Rachel Pollack is a sorceress, a wizard with words who spins together the spiritual, the political, and the passionate in her unique, indeed inimitable, tales. An award-winning SF and Fantasy author, she is also an esteemed Tarot Grand Master with devotees and students around the world. A progressive voice in the transgender community and a trusted guide to the ancient traditions of shamanism, she writes of shimmering and dangerous worlds that have never been imagined before—much less explored. Her queer cult favorite “The Beatrix Gates” draws on magic realism, quantum science, memoir, and myth to tell the story of a girl born not in the wrong body but in the wrong universe. Plus… “Trans Central Station,” written especially for this volume, is Pollack’s personal and penetrating take on the transgender experience then and now—and tomorrow? “Burning Beard” is a fiercely revisionist Old Testament tale of plague and prophecy told through a postmodern prose of, shall we say, many colors. “The Woman Who Didn’t Come Back” is about just what it says it’s about. And Featuring: Our Outspoken Interview, which tells us all about comics history, the automotive origins of Tarot, the benefits of Nerd celebrity, and why the Sun exists. It will be on the test.

Lesbian Photographs & Writings on Love An arrestingly vivid collection of photographs, letters, fiction, poetry, interviews and memoirs which offers a multidimensional portrait of the many sustaining forms of love among lesbians.

How have radical print cultures fostered and preserved queer lived experience from the 1960s to the present? What alternative stories about queer life across Europe can visual material reveal? Queer Print in Europe is the first book devoted to the exploration of queer print cultures in Europe, following the birth of an international gay rights movement in the late 1960s. By unearthing these ephemeral paper documents from archives and personal collections, including materials that have been out of circulation since they were first distributed, this book examines how the production and dissemination of queer print intersected with the emergence of LGBTQ+ activism within specific national contexts. This vital contribution to queer history explores borders and political movements, and the ways in which these materials contributed, through their international circulation, to the creation of a 'post-national' queer community. Illustrated throughout with examples of manifestos, flyers, posters, zines and other forms of print media, it features interviews with those responsible for making, distributing or archiving queer print, alongside a series of new theoretical essays that set particular publications and the individuals and groups that produced them in context. The book isolates specific instances of queer print media and scrutinises their design aesthetics, identifying both the significant contribution that queer print has made to histories of LGBTQ+ struggle and to the history of print design.

"Centers on what a number of British Victorian and Edwardian women said and did in the name of nature -- what part they played in the cultural reconstruction of nature that transpired in the years just proceeding the publication of Darwin's major work and in the wake of the Darwinian revolution"--Introduction.

Poetry. Translated from the Spanish by Electa Arenal and Beatrix Gates. In this uniquely provocative collection, award-winning Spanish poet Jesus Aguado adopts the voice of Vikram Babu, a seventeenth century Indian mystic and basket-weaver who guides the reader on an irreverent and enjoyable truth-seeking mission. Each of these fifty fable-like poems ends with Vikram Babu posing a question for his audience, inviting us to take part in the work and let our own responses transform the meaning of the poem. Through the wry observations of his invented persona, Aguado gently unmasks human frailty and hypocrisy, revealing a world of twisted contradictions. In THE POEMS OF VIKRAM BABU, Aguado extends us an affable, whimsical welcome to a complex universe, an unforgettable world of slanted delight.

A Memoir of Creativity chronicles one woman's life journey as she derives a theory, revealing meaning in abstract painting, from varied personal and professional experiences, and tells how she locates this theory within a broader social context. In 1966, Piri Halasz became the first woman within living memory to write a cover story for Time (and not just any cover story, either: the notorious one on "Swinging London"). With wit and wisdom, she provides a glimpse into her "red-diaper" childhood, as well as reporting on her climb at Time from research to the writing staff. Vividly, she describes her controversial career as a female journalist during the sixties, offering an inside view of newsweekly rivalries during that tempestuous decade. Halasz then moves on to her initiation into the art world, her lively interaction with some of its most distinguished denizens and her immersion in graduate school. She concludes with what she has learned about art, art history, and history itself since the early eighties, applying that knowledge to better understand the twenty-first century. Through sharing her life story, Halasz encourages others to remain open to new experiences, to try different ways of seeing, and to use creativity to tackle hurdles.

“Elison offers a troubling yet hopeful vision of the future.” —Los Angeles Review of Books “A strikingly powerful story of one woman’s physical and emotional resourcefulness under the most dire of circumstances. An apocalyptic page-turner that picks up where Margaret Atwood’s The Handmaid’s Tale left off.” —Jackie Hatton, Tor.com “I could talk about female empowerment, body positivity, and gender flexibility. But those terms are wholly inadequate for Meg Elison’s clear-eyed satire in the guise of fantasy and science fiction. Powered by rage, incandescent with a deep understanding of injustice, angry for all the right reasons, yet still essentially optimistic, these are the stories I need to keep me warm through the long dark night. Compelling and fierce and unstoppable.” —Pat Murphy, World Fantasy Award winner “Meg Elison’s stories will raise blisters on your conscience. Her politics are smart, her prose is like a razor, and her characters will break your heart. Read at your own risk.” —Annalee Newitz, author of Autonomous “Meg Elison’s work is visceral and compelling. A voice that doesn’t so much demand attention as it 100 percent deserves every ounce of it.” —Elsa Sjunneson-Henry, Hugo-winning writer and editor

Almost a set of short stories, this novel breaks into discrete episodes, centered on identity, love, and death. Jaqe has no identity until she meets Laurie, introduced and named by Mother Night; in that moment, she knows herself, and that she loves Laurie. But once Mother Night has become part of their lives, Laurie and Jaqe and their daughter Kate cannot live as other people do. Knowing Death, inevitably each of them seeks to use the knowledge, to bargain with Death, and to change the terms in the balance of life and death in the world. Pollack's characters, major and supporting, living, dead, and divine, are memorably human. As she transplants myths and folklore into a modern setting, she gives new life to old tales and a deeper meaning to a seemingly simple world. Winner of the World Fantasy Award for best novel, 1997

The title novella, “The Atheist in the Attic,” appearing here in book form for the first time, is a suspenseful and vivid historical narrative, recreating the top-secret meeting between the mathematical genius Leibniz and the philosopher Spinoza caught between the horrors of the cannibalistic Dutch Rampjaar and the brilliant “big bang” of the Enlightenment. Plus: equal parts history, confession, complaint, gossip, and personal triumph, Delany’s “Racism and Science Fiction” combines scholarly research and personal experience in the unique true story of the first major African American author in the genre. And featuring: a bibliography, an author biography, and our candid, uncompromising, and customary Outspoken Interview.

Mixing satire, farce, and dystopia, the stories in John Kessel's The Presidential Papers deconstruct the character and politics of five imagined presidents, some of whom bear striking resemblance to individuals who have occupied the Oval Office over the last thirty years. Who are these men and what makes them so funny, when they are not terrifying? How damaged does a person need to be to seek such power, why do we vote for them, and what do they think about the 1959 Washington Senators? In "The Franchise," aging career minor leaguer George H.W. Bush faces ace New York Giants pitcher Fidel Castro in the 1959 World Series. "The Last American" outlines the career of the final president of the United States and his thirty-three years in office. Can the megalomaniac President of the Solar System evade the consequences of his moronic rule in the original play "A Brief History of the War with Venus"? In our Outspoken Interview we learn about crossing Mary Shelley with Jane Austen, about having classic SF writer James Gunn as a mentor, about being a spy in the English department, and about industrial capitalism, immigrants, and Buffalo, New York.