Going back where you came from is harder if it's where you already are...Migrants arrive in the Lucky Country from lands their forebears knew for a thousand years. They know where they are and why they're here and what they face. Then there are their children, born in a country that can't spell their names, and of a heritage that doesn't know they were born. Reminded every day that he doesn't quite belong, and reminding himself where others forget or couldn't care less, second generation Ed Casper sets out on a journey to not only be an Australian but to be his country, to "be Australia," with Henry Lawson as his guide. Determined to "romance the swag," Ed abandons his career for outback sheep stations and works his way to an iconic identity while at a crossroads in his life, while at a crossroads in his nation. The chronicle explores the changing face of Australia, and a name among many that it went by, Ed Casper. It examines the decisions we make and the worlds we build because of them. Reinventing the past. Another story from the 'BEING' series.

In Australia, regions are not just geographic locations, they are also cultural ideas. Being regional means being located outside the nation’s capital cities and in the periphery of its centres of power and influence. Regional development in Australia is thus significantly different than its European or American counterparts. However, surprisingly little has been written about the unique dynamics of development in Australia's regions; this book has been written to fill this gap. In recent decades the Australian government has made repeated policy efforts to achieve sustainable development in its non-metropolitan areas. Over the same period, those who live and work outside the nation’s capital cities have come to identify as regional Australians. This book takes an anthropological approach to understanding the particularities of regional development in Australia. It draws upon rich, on-the-ground observations of towns, industries, universities, development organisations, and communities across different settings to provide an in-depth understanding of the subject. This book will be of interest to researchers and practitioners concerned with regional development and policy.

Featured on Australian Story, Peter Andrews is a racehorse breeder and farmer credited with remarkable success in converting degraded, salt-ravaged properties into fertile, drought-resistant pastures. His methods are so at odds with conventional scientific wisdom that for 30 years he has been dismissed and ridiculed as a madman. He has faced bankruptcy and family break-up. But now, on the brink of ecological disaster, leading politicians, international scientists and businessmen are beating a path to his door as they grapple with how best to alleviate the affects of drought on the Australian landscape. Described as a man who reads and understands the Australian landscape better than most scientists, supporters of Peter Andrews claim he has done what no scientist ever thought to do - he has restored streams and wetlands to the way they were before European settlement interfered with them. the startling results of his natural sequence farming are said to have been achieved very cheaply, simply and quickly.

Childhood stories of family, country and belonging What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart – sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect. This groundbreaking collection will enlighten, inspire and educate about the lives of Aboriginal people in Australia today. Contributors include: Tony Birch, Deborah Cheetham, Adam Goodes, Terri Janke, Patrick Johnson, Ambelin Kwaymullina, Jack Latimore, Celeste Liddle, Amy McQuire, Kerry Reed-Gilbert, Miranda Tapsell, Jared Thomas, Aileen Walsh, Alexis West, Tara June Winch, and many, many more. Winner, Small Publisher Adult Book of the Year at the 2019 Australian Book Industry Awards ‘Growing Up Aboriginal in Australia is a mosaic, its more than 50 tiles – short personal essays with unique patterns, shapes, colours and textures – coming together to form a powerful portrait of resilience.’ —The Saturday Paper ‘... provides a diverse snapshot of Indigenous Australia from a much needed Aboriginal perspective.’ —The Saturday Age

‘No amount of YouTube videos and queer think pieces prepared me for this moment.’ ‘The mantle of “queer migrant” compelled me to keep going – to go further.’ ‘I never “came out” to my parents. I felt I owed them no explanation.’ ‘All I heard from the pulpit were grim hints.’ ‘I became acutely aware of the parts of myself that were unpalatable to queers who grew up in the city.’ ‘My queerness was born in a hot dry land that was never ceded.’ ‘Even now, I sometimes think that I don’t know my own desire.’ Compiled by celebrated author and journalist Benjamin Law, Growing Up Queer in Australia assembles voices from across the spectrum of LGBTIQA+ identity. Spanning diverse places, eras, ethnicities and experiences, these are the stories of growing up queer in Australia. ‘For better or worse, sooner or later, life conspires to reveal you to yourself, and this is growing up.’ With contributions from David Marr, Fiona Wright, Nayuka Gorrie, Steve Dow, Holly Throsby, Sally Rugg, Tony Ayres, Nic Holas, Rebecca Shaw and many more.

