At any given moment, the human body contains millions of parasites. This is the story of just one. A really, really nasty one. Benjamin Wilson was having a lousy month even before the stomach pains began. He was about to turn forty. One of his students had been shot while on a homicidal meat cleaver rampage. And shortly after the funeral, Benjamin didn't feel so good... Now everything is changing. His body is being affected in some very unpleasant ways. His personality is developing a few "quirks." But the biggest change is that he has a bunch of evil and/or psychotic people trying to hunt him down to acquire the parasite. His only hope is Julie, a gorgeous bounty hunter who may or may not have Benjamin's best interests in mind, and who may or may not be competent enough to help him anyway. Jeff Strand, author of Dead Clown Barbecue, Wolf Hunt, and Blister, delivers his most outrageous adventure yet--an over-the-top mix of gruesome body horror and a wacky road trip comedy.

Influential philosopher Michel Serres’s foundational work uses fable to explore how human relations are identical to that of the parasite to the host body. Among Serres’s arguments is that by being pests, minor groups can become major players in public dialogue—creating diversity and complexity vital to human life and thought.

March 24. The spring is fairly with us now. Outside my laboratory window the great chestnut-tree is all covered with the big, glutinous, gummy buds, some of which have already begun to break into little green shuttlecocks. As you walk down the lanes you are conscious of the rich, silent forces of nature working all around you. The wet earth smells fruitful and luscious. Green shoots are peeping out everywhere. The twigs are stiff with their sap; and the moist, heavy English air is laden with a faintly resinous perfume. Buds in the hedges, lambs beneath them-everywhere the work of reproduction going forward! I can see it without, and I can feel it within. We also have our spring when the little arterioles dilate, the lymph flows in a brisker stream, the glands work harder, winnowing and straining. Every year nature readjusts the whole machine. I can feel the ferment in my blood at this very moment, and as the cool sunshine pours through my window I could dance about in it like a gnat. So I should, only that Charles Sadler would rush upstairs to know what was the matter. Besides, I must remember that I am Professor Gilroy. An old professor may afford to be natural, but when fortune has given one of the first chairs in the university to a man of four-and-thirty he must try and act the part consistently.

How to Think Like Benjamin Graham and Invest Like Warren Buffett wraps a lifetime of investing wisdom into one highly accessible package. An intelligent guide to analyzing and valuing investment targets, it tells investors what questions to ask, what answers to expect, and how to approach any stock as a skeptical, common-sense business analyst. Above all, this fast-paced book provides investors with the tools they need to thoroughly value any business in which they might invest. A common-sense approach to investing, this book discusses: Three things investors must get from a financial statement Valuation examples from today's top companies including GE, Amazon, Microsoft, and Disney Why prices deviate from actual values

Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication and how they aimed at creating a media ecology based on and inspired by technologies such as the radio and the photo cell.

This collection of nine essays focuses on those writings of Walter Benjamin (1892-1940) on literature and language that have a direct relevance to contemporary literary theory, notably his analyses of myth, violence, history, criticism, literature, and mass media. In an introductory essay, David S. Ferris discusses the problem of history, aura, and resistance in Benjamin’s later work and in its reception. Samuel Weber, in a reading of Benjamin’s most influential essay, "The Work of Art in the Age of Mechanical Reproduction,” analyzes the status of the image and technology in Benjamin’s own terms and in the shadow of Heidegger. Rodolphe Gasché devotes himself to an analysis of Benjamin’s dissertation on the German Romantics, providing a valuable guide to a major text that has yet to appear in English translation.