Over 130 poems by 23 poets, including Goethe, Schiller, Holderlin, Tieck, Heine, Nietzsche, many others. New literal English translations on facing pages. Introduction.

This companion is the first book of its kind to focus on the whole of European Romanticism. Describes the way in which the Romantic Movement swept across Europe in the early nineteenth century. Covers the national literatures of France, Germany, Italy, Poland, Russia and Spain. Addresses common themes that cross national borders, such as orientalism, Napoleon, night, nature, and the prestige of the fragment. Includes cross-disciplinary essays on literature and music, literature and painting, and the general system of Romantic arts. Features 35 essays in all, from leading scholars in America, Australia, Britain, France, Italy, and Switzerland.

In Forces of Nature, the authors investigate the relationships between the natural world and gender and sexuality. The authors explore the frameworks within which femininity and nature have been constructed, as well as the impact nature has had on our understandings of masculinity, homosexuality, and heterosexuality. For some writers nature has restorative powers, for others nature embodies violence and destruction. Yet, one common thread runs across all of the chapters in this collection: nature and animals can not be separated from the human experience. Forces of Nature brings to light the intimate connection humans have with the natural world and provides students and scholars with innovative readings of both canonical and noncanonical texts.

This bibliography was commissioned by the English Goethe Society as a contribution to the celebration in 1999 of the 250th anniversary of Goethes birth. It sets out to record translations of his works into English that have been published in the twentieth century, up to and including material published in that anniversary year. It aims to serve as wide a constituency as possible, be it as a simple reference tool for tracing a translation of a given work or as a documentary source for specialized studies of Goethe reception in the English-speaking world. The work records publications during the century, not merely translations that originated during this period. It includes numerous reprintings of older material, as well as some belated first publications of translations from the nineteenth century. It shows how frequent and how long enduring was the recourse of publishers and anthologists to a Goethe Victorian in diction, a signal factor in perceptions and misperceptions. Derek Glass was putting the finishing touches to the bibliography at the time of his sudden death in March 2004. Colleagues at Kings College London have edited the final manuscript, which is now published jointly by the English Goethe Society and the Modern Humanities Research Association both as a worthy commemoration of Goethes anniversary and as a tribute to Derek himself.

Loosely based on Goethe's personal experiences, the novel is written mostly in the form of letters in which Werther recounts his unrequited love for a married woman. Its Sturm und Drang style makes it a perennial favorite with readers of every era. Includes the original German with English translation on the facing pages.

One of the first European bestsellers upon its 1774 publication, this classic of Romantic literature is written mostly in the form of letters in which the hero recounts his unrequited love for a married woman.

Nobel prize-winning author Hermann Hesse imagined life in India during the lifetime of the Buddha to create this memorable tale about a restless seeker of enlightenment. First published in 1922, Siddhartha employs powerful symbolism to impart its timeless teachings. The story concerns a young Brahman who quits his comfortable home to join a roving group of holy men in striving to empty their hearts of passion and desire through self-denial and meditation. Discouraged by his failure to find Nirvana after three years of the strictest asceticism, the young seeker turns to the fleshly world, where he becomes a wealthy merchant and partakes of sensual pleasures with a sophisticated courtesan. Years of materialistic self-indulgence numb Siddhartha's soul, but at his moment of greatest despondency, he begins to experience his long-sought spiritual awakening. True enlightenment, he realizes, cannot be received from the lessons of others; it must be attained through individual struggle. This handy dual-language edition — with its excellent line-for-line English translation on pages facing the original German text — offers students an outstanding opportunity to hone their German-language skills while discovering a literary classic.

Walter Cohen argues that the history of European literature and each of its standard periods can be illuminated by comparative consideration of the different literary languages within Europe and by the ties of European literature to world literature. World literature is marked by recurrent, systematic features, outcomes of the way that language and literature are at once the products of major change and its agents. Cohen tracks these features from ancient times to the present, distinguishing five main overlapping stages. Within that framework, he shows that European literatures ongoing internal and external relationships are most visible at the level of form rather than of thematic statement or mimetic representation. European literature emerges from world literature before the birth of Europe — during antiquity, whose Classical languages are the heirs to the complex heritage of Afro-Eurasia. This legacy is later transmitted by Latin to the various vernaculars. The uniqueness of the process lies in the gradual displacement of the learned language by the vernacular, long dominated by Romance literatures. That development subsequently informs the second crucial differentiating dimension of European literature: the multicontinental expansion of its languages and characteristic genres, especially the novel, beginning in the Renaissance. This expansion ultimately results in the reintegration of European literature into world literature and thus in the creation of todays global literary system. The distinctiveness of European literature is to be found in these interrelated trajectories.