Berlin Ghetto tells the story of a group of young people who had lives filled with intellectual exploration, intense friendships and romances - and dangerous, illegal political action against the Nazi regime. The roots of anti-fascism in the Communist, Socialist and Jewish youth movements of pre-Nazi working class Berlin are examined. The story of Herbert Baum and anti-fascism in the heart of Hitler's Reich is told through oral and written testimony of survivors, friends and relatives of group members, Nazi trial records and other primary documents of the period. In May of 1942, Baum and several others went into the massive anti-Soviet and anti-Semitic Nazi propaganda exhibition Das Sowjet-Paradies (Soviet Paradise) and set off several small explosive devices. A comrade of Baum's was interrogated by the Gestapo and under torture gave them a list of people associated with the Baum group. One by one, those on the list were arrested, put on trial and executed. Others were sent to concentration or death camps, whilst a few managed to survive underground. Berlin Ghetto is a testament to courage and youthful sacrifice, to Jewish (and non-Jewish) anti-fascist resistance in Nazi Germany.

Just as European Jews were being emancipated and ghettos in their original form—compulsory, enclosed spaces designed to segregate—were being dismantled, use of the word ghetto surged in Europe and spread around the globe. Tracing the curious path of this loaded word from its first use in sixteenth-century Venice to the present turns out to be more than an adventure in linguistics. Few words are as ideologically charged as ghetto. Its early uses centered on two cities: Venice, where it referred to the segregation of the Jews in 1516, and Rome, where the ghetto survived until the fall of the Papal States in 1870, long after it had ceased to exist elsewhere. Ghetto: The History of a Word offers a fascinating account of the changing nuances of this slippery term, from its coinage to the present day. It details how the ghetto emerged as an ambivalent metaphor for “premodern” Judaism in the nineteenth century and how it was later revived to refer to everything from densely populated Jewish immigrant enclaves in modern cities to the hypersegregated holding pens of Nazi-occupied Eastern Europe. We see how this ever-evolving word traveled across the Atlantic Ocean, settled into New York’s Lower East Side and Chicago’s Near West Side, then came to be more closely associated with African Americans than with Jews. Chronicling this sinuous transatlantic odyssey, Daniel B. Schwartz reveals how the history of ghettos is tied up with the struggle and argument over the meaning of a word. Paradoxically, the term ghetto came to loom larger in discourse about Jews when Jews were no longer required to live in legal ghettos. At a time when the Jewish associations have been largely eclipsed, Ghetto retrieves the history of a disturbingly resilient word.

November 9th 1938 is widely seen as a violent turning point in Nazi Germany’s assault on the Jews. An estimated 400 Jews lost their lives in the anti-Semitic pogrom and more than 30,000 were imprisoned or sent to concentration camps, where many were brutally mistreated. Thousands more fled their homelands in Germany and Austria, shocked by what they had seen, heard and experienced. What they took with them was not only the pain of saying farewell but also the memory of terrible scenes: attacks by mobs of drunken Nazis, public humiliations, burning synagogues, inhuman conditions in overcrowded prison cells and concentration camp barracks. The reactions of neighbours and passersby to these barbarities ranged from sympathy and aid to scorn, mockery, and abuse. In 1939 the Harvard sociologist Edward Hartshorne gathered eyewitness accounts of the Kristallnacht from hundreds of Jews who had fled, but Hartshorne joined the Secret Service shortly afterwards and the accounts he gathered were forgotten – until now. These eyewitness testimonies – published here for the first time with a Foreword by Saul Friedländer, the Pulitzer Prize historian and Holocaust survivor – paint a harrowing picture of everyday violence in one of Europe’s darkest moments. This unique and disturbing document will be of great interest to anyone interested in modern history, Nazi Germany and the historical experience of the Jews.

As an increasingly polarized America fights over the legacy of racism, Susan Neiman, author of the contemporary philosophical classic Evil in Modern Thought, asks what we can learn from the Germans about confronting the evils of the past In the wake of white nationalist attacks, the ongoing debate over reparations, and the controversy surrounding Confederate monuments and the contested memories they evoke, Susan Neiman’s Learning from the Germans delivers an urgently needed perspective on how a country can come to terms with its historical wrongdoings. Neiman is a white woman who came of age in the civil rights–era South and a Jewish woman who has spent much of her adult life in Berlin. Working from this unique perspective, she combines philosophical reflection, personal stories, and interviews with both Americans and Germans who are grappling with the evils of their own national histories. Through discussions with Germans, including Jan Philipp Reemtsma, who created the breakthrough Crimes of the Wehrmacht exhibit, and Friedrich Schorlemmer, the East German dissident preacher, Neiman tells the story of the long and difficult path Germans faced in their effort to atone for the crimes of the Holocaust. In the United States, she interviews James Meredith about his battle for equality in Mississippi and Bryan Stevenson about his monument to the victims of lynching, as well as lesser-known social justice activists in the South, to provide a compelling picture of the work contemporary Americans are doing to confront our violent history. In clear and gripping prose, Neiman urges us to consider the nuanced forms that evil can assume, so that we can recognize and avoid them in the future.

