This consistent top-seller includes 65 works by these famous composers: C. P. E. Bach, J. S. Bach, Beethoven, Chopin, Grieg, Handel, Haydn, Mendelssohn, Schubert , Schumann and Tchaikovsky. Excellent, motivating literature for the intermediate pianist.

(Misc). Build your own personal library of orchestral repertoire at an incredibly low price. The Orchestra Musician's CD-ROM Library is a compilation of printed parts, by instrument, of orchestral masterworks by the music world's most celebrated composers. This volume includes 90 orchestral works by Beethoven, Schubert, Mendelssohn, Berlioz, Weber, Rossini, Donizetti, Auber and Cherubini. CDs are available for Violin I and II, Viola, Cello, Bass, Flute & Piccolo, Clarinet, Oboe & English Horn, Horn, Bassoon, Contrabassoon, Trumpet & Cornet, Low Brass (which includes Trombone & Tuba), and Timpani/Percussion. It's simple. Use the CD-ROM drive in your PC or Mac to view or print clear letter-sized copies. The Orchestra Musician's CD-ROM Library installs easily and quickly. Adobe Acrobat Reader technology is utilized (free download included on each CD), so no special access codes or software are required. Go to www.orchmusiclibrary.com for a complete listing of the contents of Volume 1.

Biographies of three of the greatest musical geniuses that have ever lived.

Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony.

(Misc). Build your own personal library of orchestral repertoire at an incredibly low price. The Orchestra Musician's CD-ROM Library is a compilation of printed parts, by instrument, of orchestral masterworks by the music world's most celebrated composers. This volume includes 90 orchestral works by Beethoven, Schubert, Mendelssohn, Berlioz, Weber, Rossini, Donizetti, Auber and Cherubini. CDs are available for Violin I and II, Viola, Cello, Bass, Flute & Piccolo, Clarinet, Oboe & English Horn, Horn, Bassoon, Contrabassoon, Trumpet & Cornet, Low Brass (which includes Trombone & Tuba), and Timpani/Percussion. It's simple. Use the CD-ROM drive in your PC or Mac to view or print clear letter-sized copies. The Orchestra Musician's CD-ROM Library installs easily and quickly. Adobe Acrobat Reader technology is utilized (free download included on each CD), so no special access codes or software are required. Go to www.orchmusiclibrary.com for a complete listing of the contents of Volume 1.

This great classical piano book includes 55 of the most beautiful Piano Solos of all times. Piano Masterpieces from the following great composers: Bach, Beethoven, Burgmuller, Chopin, Clementi, Debussy, Grieg, Handel, Haydn, Kuhlau, Mendelssohn Bartholdy, Mozart, Pachelbel, Petzold, Satie, Schumann, Telemann, Tchaikovsky.

Wilson explains why the traditional practice of dividing Beethoven's life into three periods can be misleading, why he believes that the tearing of Napoleon's name from the title-page of the Eroica symphony was only a gesture, that Beethoven's real attitude to Napoleon was not as it seemed, and more.

Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822–8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.