The last three decades the Australian Left has shaped national life in Australia. Questions of legal liberalism, indigenous rights and sexual identity have become central in Left politics, but mostly not economics. Today's New Left has grappled with the remnant past radicalisms, such as Marxism and radical feminism, but also new challenges.

I was born in Harare, the capital of Zimbabwe. My dad was a freedom fighter, waging war for an independent state: South Sudan. We lived in a small country town, in the deep south of Western Australia. I never knew black people could be Muslim until I met my North African friends. My mum and my dad courted illegally under the Apartheid regime. My first impression of Australia was a housing commission in the north of Tasmania. Somalis use this term, “Dhaqan Celis”. “Dhaqan” means culture and “Celis” means return. Learning to kick a football in a suburban schoolyard. Finding your feet as a young black dancer. Discovering your grandfather’s poetry. Meeting Nelson Mandela at your local church. Facing racism from those who should protect you. Dreading a visit to the hairdresser. House- hopping across the suburbs. Being too black. Not being black enough. Singing to find your soul, and then losing yourself again. Welcome to African Australia. Compiled by award-winning author Maxine Beneba Clarke, with curatorial assistance from writers Ahmed Yussuf and Magan Magan, this anthology brings together voices from the regions of Africa and the African diaspora, including the Caribbean and the Americas. Told with passion, power and poise, these are the stories of African-diaspora Australians. Contributors include Faustina Agolley, Santilla Chingaipe, Carly Findlay, Khalid Warsame, Nyadol Nyuon, Tariro Mavondo and many, many more. ‘A deeply moving and unforgettable read – there is something to learn from each page. FOUR AND A HALF STARS’ —Books+Publishing ‘A complex tapestry of stories specific in every thread and illuminating as a whole ... The wonderful strength of this anthology lies in the easily understood and the never imagined.’ —Readings ‘In the face of structural barriers to health care, education, housing and employment, the narratives in Growing Up African are tempered with stories of deep courage, hope, resilience and endurance.’ —The Conversation ‘Growing Up African in Australia is almost painfully timely. It speaks to the richness of a diaspora that is all too often deprived of its nuances ... Lively, moving, and often deeply affecting, it is an absolute must-read. FOUR AND A HALF STARS’ —The AU Review

