Gabe has always identified as a boy, but he was born with a girl’s body. With his new public access radio show gaining popularity, Gabe struggles with romance, friendships, and parents. His entire future is threatened when several violent guys find out that Gabe the DJ is also Elizabeth from school.

'so far I had known just where I stood on the Wolf-Wynant-Jorgensen troubles and what I was doing – the answers were, respectively, nowhere and nothing . . . when I opened my eyes and sat up in bed some six hours later Nora was shaking me and a man with a gun in his hand was standing in the bedroom doorway.'Ex-detective Nick Charles attracts trouble like a magnet. He thinks his sleuthing days are over, but when Julia Wolf, a former acquaintance, is found dead, her body riddled with bullets, Nick - along with his glamorous wife, Nora - can't resist making a few enquiries. Clyde Miller Wynant, Julia's lover and boss, has disappeared. Everyone is after him, but Nick is not convinced Wynant is the murderer - and when he finds a junked-up hoodlum with a careless attitude to guns in his bedroom, it's only the beginning of his troubles.Set among the speakeasies of early 1930s Manhattan, The Thin Man is hardboiled crime at its wisecracking best.

"Struggling to raise her little brother Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house, until one night her star-gazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold. By the time Wavy is a teenager, her relationship with Kellen is the only tender thing in a brutal world of addicts and debauchery"--

In Cameroon, a monumental "statue of liberty" is made from scrap metal. In Congo, a thriving popular music incorporates piercing screams and carnal dances. When these and other instantiations of the aesthetics of Africa and its diasporas are taken into account, how are ideas of beauty reconfigured? Scholars and artists take up that question in this invigorating, lavishly illustrated collection, which includes more than one hundred color images. Exploring sculpture, music, fiction, food, photography, fashion, and urban design, the contributors engage with and depart from canonical aesthetic theories as they demonstrate that beauty cannot be understood apart from ugliness. Highlighting how ideas of beauty are manifest and how they mutate, travel, and combine across time and distance, continental and diasporic writers examine the work of a Senegalese sculptor inspired by Leni Riefenstahl's photographs of Nuba warriors; a rich Afro-Brazilian aesthetic incorporating aspects of African, Jamaican, and American cultures; and African Americans' Africanization of the Santería movement in the United States. They consider the fraught, intricate spaces of the urban landscape in postcolonial South Africa; the intense pleasures of eating on Réunion; and the shockingly graphic images on painted plywood boards advertising "morality" plays along the streets of Ghana. And they analyze the increasingly ritualized wedding feasts in Cameroon as well as the limits of an explicitly "African" aesthetics. Two short stories by the Mozambican writer Mia Couto gesture toward what beauty might be in the context of political failure and postcolonial disillusionment. Together the essays suggest that beauty is in some sense future-oriented and that taking beauty in Africa and its diasporas seriously is a way of rekindling hope. Contributors. Rita Barnard, Kamari Maxine Clarke, Mia Couto, Mark Gevisser, Simon Gikandi, Michelle Gilbert, Isabel Hofmeyr, William Kentridge, Dominique Malaquais, Achille Mbembe, Cheryl-Ann Michael, Celestin Monga, Sarah Nuttall, Patricia Pinho, Rodney Place, Els van der Plas, Pippa Stein, Françoise Vergès

Aesthetic rampages by the trailblazers of tomorrow's design. Beauty is in the eye of the beholder. The painting The Young Ladies of Avignon by Picasso was initially scorned but is now considered to be seminal to the development of both cubism and modern art. The dissonance and complex rhythm structures of Stravinsky's ballet music The Rite of Spring caused a scandal when it premiered, but the composition now ranks among the most important musical works of the twentieth century. While art was allowed to be ugly, design had to function. Although for hundreds of years new artistic styles were established through aesthetic upheaval, new trends in graphic design and visual communication were, until recently, variations on what was generally considered to be appealing. But in the last few years, those working in these creative disciplines started to rebel. Dada-esque graphics or unreadable typography began to be used as a way to claim a unique style advantage. Pretty Ugly is a diverse collection of these recent aesthetic rampages not only in the fields of graphic design and visual communication, but also in product design, furniture design, art, and photography. The originators of this work consciously use unusual or negatively perceived forms, colors, and perspectives in an attempt to blaze new creative trails. The variety of examples in Pretty Ugly makes clear that creative leadership in today's design world is less a matter of skilled craft and more about mastering elements that give's one's work a unique visual identity. The elements shown here may still be considered by some to by ugly, but they are already influencing the vanguard of tomorrow's design. Pretty Ugly is edited by former Hort designer Martin Lorenz and his wife Lupi Asensio, who currently work together as Two Points.Net.

