This book hits all aspects of self worth, self esteem, feeling valued, and beauty. The world has an opinion on what they think beauty looks like but so does God! Find out what God says about you.

“A fascinating psychological study of an unrepentant murderer” from a New York Times–bestselling author (Library Journal). Battle Creek, Michigan, is famous as the birthplace of breakfast cereal, and the nearby suburb of Marshall is as wholesome as shredded wheat. Well-known for its colorful Victorian mansions, this stately slice of nineteenth-century Americana became infamous on a frigid night in February of 1991. Newscaster Diane Newton King was stepping out of her car, her children strapped into the backseat, when a sniper’s bullet cut her down. The police assumed that the killer was her stalker—a crazed fan who had been terrorizing King for weeks. But as their investigation ground to a standstill, the police turned to another suspect—one much closer to home. In this gripping retelling of the crime and its aftermath, journalist Lowell Cauffiel re-creates the atmosphere of terror that marked King’s last days, giving us a story of celebrity, obsession, and what it means to kill.

The remarkable story of how an artist and a scientist in seventeenth-century Holland transformed the way we see the world. On a summer day in 1674, in the small Dutch city of Delft, Antoni van Leeuwenhoek—a cloth salesman, local bureaucrat, and self-taught natural philosopher—gazed through a tiny lens set into a brass holder and discovered a never-before imagined world of microscopic life. At the same time, in a nearby attic, the painter Johannes Vermeer was using another optical device, a camera obscura, to experiment with light and create the most luminous pictures ever beheld. “See for yourself!” was the clarion call of the 1600s. Scientists peered at nature through microscopes and telescopes, making the discoveries in astronomy, physics, chemistry, and anatomy that ignited the Scientific Revolution. Artists investigated nature with lenses, mirrors, and camera obscuras, creating extraordinarily detailed paintings of flowers and insects, and scenes filled with realistic effects of light, shadow, and color. By extending the reach of sight the new optical instruments prompted the realization that there is more than meets the eye. But they also raised questions about how we see and what it means to see. In answering these questions, scientists and artists in Delft changed how we perceive the world. In Eye of the Beholder, Laura J. Snyder transports us to the streets, inns, and guildhalls of seventeenth-century Holland, where artists and scientists gathered, and to their studios and laboratories, where they mixed paints and prepared canvases, ground and polished lenses, examined and dissected insects and other animals, and invented the modern notion of seeing. With charm and narrative flair Snyder brings Vermeer and Van Leeuwenhoek—and the men and women around them—vividly to life. The story of these two geniuses and the transformation they engendered shows us why we see the world—and our place within it—as we do today. Eye of the Beholder was named "A Best Art Book of the Year" by Christie's and "A Best Read of the Year" by New Scientist in 2015.

"In A Taste for the Beautiful, Michael Ryan, one of the world's leading authorities on animal behavior, tells the remarkable story of how he and other scientists have taken up where Darwin left off, transforming our understanding of sexual selection and shedding new light on animal and human behavior. Drawing on cutting-edge science, Ryan explores the key questions: Why do animals perceive certain traits as beautiful and others not? Do animals have an inherent sexual aesthetic and, if so, where is it rooted? Ryan argues that the answers lie in the brain--particularly of females, who act as biological puppeteers, spurring the development of beautiful traits in males."--Back cover

Why is the Gospel of John different from Matthew, Mark, and Luke? Many scholars have suggested that John felt more free than the other evangelists to massage the facts in the service of his theological goals and to put embellishments into the mouth of Jesus. Such freedom supposedly accounts for the discourses in John, for Jesus' way of speaking in John, and for (at least) the time, place, and manner of various incidents. Analytic philosopher Lydia McGrew refutes these claims, arguing in detail that John never invents material and that he is robustly reliable and honestly historical. The Eye of the Beholder: The Gospel of John as Historical Reportage is unique in several respects. 1) It delves in more detail than previous works do into the meaning of common scholarly phrases like "Johannine idiom" and applies careful distinctions to defend the recognizable historicity of Jesus' spoken words in John. 2) It focuses especially on arguments that have impressed some prominent evangelical scholars, thus refuting the unspoken assumption that if a scholar dubbed "conservative" is moved by an argument against full Gospel historicity, it must be strong. 3) It argues positively for the historicity of John's Gospel using evidences that are not commonly discussed in the 21st century, including undesigned coincidences, unexplained allusions, and the unified personality of Jesus. 4) While the body of the book will be congenial to many who accept Richard Bauckham's "elder John" theory of authorship, The Eye of the Beholder features a lengthy appendix on that question, including original arguments for authorship by the son of Zebedee. Meticulously argued and engagingly written, The Eye of the Beholder contains a wealth of material that will be helpful to seminarians, pastors, and laymen interested in the reliability of the Gospel of John.

With his dog Wednesday, the author shows readers the animals that share his space, from stuffed bears and quilted chickens to dragonflies and coyotes.

In this impressionistic account of the sixteen months he spent in a small town in Bihar, Vijay Nambisan, tries to discover the forces that drive or thwart the most populous and the most damned state in the Indian Union. 'A biting story of broken promises, institutional rot and exploitation...' --Biblio 'In a brutally transparent narrative Vijay Nambisan questions the very edifice on which Indian democracy stands even as he is startled by the divine chaos that Bihar is trapped in.' --The Pioneer

In chapters ranging from "The Beautiful, the Dainty, and the Dumpy" to "Skin-deep or In the Eye of the Beholder?" Nick Zangwill investigates the nature of beauty as we conceive it, and as it is in itself. The notion of beauty is currently attracting increased interest, particularly in philosophical aesthetics and in discussions of our experiences and judgments about art. In The Metaphysics of Beauty, Zangwill argues that it is essential to beauty that it depends on the ordinary features of things. He uses this principle to defend the notion of the aesthetic, to call for a version of aesthetic formalism, and to reconsider the reality of beauty. The Metaphysics of Beauty brings beauty to the center of intellectual consciousness in a manner informed by contemporary metaphysics and engages with beauty as an enduring object of human thought and experience.

LONGLISTED FOR THE SA SUNDAY TIMES FICTION AWARD When danger lies in the eye of the beholder, what happens when you reject its pull? Cora carries secrets her daughter can’t know. Freya is frightened by what her mother leaves unsaid. Angel will only bury the past if it means putting her abusers into the ground. One act of violence sets the three women on a collision course, each desperate to find the truth. In a nail-biting thriller set between the scorched red soil of South Africa, the pitiless snowfields of Canada and the chilly lochsides of western Scotland, each woman must contend with the spectres of male violence, sexual abuse and the choices we each make to keep our souls.