Winner, Prize for Fiction, The 2018 Victorian Premier’s Literary Awards ‘Melanie Cheng is an astonishingly deft and incisive writer. With economy and elegance, she creates a dazzling mosaic of contemporary life, of how we live now. Hers is a compelling new voice in Australian literature.’ Christos Tsiolkas Australia Day is a collection of stories by debut author Melanie Cheng. The people she writes abut are young, old, rich, poor, married, widowed, Chinese, Lebanese, Christian, Muslim. What they have in common—no matter where they come from—is the desire we all share to feel that we belong. The stories explore universal themes of love, loss, family and identity, while at the same time asking crucial questions about the possibility of human connection in a globalised world. Melanie Cheng is a writer and general practitioner. She was born in Adelaide, grew up in Hong Kong and now lives in Melbourne. Her debut collection of short stories, Australia Day, won the Victorian Premier’s Literary Award for an Unpublished Manuscript in 2016 and the Victorian Premier’s Literary Award for Fiction in 2018. Room for a Stranger is her first novel. ‘A stunning debut that takes its place among Australian short story greats.’ AU Review ‘The book bears witness to the author’s empathetic eye, multicultural characterisation and easy facility with dialogue...This short story collection explores what it means to belong, to be Australian; its insight from different vantage points and its photo-realistic narrative make it an exciting and impressive debut.’ Judges’ Report, Victorian Premier’s Literary Awards, 2018 ‘All of her characters—a diverse cast of difference races and faiths—are searching for connection or a sense of belonging, and coming up short. Despite its title the focus of this collection is not explicitly on that increasingly controversial public holiday. Rather, it is on the struggles, internal and external, that occur when people from different backgrounds meet by chance or are brought together...Australia Day is a bittersweet, beautifully crafted collection that will be much admired by fans of Cate Kennedy and Tony Birch.’ Books+Publishing ‘What a wonderful book, a book with bite. These stories have a real edge to them. They are complex without being contrived, humanising, but never sentimental or cloying—and, ultimately, very moving.’ Alice Pung ‘In each story, Melanie Cheng creates an entire microcosm, peeling back the superficial to expose the raw nerves of contemporary Australian society. Her eye is sharp and sympathetic, her characters flawed and funny and utterly believable.’ Jennifer Down ‘Melanie Cheng’s stories are a deep dive into the diversity of humanity. They lead you into lives, into hearts, into unexplored places, and bring you back transformed.’ Michelle Wright ‘The characters stay in the mind, their lives and experiences mirroring many of our own, challenging us to think how we might respond in their place. An insightful, sometimes uncomfortable portrayal of multicultural Australia from an observant and talented writer.’ Ranjana Srivastava ‘If only the PM might pick up a copy, even by mistake.’ Saturday Paper ‘A wonderful feat of storytelling...Melanie Cheng is an exciting new writer.’ Readings ‘A sumptuous collection of fourteen short stories, which are disparate but with modern Australia or Australians at their heart, exploring issues of racism, infidelity, grief, parenthood, children and ageing...they are heartfelt and Melbourne-based Cheng paints the characters beautifully.’ Herald Sun ‘The happy surprise of Cheng’s work as a collection lies in her resolute grasp of the absolute normalcy of a culture that not so many years ago was divided and dually suspicious. The census gives us the facts but it takes fiction to make reality three-dimensional.’ Sydney Morning Herald ‘The author’s empathetic eye and easy facility with dialogue make the anthology a strong debut, with the longer stories in particular offering breadth and depth...It feels like Cheng has taken a wide sample from the census to craft this inclusive portrait of contemporary Australia.’ Big Issue‘Cheng’s work is polished and affecting. Australia Day is that thing we all chase: a complex, engaging and timely read.’ Lifted Brow ‘Cheng paints a holistic snapshot of Australian life, with the result being a collection of stories that are simultaneously cynical and hopeful...The ambiguity inherent in labelling something “Australian" is also manifest in Cheng’s characters, prompting the reader to interrogate their own definition of what it means to be Australian.’ Kill Your Darlings ‘Wonderful.’ Christos Tsiolkas, Sydney Morning Herald’s Year in Reading ‘Melanie Cheng’s Australia Day brought this prodigal reader of short fiction back into the fold. And what better return than through Cheng’s creation of illuminated characters of colour—young, old, rich, poor, married, widowed, Muslim, Chinese...Cheng’s Australia Day explores the density and difficulty inherent in being culturally and physically different and serves to remind me that when our six families of adopted children from China gather in Queenscliffe on Australia Day each year, raising two flags on the pole instead of one that we, like all of Cheng’s characters, are restoring belonging from our individual and collective loss.’ Wheeler Centre, 2017 Favourites ‘This smart, engaging short story collection offers fresh perspectives on what it means to be Australian today. The stories also explore identity and belonging in a variety of other ways, delving into family, love, class and education. Big themes aside, every story is beautifully written and a total pleasure to read.’ Emily Maguire, Australian Women’s Weekly '[Cheng’s] individual characters suggest the ways in which we might move forward...Australia Day imagines a tomorrow where we can love our communities, our celebrations and our food, without leaving behind critical good taste.’ Sydney Review of Books

Dark Emu puts forward an argument for a reconsideration of the hunter-gatherer tag for pre-colonial Aboriginal Australians. The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating and storing - behaviors inconsistent with the hunter-gatherer tag. Gerritsen and Gammage in their latest books support this premise but Pascoe takes this further and challenges the hunter-gatherer tag as a convenient lie. Almost all the evidence comes from the records and diaries of the Australian explorers, impeccable sources.