Exploring the Yoruba tradition in the United States, Hucks begins with the story of Nana Oseijeman Adefunmi’s personal search for identity and meaning as a young man in Detroit in the 1930s and 1940s. She traces his development as an artist, religious leader, and founder of several African-influenced religio-cultural projects in Harlem and later in the South. Adefunmi was part of a generation of young migrants attracted to the bohemian lifestyle of New York City and the black nationalist fervor of Harlem. Cofounding Shango Temple in 1959, Yoruba Temple in 1960, and Oyotunji African Village in 1970, Adefunmi and other African Americans in that period renamed themselves “Yorubas” and engaged in the task of transforming Cuban Santer'a into a new religious expression that satisfied their racial and nationalist leanings and eventually helped to place African Americans on a global religious schema alongside other Yoruba practitioners in Africa and the diaspora. Alongside the story of Adefunmi, Hucks weaves historical and sociological analyses of the relationship between black cultural nationalism and reinterpretations of the meaning of Africa from within the African American community.

Faith in Unions is a personal account, representing a critique of Whiteness and Black marginality in the Faith Workers Trade Union. In short, it is a Black theology critique of the way Muslim and Hindu faith workers have been treated in the British Labour movement. This book clearly has things to say about discriminatory practices, which puts the discussion about Englishness and Britishness into a wider context. I am suggesting a political agenda associated with English ethnicity as the mode of involvement to explain policies that are likely to result in racialised religious exclusion. Faith in Unions gives focus to Muslim and Hindu workplace groupings within the Faith Workers Branch and the opposition to their formation from Anglican and Methodist Christian members. I am concerned with the struggle for faith recognition within a discriminatory and institutionally racist union structure. This book offers an explicit exploration of what I mean by “the racialised other” in the context of the British Labour movement. In this we need to understand the ways historical Christianity has defined Black identities. My conclusion hopefully will start a wider discussion of Englishness and English exclusivity.

Hood's unique and fascinating work probes the mythic roots of racial prejudice in Western attitudes toward color. With special attention to the history of ideas, but also to pictorial images and popular movements, Hood documents the inception and growth of the myth of black carnality, with its commingling of disdain and desire, fear and fascination.

Manifesting the Primal Imagination explores a little known, but important, aspect of Black American Christianity—the primal spirituality of the Black Pentecostal and spiritual church. Set against the backdrop of a Christianity believed by many to be synonymous with White Western culture, Manifesting the Primal Imagination demonstrates how this image of Christianity came to be, and how it is false, through a historical and scriptural examination of Christianity itself. At a time in which the nature of Christian faith is hotly contested, with many rejecting Christianity on the basis of its historical association with White supremacist claims, Settles advocates for a rereading of the history of Black American faith in a way that recognizes the importance of the primal imagination to Christianity itself.

How were early Christians influenced by contemporary assumptions about ethnic and colour differences? Why were early Christian writers so attracted to the subject of Blacks, Egyptians, and Ethiopians? Looking at the neglected issue of race brings valuable new perspectives to the study of the ancient world; now Gay Byron's exciting work is the first to survey and theorise Blacks, Egyptians and Ethiopians in Christian antiquity. By combining innovative theory and methodology with a detailed survey of early Christian writings, Byron shows how perceptions about ethnic and color differences influenced the discursive strategies of ancient Christian authors. She demonstrates convincingly that, in spite of the contention that Christianity was to extend to all peoples, certain groups of Christians were marginalized and rendered invisible and silent. Original and pioneering, this book will inspire discussion at every level, encouraging a broader and more sophisticated understanding of early Christianity for scholars and students alike.

Black Theology, Slavery and Contemporary Christianity explores the legacy of slavery in Black theological terms. Challenging the dominant approaches to the history and legacy of slavery in the British Empire, the contributors show that although the 1807 act abolished the slave trade, it did not end racism, notions of White supremacy, or the demonization of Blackness, Black people and Africa. This interdisciplinary study draws on biblical studies, history, missiology and Black theological reflection, exploring the strengths and limitations of faith as the framework for abolitionist rhetoric and action. This Black theological approach to the phenomenon of the trans-Atlantic slave trade and the institution of slavery draws on contributions from Africa, the Caribbean, North America and Europe.

A discussion of inter-racial sexual relations in Anglo-American literature from the English Renaissance to today.

If you need a helping hand with Shakespeare, this book provides it. Dr Cedric Watts, Emeritus Professor of English Literature at Sussex University, offers a broad introductory survey of Shakespeare's works and techniques. Every play is discussed critically - even Love's Labour's Won! Matters of prosody and rhetoric are explained. The Sonnets are interpreted provocatively. 'An ideal book for those coming to Shakespeare for the first time and for more experienced readers. Watts offers the most lively and cheering company', says Professor David Hopkins of Bristol University. The eminent novelist Ian McEwan adds: 'Cedric Watts is a superb critic in the liberal tradition - highly readable, open and generous in spirit, broad and deep in his reading, and wise in judgement.' Cedric Watts has written numerous books on Shakespeare's works, and has edited 21 of the plays for the Wordsworth Classics' Shakespeare Series.