick, the fifth daughter of an impoverished Derbyshire nobleman, did not have an auspicious start in life. Widowed at sixteen, she nonetheless outlived four monarchs, married three more times, built the great house at Chatsworth, and died one of the wealthiest and most powerful women in English history. In 1527 England was in the throes of violent political upheaval as Henry VIII severed all links with Rome. His daughter, Queen Mary, was even more capricious and bloody, only to be followed by the indomitable and ruthless Gloriana, Elizabeth I. It could not have been more hazardous a period for an ambitious woman; by the time Bess's first child was six, three of her illustrious godparents had been beheaded. Using journals, letters, inventories, and account books, Mary S. Lovell tells the passionate, colorful story of an astonishingly accomplished woman, among whose descendants are counted the dukes of Devonshire, Rutland, and Portland, and, on the American side, Katharine Hepburn.

Born the daughter of a country squire, Bess of Hardwick made four marriages which brought her wealth and status. She built and furnished houses and founded a dynasty which included a granddaughter, Arbella Stuart, who had a claim to the thrones of both England and Scotland.

The author of The September Queen explores Tudor England with the tale of Bess of Hardwick—the formidable four-time widowed Tudor dynast who became one of the most powerful women in the history of England. On her twelfth birthday, Bess of Hardwick receives the news that she is to be a waiting gentlewoman in the household of Lady Zouche. Armed with nothing but her razor-sharp wit and fetching looks, Bess is terrified of leaving home. But as her family has neither the money nor the connections to find her a good husband, she must go to facilitate her rise in society. When Bess arrives at the glamorous court of King Henry VIII, she is thrust into a treacherous world of politics and intrigue, a world she must quickly learn to navigate. The gruesome fates of Henry’s wives convince Bess that marrying is a dangerous business. Even so, she finds the courage to wed not once, but four times. Bess outlives one husband, then another, securing her status as a woman of property. But it is when she is widowed a third time that she is left with a large fortune and even larger decisions—discovering that, for a woman of substance, the power and the possibilities are endless . . .

A biography of one of the most remarkable women of the Tudor era - next to Queen Elizabeth the most powerful woman in England Bess of Hardwick, born into the most brutal and turbulent period of England's history, did not have an auspicious start in life. Widowed for the first time at sixteen, she nonetheless outlived four monarchs, married three more times, and died one of the wealthiest and most powerful women the country has ever seen. The Tudor age was a hazardous time for an ambitious woman: by the time Frances, Bess's first child, was six, three of her illustrious godparents had been beheaded. Plague regularly wiped out entire families, conspiracies and feuds were rife. But through all this Bess Hardwick bore eight children and built an empire of her own: the great houses of Chatsworth and Hardwick. 'The best account yet of this shrewd, enigmatic and remarkable woman' Sunday Times 'Lovell has excelled at bringing the Tudor age to exuberant life. A phenomenal story' Mail on Sunday 'Utterly absorbing... one of those biographies in which the reader really doesn't want the subject to die' Independent on Sunday

From the exemplary to the notorious to the obscure, this comprehensive and innovative encyclopedia showcases the worthy women of early modern England. Poets, princesses, or pirates, the women of power and agency found in these pages are indeed worth knowing, and this volume will introduce many female figures to even the most established scholars in early modern studies. Rather than using the conventional alphabetical format of the standard biographical encyclopedia, this volume is divided into categories of women. Since many women will fit in more than one category, each woman is placed in the category that best exemplifies her life, and is cross referenced in other appropriate sections. This structure makes the book an interesting read for seasoned scholars of early modern women, while students need not already be familiar with these subjects in order to benefit from the text. Another unusual feature of this reference work is that each entry begins with some incident from the woman’s life that is particularly exciting or significant. Some entries are very brief while others are extensive. Each includes a source listing. The book is well illustrated and liberally sprinkled with quotations of the time either by or about the women in the text.

Who but Truman Capote would dare to say that about (among many, many others) Jacqueline Onassis, Norman Mailer, Montgomery Clift, Andre Gide, Marilyn Monroe, Lee Radziwill, Tennessee Williams, J. D. Salinger, Gore Vidal, and Elizabeth Taylor? Equally pointed is Capote's talk about himself -- his childhood and early fame, his bouts with drugs and alcohol, his homosexuality, his assessment of his talent and his work, including In Cold Blood. tie has definite opinions about good writing, and he isn't shy about saying who he thinks the biggest phonies are among his fellow, writers. Conversations with Capote -- which Capote intended to be the definitive in-depth interview -- makes both the man and his times come alive and has what the San Diego Union called the "quality that will bring readers to it again and again". Copyright © Libri GmbH. All rights reserved.

The Renaissance woman, whether privileged or of the artisan or the middle class, was trained in the expressive arts of needlework and painting, which were often given precedence over writing. Pens and Needles is the first book to examine all these forms as interrelated products of self-fashioning and communication. Because early modern people saw verbal and visual texts as closely related, Susan Frye discusses the connections between the many forms of women's textualities, including notes in samplers, alphabets both stitched and penned, initials, ciphers, and extensive texts like needlework pictures, self-portraits, poetry, and pamphlets, as well as commissioned artwork, architecture, and interior design. She examines works on paper and cloth by such famous figures as Elizabeth I, Mary, Queen of Scots, and Bess of Hardwick, as well as the output of journeywomen needleworkers and miniaturists Levina Teerlinc and Esther Inglis, and their lesser-known sisters in the English colonies of the New World. Frye shows how traditional women's work was a way for women to communicate with one another and to shape their own identities within familial, intellectual, religious, and historical traditions. Pens and Needles offers insights into women's lives and into such literary texts as Shakespeare's Othello and Cymbeline and Mary Sidney Wroth's Urania.