This book addresses the many avenues that are still left unexplored when it comes to our understanding of the First World War in the Low Countries. With the ongoing the centenary of the Great War, many events have been organized in the United Kingdom to commemorate its military events, its socio-political consequences, and its cultural legacy. Of these events, very few have paid attention to the fates of Belgium or the Netherlands, even though it was the invasion of Belgium in August 1914 that was the catalyst for Great Britain declaring war. The occupation of Belgium had long-term consequences for its people, but much of the military and social history of the Western Front concentrates on northern France, and the Netherlands is largely forgotten as a nation affected by the First World War. By opening the field beyond the military and beyond the front, this collection explores the interdisciplinary and international nature of the Great War.

Due to its unprecedented violence and unexpected duration, the First World War generated many complex and tragic experiences, which over time have been reinterpreted. Connecting past experiences with current memories of the war - in order to revisit in an interdisciplinary way Belgium's archival and literary, as well as material and monumental war heritage - is the goal of this book which presents the outcomes of the research project Experiences and Memories of the Great War in Belgium (MEMEX WW1). The following topics as part of the historical, psychological and memory studies are addressed: emotions and writing strategies in a war context and attitudes towards the Germans based on the diaries of Belgian soldiers and scholars; the memory of the war in the two fort cities of Antwerp and Liege during the Interbellum; the literary reception of Tom Lanoye's No Man's Land and the impact of the reading of some poems to current Flemish students. Another issue concerning the social representations of the war investigates the representations of soldiers as heroes or as victims among young Europeans. As for the impact of war centenary commemoration events, they are analyzed firstly through the iconology of the First World War illustrated on stamps and secondly through the effects of exhibitions and documentaries on young Belgians.

Following on from the highly acclaimed Facing Armageddon and Passchendaele in Perspective, At the Eleventh Hour recognises that a world was ending in November 1918, and by international collaboration on the 80th Anniversary we learn through this book, what it was like to experience the transition from war to peace. Distinguished historians brilliantly convey a sense of immediacy as the Armistice is recreated and analysed.The reader will not just acquire new areas of information, he will have some of the existing knowledge which he thought was soundly held, strikingly challenged in the pages of this superbly illustrated book.

A historian and former Belgian diplomat sheds light on the country’s tumultuous experience during WWI. In August of 1914, the German Empire invaded neutral Belgium in order to outflank the defenses of the French army. Yet the Belgian army resisted, managing to hold a small part of unoccupied Belgian territory north of Ypres until the Armistice of 1918. Because of their heroic defense, Belgium and its King enjoyed enormous international prestige after the war. Occupied Belgium suffered civilian executions and severe destruction. It was widely stripped of its highly developed industrial infrastructure. It was saved from starvation by food shipments from the United States which came in via neutral Holland. Four and a half years later, Belgium emerged a different country with experiences that would leave a lasting on its spirit as well as wide-ranging political implications.

From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.

Based on the analysis of more than 35,000 company balance sheets, annual series of gross private investment have been constructed for 15 different sectors in Belgium between 1900 and 1995. The resulting data clearly show that the level of gross investment in the Belgian economy, expressed as a percentage of national income, was generally much lower than during the post world war two period. An international comparison demonstrates that Belgium usually invested far less than its major competitors. Moreover, the traditional coal and metal industries benefitted most of the investment effort instead of newer sectors like the chemical industry. Thus the present study contributes to explaining for the relatively poor growth performances of the Belgian economy prior to the 1960s.

Passchendaele In Perspective explores the context and real nature of the participants’ experience, evaluates British and German High Command, the aerial and maritime dimensions of the battle, the politicians and manpower debates on the home front and it looks at the tactics employed, the weapons and equipment used, the experience of the British; German and indeed French soldiers. It looks thoroughly into the Commonwealth soldiers’ contribution and makes an unparalleled attempt to examine together in one volume ‘specialist’ facets of the battle, the weather, field survey and cartography, discipline and morale, and the cultural and social legacy of the battle, in art, literature and commemoration. Each one of its thirty chapters presents a thought-provoking angle on the subject. They add up to an unique analysis of the battle from Commonwealth, American, German, French, Belgian and United Kingdom historians. This book will undoubtedly become a valued work of reference for all those with an interest in World War One.

The impact of the Great War and its aftermath on Belgian artistic life World War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 – Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.

Belgium was a major hub for transnational movements. By taking this small and yet significant European country as a focal point, the book critically examines major issues in modern history, including nationalism, colonial expansion, debates on the nature of international relations and campaigns for political and social equality. Now available in paperback, this study explores an age in which many groups and communities – from socialists to scientists – organised themselves across national borders. The timeframe covers the rise of international movements and associations before the First World War, the conflagration of 1914 and the emergence of new actors such as the League of Nations. The book acknowledges the changing framework for transnational activism, including its interplay with domestic politics and international institutions. By tracing international movements and ideas, the book aims to reveal and explain the multifarious and sometimes contradictory nature of internationalism.

The Everyday Nationalism of Workers upends common notions about how European nationalism is lived and experienced by ordinary people—and the bottom-up impact these everyday expressions of nationalism exert on institutionalized nationalism writ large. Drawing on sources from the major urban and working-class centers of Belgium, Maarten Van Ginderachter uncovers the everyday nationalism of the rank and file of the socialist Belgian Workers Party between 1880 and World War I, a period in which Europe experienced the concurrent rise of nationalism and socialism as mass movements. Analyzing sources from—not just about—ordinary workers, Van Ginderachter reveals the limits of nation-building from above and the potential of agency from below. With a rich and diverse base of sources (including workers' "propaganda pence" ads that reveal a Twitter-like transcript of proletarian consciousness), the book shows all the complexity of socialist workers' ambivalent engagement with nationhood, patriotism, ethnicity and language. By comparing the Belgian case with the rise of nationalism across Europe, Van Ginderachter sheds new light on how multilingual societies fared in the age of mass politics and ethnic nationalism.