This book reveals the ideas behind the Beat vision which influenced the Beat sound of the songwriters who followed on from them. Having explored the thinking of Alan Watts, who coined the term ‘Beat Zen’, and who influenced the counterculture which emerged out of the Beat movement, it celebrates Jack Kerouac as a writer in pursuit of a ‘beatific’ vision. On this basis, the book goes on to explain the relevance of Kerouac and his friends Allen Ginsberg and Gary Snyder to songwriters who emerged in the 1960s. Not only are new, detailed readings of the lyrics of the Beatles and of Dylan given, but the range and depth of the Beat legacy within popular song is indicated by way of an overview of some important innovators: Jim Morrison, Joni Mitchell, Leonard Cohen, Donovan, the Incredible String Band, Van Morrison and Nick Drake.

Competition Science Vision (monthly magazine) is published by Pratiyogita Darpan Group in India and is one of the best Science monthly magazines available for medical entrance examination students in India. Well-qualified professionals of Physics, Chemistry, Zoology and Botany make contributions to this magazine and craft it with focus on providing complete and to-the-point study material for aspiring candidates. The magazine covers General Knowledge, Science and Technology news, Interviews of toppers of examinations, study material of Physics, Chemistry, Zoology and Botany with model papers, reasoning test questions, facts, quiz contest, general awareness and mental ability test in every monthly issue.

This Companion offers an in-depth overview of the Beat era, one of the most popular literary periods in America.

“More popular than Jesus.” Despite the uproar it caused in America in 1966, John Lennon’s famous assessment of the Beatles vis-à-vis religion was not far off. The Beatles did mean more to kids than the religions in which they were raised, not only in America but everywhere in the world. By all accounts, the Beatles were the most significant musical group of the twentieth century. Their albums sold in the hundreds of millions, and the press was always eager to document their activities and perspectives. And when fan appreciation morphed into worship, Beatlemania took on religious significance. Many young people around the world began to look to the Beatles—their music, their commentary, their art—for meaning in a turbulent decade. Speaking Words of Wisdom is a deep dive into the Beatles’ relationship to religion through the lenses of philosophy, cultural studies, music history, and religious studies. Chapters explore topics such as religious life in Liverpool, faith among individual band members, why and how India entered the Beatles’ story, fan worship/deification, and the Beatles’ long-lasting legacy. In the 1960s, the Beatles facilitated a reevaluation of our deepest values. The story of how the Beatles became modern-day sages is an important case study for the ways in which consumers make culturally and religiously significant meaning from music, people, and events. In addition to the editor, the contributors to this book include David Bedford, Kenneth Campbell, John Covach, Melissa Davis, Anthony DeCurtis, Mark Duffett, Scott Freer, Murray Leeder, Sean MacLeod, Grant Maxwell, Christiane Meiser, and Eyal Regev.

The year 2019 marked the twenty-fifth anniversary of the death of Kurt Cobain, an artist whose music, words, and images continue to move millions of fans worldwide. As the first academic study that provides a literary analysis of Cobain’s creative writings, Arthur Flannigan Saint-Aubin’s The Pleasures of Death: Kurt Cobain’s Masochistic and Melancholic Persona approaches the journals and songs crafted by Nirvana’s iconic front man from the perspective of cultural theory and psychoanalytic aesthetics. Drawing on critiques and reformulations of psychoanalytic theory by feminist, queer, and antiracist scholars, Saint-Aubin considers the literary means by which Cobain creates the persona of a young, white, heterosexual man who expresses masochistic and melancholic behaviors. On the one hand, this individual welcomes pain and humiliation as atonement for unpardonable sins; on the other, he experiences a profound sense of loss and grief, seeking death as the ultimate act of pleasure. The first-person narrators and characters that populate Cobain’s texts underscore the political and aesthetic repercussions of his art. Cobain’s distinctive version of grunge, understood as a subculture, a literary genre, and a cultural practice, represents a specific performance of race and gender, one that facilitates an understanding of the self as part of a larger social order. Saint-Aubin approaches Cobain’s writings independently of the artist’s biography, positioning these texts within the tradition of postmodern representations of masculinity in twentieth-century American fiction, while also suggesting connections to European Romantic traditions from the nineteenth century that postulate a relation between melancholy (or depression) and creativity. In turn, through Saint-Aubin’s elegant analysis, Cobain’s creative writings illuminate contradictions and inconsistencies within psychoanalytic theory itself concerning the intersection of masculinity, masochism, melancholy, and the death drive. By foregrounding Cobain’s ability to challenge coextensive links between gender, sexuality, and race, The Pleasures of Death reveals how the cultural politics and aesthetics of this tragic icon’s works align with feminist strategies, invite queer readings, and perform antiracist critiques of American culture.