She's sixteen. She's alone. And the world thinks she's crazy. What could possibly happen next? Well, she's going to show them... When sixteen-year-old Connelly Pierce wakes up inside an unknown psychiatric hospital with both her wrists slashed, she begins the arduous task of piecing together the events of her life that led her there. Her own cognitive behavioral therapy (as she had learned so well from them). Beginning with the sudden death of her mother and father when she was six, and the only world she knew disappeared, literally, overnight. That's when, with no known or, at least, close relatives, she and her nine-year-old brother Eric find themselves cast into the nightmare quagmire of government child protection agencies, and Connelly begins her incredible fourteen-year journey-her dark odyssey-into her own brave new world. A world, she realizes, she must not only quickly adapt, but fight back as well, if she hopes to survive.

"Tromp weaves a complex historical tale incorporating love, suspense, hurt, and healing--all the elements that keep the pages turning." —Julie Cantrell, New York Times and USA TODAY bestselling author of Perennials Charlotte Anne Mattas longs to turn back the clock. Before her husband, Sam, went to serve his country in the war, he was the man everyone could rely on--responsible, intelligent, and loving. But the person who's come back to their family farm is very different from the protector Annie remembers. Sam's experience in the Pacific theater has left him broken in ways no one can understand--but that everyone is learning to fear. Tongues start wagging after Sam nearly kills his own brother. Now when he claims to have seen men on the mountain when no one else has seen them, Annie isn't the only one questioning his sanity and her safety. If there were criminals haunting the hills, there should be evidence beyond his claims. Is he really seeing what he says, or is his war-tortured mind conjuring ghosts? Annie desperately wants to believe her husband. But between his irrational choices and his nightmares leaking into the daytime, she's terrified he's going mad. Can she trust God to heal Sam's mental wounds--or will sticking by him mean keeping her marriage at the cost of her own life? Debut novelist Janyre Tromp delivers a deliciously eerie, Hitchcockian story filled with love and suspense. Readers of psychological thrillers and historical fiction by Jaime Jo Wright and Sarah Sundin will add Tromp to their favorite authors list.

For more than 40 years John Gollings has been the photographer of choice _ the go-to guy for scores of architects. A Gollings photograph reveals a great deal about the aspirations, aims and beliefs, and the zeitgeist of a building and its architect_s intentions. This is based on and expressed through Gollings_s own knowledge of architecture; his understanding of light and weather; and the way buildings work and how they inhabit their sites. Beautiful Ugly takes a look _ in words, pictures and recollections _ at the art of Gollings_s photography as he has made his remarkable journey around Australia_s architectural landscape. The images, personally selected by Gollings for this book, open a door into the art of architectural photography as interpreted through the lens and eye of one of Australia_s greatest architectural photographers, a true maker of pictures. It takes a special kind of photographer to evoke the true character of a building and to convey the emotional intensity that is the soul of all good architecture. John Gollings is that special kind of photographer.

"What physical horrors can rogue nanoparticles, a thousandth time smaller than a human cell, create when they flood through your body contained within a simple cosmetic concealer? Facing the terrible truth, an unlikely trio--Colm, an investigative journalist, Dr. Gray, a skin specialist and Patricia, a celebrity model--embark on a dangerous mission. If they move fast enough, they can save lives. If the don't..."--Page [4] of cover.

Thanks to a combination of business savvy, breathtaking chutzpah, and lucky timing, Helena Rubinstein managed to transform herself from a poor Polish emigrant to the world's first self-made female tycoon. She went from selling homemade "Crème Valaze" out of her house in Australia to becoming an international cosmetics magnate. Tiny and plump, wearing extravagant jewels and spiked heels, she was a fixture of upper-crust New York for many years. She was larger than life, and never took no for an answer: when she was refused from a New York City apartment on the grounds that she was Jewish, she went ahead and bought the whole building and promptly moved in. The story of Eugène Schueller and L'Oréal begins in 1907, in a dingy working-class part of Paris, where a young Schueller sat at his family's kitchen table trying to develop the first harmless artificial hair dye. The tale of how L'Oréal went from that point to the world's largest cosmetics company is fascinating and full of intrigue, with a little of everything: fascist assassins, bitter unmaskings, political scandals. In 1988, although Schueller and Rubinstein had long since passed away, their worlds collided when L'Oréal bought Rubinstein's company — leading to a series of scandals that threw a new and sinister light on L'Oréal. For starters, Rubinstein was Jewish, but Schueller and many other top L'Oréal executives had been active Nazi collaborators. What came to light threatened the reputations of some of France's most powerful men - up to and including its president. This is a powerful, dramatic, and largely untold story about the ugly truth behind a beauty empire.