Intro -- Contents -- Prologue: Me and Berlin -- 1. Places: Schönhauser Allee -- 2. Places: Bayerisches Viertel -- 3. People: Rahel Varnhagen -- 4. People: James Simon -- 5. People: Walter Benjamin -- Epilogue: Recollections, Reconstructions -- Acknowledgments -- Suggestions for Further Reading.

Inspired by true events, David Safier's 28 Days: A Novel of Resistance in the Warsaw Ghetto is a harrowing historical YA that chronicles the brutality of the Holocaust. Warsaw, 1942. Sixteen-year old Mira smuggles food into the Ghetto to keep herself and her family alive. When she discovers that the entire Ghetto is to be "liquidated"—killed or "resettled" to concentration camps—she desperately tries to find a way to save her family. She meets a group of young people who are planning the unthinkable: an uprising against the occupying forces. Mira joins the resistance fighters who, with minimal supplies and weapons, end up holding out for twenty-eight days, longer than anyone had thought possible.

Provides a close-up look at the little-known story of Berlin's Jewish Hospital, the only Jewish institution in Germany to survive the Holocaust, drawing on the accounts of survivors to describe daily life in the hospital under the Nazis, the machinations of hospital director Dr. Lustig, the medical staff and patients, and the hospital's liberation

An unknown story of an unlikely hero--the US consul who best analyzed the threat posed by Nazi Germany and predicted the horrors to come In 1929, Raymond Geist went to Berlin as a consul and handled visas for emigrants to the US. Just before Hitler came to power, Geist expedited the exit of Albert Einstein. Once the Nazis began to oppress Jews and others, Geist's role became vitally important. It was Geist who extricated Sigmund Freud from Vienna and Geist who understood the scale and urgency of the humanitarian crisis. Even while hiding his own homosexual relationship with a German, Geist fearlessly challenged the Nazi police state whenever it abused Americans in Germany or threatened US interests. He made greater use of a restrictive US immigration quota and secured exit visas for hundreds of unaccompanied children. All the while, he maintained a working relationship with high Nazi officials such as Heinrich Himmler, Reinhard Heydrich, and Hermann Göring. While US ambassadors and consuls general cycled in and out, the indispensable Geist remained in Berlin for a decade. An invaluable analyst and problem solver, he was the first American official to warn explicitly that what lay ahead for Germany's Jews was what would become known as the Holocaust.

"Offers a clear introduction to a fascinating, yet little known, phenomenon in Nazi Germany, whose very existence will be a surprise to the general public and to historians. Easily blending general history with musicology, the book provides provocative yet compelling analysis of complex issues." ---Michael Meyer, author of The Politics of Music in the Third Reich "Hirsch poses complex questions about Jewish identity and Jewish music, and she situates these against a political background vexed by the impossibility of truly viable responses to such questions. Her thorough archival research is complemented by her extensive use of interviews, which gives voice to those swept up in the Holocaust. A Jewish Orchestra in Nazi Germany is a book filled with the stories of real lives, a collective biography in modern music history that must no longer remain in silence." ---Philip V. Bohlman, author of Jewish Music and Modernity "An engaging and downright gripping history. The project is original, the research is outstanding, and the presentation lucid." ---Karen Painter, author of Symphonic Aspirations: German Music and Politics, 1900-1945 The Jewish Culture League was created in Berlin in June 1933, the only organization in Nazi Germany in which Jews were not only allowed but encouraged to participate in music, both as performers and as audience members. Lily E. Hirsch's A Jewish Orchestra in Nazi Germany is the first book to seriously investigate and parse the complicated questions the existence of this unique organization raised, such as why the Nazis would promote Jewish music when, in the rest of Germany, it was banned. The government's insistence that the League perform only Jewish music also presented the organization's leaders and membership with perplexing conundrums: what exactly is Jewish music? Who qualifies as a Jewish composer? And, if it is true that the Nazis conceived of the League as a propaganda tool, did Jewish participation in its activities amount to collaboration? Lily E. Hirsch is Assistant Professor of Music at Cleveland State University.