KENNETH BURKE: FROM MYTH TO ECOLOGY is the first full-length study of a remarkable thinker's approach to those founding narratives, those essential structures of thought, which cannot be credited to any one individual but rather belong to the whole community.

Gold Winner, 2017 Foreword INDIES Book of the Year Awards in the Philosophy category To commemorate the 2015 centenary of the birth of Alan Watts (1915–1973), Peter J. Columbus and Donadrian L. Rice have assembled a much-needed collection of Watts's scholarly essays and lectures. Compiled from professional journals, monographs, scholarly books, conferences, and symposia proceedings, the volume sheds valuable light on the developmental arc of Watts's thinking about language and mysticism, Buddhism and Zen, Christianity, comparative religion, psychedelics, and psychology and psychotherapy. This definitive collection challenges Watts's reputation as a "popularizer" or "philosophical entertainer," revealing his concerns to be much more expansive and transdisciplinary than is suggested by the parochial "Zen Buddhist" label commonly affixed to his writings. The editors' authoritative introduction elucidates contemporary perspectives on Watts's life and work, and supports a bold rethinking of his contributions to psychology, philosophy, and religion.

With friendship as an optic, the essays in this volume offer important new insights into the gender politics of the poetic avant-garde, since poetry as an institution has continued to be transformed by dramatic changes wrought by second-wave feminism, sexual liberation, and gay rights. These essays reveal the intimate social negotiations that fight, fracture, and queer the conventions of authority and community that have long constrained women poets and the gendering of poetic subjectivities. From this shared perspective, the essays collected here investigate a historically and aesthetically wide-ranging array of subjects: from Joanne Kyger and Philip Whalen's trans-Pacific friendship, to Patti Smith's grounding of her punk persona in the tension between her romantic friendships with male artists and her more professional connections to the poets of the St.

Laurence Coupe offers students a comprehensive overview of the development of myth, showing how mythic themes, structures and symbols persist in literature and entertainment today. This introductory volume: illustrates the relation between myth, culture and literature with discussions of poetry, fiction, film and popular song explores uses made of the term ‘myth’ within the fields of literary criticism, anthropology, cultural studies, feminism, Marxism and psychoanalysis discusses the association between modernism, postmodernism, myth and history familiarizes the reader with themes such as the dying god, the quest for the Grail, the relation between ‘chaos’ and ‘cosmos’, and the vision of the end of time demonstrates the growing importance of the green dimension of myth. Fully updated and revised in this new edition, Myth is both a concise introduction and a useful tool to students first approaching the topic, while also a valuable contribution to the study of myth.

The coverage of this book ranges from Jack Kerouac's tales of freedom-seeking Bohemian youth to the frenetic paintings of Jackson Pollock, including 60 years of the Beat Generation and the artists of the Age of Spontaneity. Beat Culture captures in a single volume six decades of cultural and countercultural expression in the arts and society. It goes beyond other works, which are often limited to Beat writers like William Burroughs, Charles Bukowski, and Michael McClure, to cover a wide range of musicians, painters, dramatists, filmmakers, and dancers who found expression in the Bohemian movement known as the Beat Generation. Top scholars from the United States, England, Holland, Italy, and China analyze a vast array of topics including sexism, misogny, alcoholism, and drug abuse within Beat circles; the arrest of poet Lawrence Ferlinghetti on obscenity charges; Beat dress and speech; and the Beat "pad." Through more than 250 entries, which travel from New York to New Orleans, from San Francisco to Mexico City, students, scholars, and those interested in popular culture will taste the era's rampant freedom and experimentation, explore the impact of jazz on Beat writings, and discover how Beat behavior signaled events such as the sexual revolution, the peace movement, and environmental awareness.