Distributor statement from label on back cover.

The "disappearance" of the poet Rosemary Tonks in the 1970s was one of the literary world's most tantalising mysteries - the subject of a BBC feature in 2009 called The Poet Who Vanished.After publishing two extraordinary poetry collections - and six satirical novels - she turned her back on the literary world after a series of personal tragedies and medical crises which made her question the value of literature and embark on a restless, self-torturing spiritual quest. This involved totally renouncing poetry, and suppressing her own books.Interviewed earlier in 1967, she spoke of her direct literary forebears as Baudelaire and Rimbaud: 'They were both poets of the modern metropolis as we know it and no one has bothered to learn what there is to be learned from them...The main duty of the poet is to excite - to send the senses reeling.'Her poetry - published in Notes on Cafes and Bedrooms (1963) and Iliad of Broken Sentences (1967) - is exuberantly sensuous, a hymn to sixties hedonism set amid the bohemian nighttime world of a London reinvented through French poetic influences and sultry Oriental imagery. She was 'Bedouin of the London evening' in one poem: 'I have been young too long, and in a dressing-gown / My private modern life has gone to waste.'All her published poetry is now available here for the first time in over 40 years, along with a selection of her prose. This second edition has an expanded introduction and an additional prose piece.

A rediscovered literary classic, The Bloater is a rollicking hothouse novel where love and repulsion are two paths to the same abyss Why do the only men I know carry wet umbrellas and say “Umm?” I’m being starved alive. Quick: the first bookshop for a copy of the Kama-Sutra. Min works at the BBC as a sound engineer, and in theory she’s married, but her husband George is so invisible that she accidentally turns the lights off even when he’s still in the room. Luckily, she has her friends and lovers to distract her: in Min’s self-lacerating, bracingly opinionated voice, life boils down to sex appeal—and of late she’s being courted by an internationally renowned opera singer whom she refers to as The Bloater (a swelled, salted herring). Disgusted by and attracted to him in equal measure, her dilemma—which reaches a hysterical, hilarious pitch—is whether to sleep with him or not. Rosemary Tonks—the salt and pepper of the earth—is a writer who gets her claws into the reader with all the joy of a cat and a mouse. Vain and materialistic, tender and savage, narrated in brilliant, sparkling prose, The Bloater is the perfect snapshot of London in the 1960s.

'A fascinating account of life as Bedouin in the late twentieth century' Mary S. Lovell 'This sparkling memoir is a refreshing antidote and a rare window into the legendary hospitality and mysterious customs of the Bedouin Arabs' Publishing News '"Where you staying?" the Bedouin asked. "Why you not stay with me tonight - in my cave?"' Thus begins Marguerite van Geldermalsen's story of how a New Zealand-born nurse came to be married to Mohammad Abdallah Othman, a Bedouin souvenir-seller from the ancient city of Petra in Jordan. It was 1978 and she and a friend were travelling through the Middle East when Marguerite met the charismatic Mohammad who convinced her that he was the man for her. She lived with him in a two thousand-year-old cave carved into the red rock of a hillside, became the resident nurse for the tribe that inhabited that historical site and learned to live like the Bedouin: cooking over fires, hauling water on donkeys and drinking sweet black tea. She learned Arabic, converted to Islam and gave birth to three children. Over the years she became as much of a curiosity as the cave-dwellers, with tourists including David Malouf and Frank McCourt encouraging her to tell this, her extraordinary story.

Finally back in print, a remarkable, hilarious coming-of-age novel from the cult classic writer Rosemary Tonks. Sophie—a clever and charming young woman—is trying to get out from under her mother’s thumb. She’s in love with her childhood friend Philip (pragmatic, attractive, a bit of a bore), but she often worries that she loves him too much for her own good, and that he might only be another thumb to crawl under. Both a sincere bildungsroman of Sophie’s attempt to seize a life for herself and a comic masterpiece with cutting observations and asides, The Halt During the Chase is flutteringly alive as it discusses different forms of love, adulthood (“Isn’t buying new lampshades a form of slow death?”), marriage, insecurity, and stifling British snobbery and classism. Sophie’s voice, fueled by Tonks’s acidic narration, evolves from thrashing about in various traps into a triumphant, croaky-throated liberation song.

Gut-wrenching, ingenious, absolutely hilarious, this is the rediscovered story of woman's desperate quest for freedom. 'I'm thirty, and I'm stuck' Arabella is on an increasingly desperate quest for freedom from her overbearing father and her conspicuously absent brother. But her desire for self-actualisation only ends up leading her into the orbit of a happily married man. A spiky, self-conscious love affair begins, complete with awful dinner dates, devastating kisses and agonising introspection. Can Arabella realise what she wants? Can she escape the trap of being sexy, good and likable? Back in print after many decades, this is an outstanding novel by an extraordinary and little-known writer, the inimitable Rosemary Tonks. 'Salted with wit and peppered with clever images' Guardian ‘Writing like this...is far too beautiful and accomplished to be kept off the shelf. It catches like nothing else the smogs, the rodentine genes, the murky post-War grays, the lurking sexual violence of London’ Michael Hoffman, Poetry Foundation

A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.

Faster, higher, stronger: winning words are those that inspire you on to Olympian goals. From falling in love to overcoming adversity, celebrating a new born or learning to live with dignity: here is a book to inspire and to thrill through life's most magical moments. From William Shakespeare to Carol Ann Duffy, our most popular and best loved poets and poems are gathered in one essential collection, alongside many lesser known treasures that are waiting to be discovered. These are poems that help you to see the miraculous in the commonplace and turn the everyday into the exceptional - to discover, in Kipling's words, that yours is the Earth and everything that's in it.

Roman Jakobson stands alone in his semiotic theory of poetic analysis which combines semiotics, linguistics and structuralist poetics. This groundbreaking book proposes methods for developing Jakobson’s theories of communication and poetic function. It provides an extensive range of examples of the kinds of Formalist praxis that have been neglected in recent years, developing them for the analysis of all poetry but, especially, the poetry of our urban future. Throughout the book the parameters of a city poetic genre are proposed and established; the book also develops the theory of the function of shifters and deixis with special reference to women as narrators. It also instantiates an experimental poetic praxis based on the work of one of Jakobson’s great influences, Charles Sanders Peirce. Steadfastly adhering to the text in itself, this volume reveals the often surprising, hitherto unconsidered structural and semiotic patterns within poems as a whole.