How do you explain to your girlfriends that you're also capable of being their boyfriend? Beatrice has been hiding her secret all through her teen years, until the day that all her parts start to function as they should. No longer can she hide away her male part when it keeps popping up at the most inconvenient times. When her best friends find out, they can't resist teasing her into action. What was once her greatest fear has now become her greatest pleasure. She's on a whirlwind of discovery with her girlfriends and even complete strangers manage to get in on the action. When her doctor finds out that she's not alone, that she's one of three young women that have this condition, a shocking discovery will be made that will forever change their lives. All characters depicted are nineteen or older. ***AUTHORS NOTE*** This now includes book two, making it the whole story. Enjoy

Beatrice or Bee to her friend's has a secret that is about to be revealed and when it is, her life will change in ways she couldn't possibly imagine. Her closest friend's are about to experience the best night of their lives. This tale is graphic in nature and is meant for adults only. ***This is the first part of the novel*** All characters depicted are 19 or older. Enjoy

As many can attest, the prevalence of sexual imagery has increased in modern society over the past half century. In this timely new study, Kenneth Kammeyer traces the historical development of sexual imagery in America and society's preoccupation with it, all within a firm theoretical and sociological framework.

Number four in the series holds 18 stories and they are as follows: Story 1 - Abduction Story 2 - Emergence Story 3 - Alpha Story 4 - The Future of Sex Story 5 - The Gifted Story 6 - The Gifted 2 Story 7 - Suspended Animation Story 8 - The Devil in Me Story 9 - Dragon Lore Story 10 - The Elementals Story 11 - Virtually Gifted Story 12 - The End is Nigh Story 13 - Almost Good Story 14 - Futa Fetish Story 15 - The Cursed Story 16 - College Futas Story 17 - Futa Creations Story 18 - Futa Neighbors These stories are graphic in nature and are intended for adults only. All characters depicted are 18 or older. Enjoy

Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in film, either directly as practitioners or in other areas as curators, festival programme directors or fundraisers. It does not shy away from questioning the relations of power in the practice of filmmaking and the power invested in the gaze itself. Who is looking and who is being looked at, who is telling women’s stories in Africa and what governs the mechanics of making those films on the continent? The interviews with film practitioners such as Tsitsi Dangarembga, Taghreed Elsanhouri, Jihan El-Tahri, Anita Khanna, Isabel Noronhe, Arya Lalloo and Shannon Walsh demonstrate the contradictory points of departure of women in film – from their understanding of feminisms in relation to lived-experiences and the realpolitik of women working as cultural practitioners. The disciplines of gender studies, postcolonial theory, and film theory provide the framework for the book’s essays. Jyoti Mistry, Antje Schuhmann, Nobunye Levin, Dorothee Wenner and Christina von Braun are some of the contributors who provide valuable context, analysis and insight into, among other things, the politics of representation, the role of film festivals and the collective and individual experiences of trauma and marginality which contribute to the layered and complex filmic responses of Africa’s film practitioners.

Beatrice is stuck in a depressing office job: her hard work is overlooked, her paycheck's so small she's about to lose her apartment, and her boss won't give her a promotion unless she sleeps with him. But Beatrice just took a vacation to Africa, where she learned a very particular set of skills, both in and out of the bedroom. She's about to transform her boss's life in a way that he never saw coming. She'll get a maid to clean her dirty apartment. And maybe, in the process, Beatrice will finally find love . . .

Since the 19th century, dolls have served as toys but also as objects of obsession, love, and lust. That century witnessed the emergence of the term "heterosexual" and of modern concepts of fetishism, perversity, and animism. Their convergence, and the demands of a growing consumer society resulted in a proliferation of waxworks, shop-window dummies, and customized love dolls, which also began to appear in art. Oskar Kokoschka commissioned a life-sized doll of his former lover Alma Mahler; Hans Bellmer crafted poupées; and Marcel Duchamp fabricated a nude figure in his environmental tableau Etant donnés. The Erotic Doll is the first book to explore men's complex relationships with such inanimate forms from historical, theoretical, and phenomenological perspectives. Challenging our commonsense grasp of the relations between persons and things, Marquard Smith examines these erotically charged human figures by interweaving art history, visual culture, gender, and sexuality studies with the medical humanities, offering startling insights into heterosexual masculinity and its discontents.

The sexy new boss has Trudy alarmed and shocked at the way her body throbs with desire for another woman. But Trudy should be safe from her forbidden urges. The boss will never notice her, right? Wrong. The boss does notice Trudy. And she wants to give Trudy a big fat surprise package, hard, unprotected, and dripping with seed. For readers 18+. 3,200 words, or about 16 pages.

This book comes at a time when the intrinsic and self-evident value of queer rights and protections, from gay marriage to hate crimes, is increasingly put in question. It assembles writings that explore the new queer vitalities within their wider context of structural violence and neglect. Moving between diverse geopolitical contexts – the US and the UK, Guatemala and Palestine, the Philippines, Iran and Israel – the chapters in this volume interrogate claims to queerness in the face(s) of death, both spectacular and everyday. Queer Necropolitics mobilises the concept of ‘necropolitics’ in order to illuminate everyday death worlds, from more expected sites such as war, torture or imperial invasion to the mundane and normalised violence of racism and gender normativity, the market, and the prison-industrial complex. Contributors here interrogate the distinction between valuable and pathological lives by attending to the symbiotic co-constitution of queer subjects folded into life, and queerly abjected racialised populations marked for death. Drawing on diverse yet complementary methodologies, including textual and visual analysis, ethnography and historiography, the authors argue that the distinction between ‘war’ and ‘peace’ dissolves in the face of the banality of death in the zones of abandonment that regularly accompany contemporary democratic regimes. The book will appeal to activist scholars and students from various social sciences and humanities, particularly those across the fields of law, cultural and media studies, gender, sexuality and intersectionality studies, race, and conflict studies, as well as those studying nationalism, colonialism, prisons and war. It should be read by all those trying to make sense of the contradictions inherent in regimes of rights, citizenship and diversity.