Robert Capon's enduring, rambunctious counsel on marriage and daily life

As darkness falls, parents get their children ready for sleep.

From the film director behind his creation, Four gives readers an exclusive look at the adventures of Antoine Doinel through the screenplays and stills of the four films he appears in. Thought by many to be the fictional alter ego of Francois Truffaut, Antoine Doinel, played in all movies by Jean-Pierre Leaud, was a fictional character created by Truffaut that depicted many of his own memories ranging from childhood through divorce. Four is an enchanting look at the character of Antoine through screenplays and stills from four of Truffaut’s most well-known films: The 400 Blows, Love at Twenty, Stolen Kisses, and Bed and Board.

Penny Dale's cozy take on a classic nursery rhyme, in a charming paperback edition. There were ten in the bed and the little one said, "Roll over, roll over!" So they all rolled over and Hedgehog fell out . . . One by one, nine friends roll over and fall out of a child's bed with a bang, a thump, or a plop until . . . "I'm cold! I miss you!" the child says, and back in the bed they all go--Sheep, Rabbit, Elephant, and more. Thirty-five years after it was first published, Penny Dale's endearing picture book continues to be a favorite--an essential rendition of a childhood song that is as warm and toasty as a feather bed.

A classic memoir of self-invention in a strange land: Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970's When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn’t so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible. Tokyo was an astonishment. Buruma found a feverish and surreal metropolis where nothing was understated—neon lights, crimson lanterns, Japanese pop, advertising jingles, and cabarets. He encountered a city in the midst of an economic boom where everything seemed new, aside from the isolated temple or shrine that had survived the firestorms and earthquakes that had levelled the city during the past century. History remained in fragments: the shapes of wounded World War II veterans in white kimonos, murky old bars that Mishima had cruised in, and the narrow alleys where street girls had once flitted. Buruma’s Tokyo, though, was a city engaged in a radical transformation. And through his adventures in the world of avant garde theater, his encounters with carnival acts, fashion photographers, and moments on-set with Akira Kurosawa, Buruma underwent a radical transformation of his own. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free. A Tokyo Romance is a portrait of a young artist and the fantastical city that shaped him. With his signature acuity, Ian Buruma brilliantly captures the historical tensions between east and west, the cultural excitement of 1970s Tokyo, and the dilemma of the gaijin in Japanese society, free, yet always on the outside. The result is a timeless story about the desire to transgress boundaries: cultural, artistic, and sexual.

Elmo is just too big for his crib! He’s finally ready to sleep in a big kid’s bed! It may take a little while, but with his favorite snuggly blanket and his teddy bear, David, by his side, soon Elmo feels comfortable in his new bed.

Now pre-school children can say goodnight to their favourite character every bedtime! Contemporary images and bright, easy text in a chunky board book with child-friendly rounded corners.

A selection of my short stories drawn from my 2000 collection. The stories of an adult nature, but can be read by teenagers.

Parents and families, teachers and community leaders have a serious responsibility for the children God has placed in their care. Some children do OK without the influence of adults, but most dont. Instead, many of them are scarred without parental guidance and adult supervision. As a result theyre rootless, struggling through a maze heading for a life of crime. Often they are friend-less and loners, rootless and hopeless, feeling dumb and worthless, with low self-esteem a sure road to crime. From Rags. . .to Free Room and Board is the story about a young boy, abandoned by his biological father before birth, sexually abused by a pedophile in his teens, committed crimes along the way, an alcoholic early on as he wandered through a wilderness maze. Finally, he committed a horrendous murder triggered by an attempted homosexual attack, and is presently serving an indeterminate life sentence. Sad! In his story one can feel prison life from the inside. At the age of 64, he has spent half his life in the California Prison System. Though one sees the path put him there, why is he still there after getting a parole that was withdrawn, and has had 17 denials by the Parole Boards since? The reader can see inside the judicial system regarding this, as well as: Can one ever pay for taking a life? Is his being locked up indefinitely the only way? Can anyone know if he can make it outside? Has his human rights been violated? Is rehabilitation possible? Have parole hearings verified whether Donn has been rehabilitated? Is he past due for release? Here are insights to these and many other questions. It is urgent that parents and teachers, churches and youth leaders, be concerned with a host of struggling youth in lifes maze. Officials must re-examine incarceration and rehabilitation in light of vastly overcrowded prisons and huge escalating costs of keeping prisoners locked up.