The Name Command (NC) is usually interpreted as a prohibition against speaking Yhwh’s name in a particular context: false oaths, wrongful pronunciation, irreverent worship, magical practices, cursing, false teaching, and the like. However, the NC lacks the contextual specification needed to support the command as speech related. Taking seriously the narrative context at Sinai and the closest lexical parallels, a different picture emerges—one animated by concrete rituals and their associated metaphorical concepts. The unique phrase ns' shm is one of several expressions arising from the conceptual metaphor, election as branding, that finds analogies in high-priest regalia as well as in various ways of claiming ownership in the Ancient Near East, such as inscribed monuments, the use of seals, and the branding of slaves. The NC presupposes that Yhwh has claimed Israel by placing Yhwh’s own name on her. In this light, the first two commands of the Decalogue reinforce the two sides of the covenant declaration: “I will be your God; you will be my people.” The first expresses the demand for exclusive worship and the second calls for proper representation. As a consequence, the NC invites a richer exploration of what it means to be a people in covenant with Yhwh—a people bearing his name among the nations. It also points to what is at stake when Israel carries that name “in vain.” The image of bearing Yhwh’s name offers a rich source for theological and ethical reflection that cannot be conveyed nonmetaphorically without distortion or loss of meaning.

What does the Old Testament—especially the law—have to do with your Christian life? In this warm, accessible volume, Carmen Joy Imes takes readers back to Sinai, arguing that we've misunderstood the command about "taking the Lord's name in vain." Instead, Imes says that this command is really about "bearing God's name," a theme that continues throughout the rest of Scripture.

Have you ever wondered what the Old Testament-especially the Old Testament law-has to do with your Christian life? You are not alone. Some Christian leaders believe we should cast off the Old Testament now that we have the New. Carmen Joy Imes disagrees. In this warm, accessible volume, Imes takes readers back to Sinai, the ancient mountain where Israel met their God, and explains the meaning of events there. She argues that we've misunderstood the command about ''''taking the Lord's name in vain.'''' Instead, Imes says that this command is about ''''bearing God's name, '''' a theme that continues throughout the rest of Scripture. Readers will revisit the story of Israel as they trudge through the wilderness from a grueling past to a promising future. The story of Israel turns out to be our story too, and you'll discover why Sinai still matters as you follow Jesus today.

The Hebrew Bible is permeated with depictions of military conflicts that have profoundly shaped the way many think about war. Why does war occupy so much space in the Bible? In this book, Jacob Wright offers a fresh and fascinating response to this question: War pervades the Bible not because ancient Israel was governed by religious factors (such as 'holy war') or because this people, along with its neighbors in the ancient Near East, was especially bellicose. The reason is rather that the Bible is fundamentally a project of constructing a new national identity for Israel, one that can both transcend deep divisions within the population and withstand military conquest by imperial armies. Drawing on the intriguing interdisciplinary research on war commemoration, Wright shows how biblical authors, like the architects of national identities from more recent times, constructed a new and influential notion of peoplehood in direct relation to memories of war, both real and imagined. This book is also available as Open Access on Cambridge Core.

There are a multitude of female figures represented in the art of the ancient Near East and it has often been proved difficult to differentiate them. This study presents a collection of visual source material on godesses from Egypt, Ugarit, Syria and Palestine from c,1500 to 1000 BC. An introduction to the subject and previous research precedes a discussion of iconographic types (armed, seated, standing, equestrian and named women holding objects) and media (including reliefs, seals and amulets, bronze figurines, ivories and ostraca). Cornelius devises a typology of attributes for the goddess Anat, Astarte, Qedeshet and Asherah in order to define their individual qualities and provide a means by which these goddesses can be differentiated. Includes a large descriptive catalogue.

A study of the presence of God throughout biblical history.

This study analyzes several passages in the Former Prophets (2 Sam 19:12-44; 2 Kgs 2:1-18; Judg 8:4-28) from a literary perspective, and argues that the text presents Transjordan as liminal in Israel's history, a place from which Israel's leaders return with inaugurated or renewed authority. It then traces the redactional development of Samuel-Kings that led to this literary symbolism, and proposes a hypothesis of continual updating and combination of texts, beginning early in Israel's monarchy and continuing until the final formation of the Deuteronomistic History. Several source documents may be isolated, including three narratives of Saul's rise, two distinct histories of David's rise, and a court history that was subsequently revised with pro-Solomonic additions. These texts had been combined already in a Prophetic Record during the 9th c. B.C.E. (with A. F. Campbell), which was received as an integrated unit by the Deuteronomistic Historian. The symbolic geography of the Jordan River and Transjordan, which even extends into the New Testament, was therefore not the product of a deliberate theological formulation, but rather the accidental by-product of the contingency of textual redaction that had as its main goal the historical presentation of Israel's life in the land.

This volume explores the aesthetic dimensions of biblical poetry, offering close readings of poems across the Hebrew Bible/Old Testament. Composed of essays by fifteen leading scholars of biblical poetry, it offers creative and insightful close readings of poems from across the canon of the Hebrew Bible/Old Testament (Psalms, wisdom poetry, Song of Songs, prophecy, and poetry in biblical narrative). The essays build on recent advances in our understanding of biblical poetry and engage a variety of theoretical perspectives and current trends in the study of literature. They demonstrate the rewards of careful attention to textual detail, and they provide models of the practice of close reading for students, scholars, and general readers. They also highlight the rich aesthetic value of the biblical poetic corpus and offer reflection on the nature of poetry itself as a meaningful and enduring form of art.

This compendium examines the origins of the God Yahweh, his place in the Syrian-Palestinian and Northern Arabian pantheon during the bronze and iron ages, and the beginnings of the cultic veneration of Yahweh. Contributors analyze the epigraphic and archeological evidence, apply fundamental considerations from the cultural and religious sciences, and analyze the relevant Old Testament texts.

In this original study, Dr Davis argues that Ezekiel's place in the history of prophecy is overdue for reassessment. As against current views that Ezekiel represents the collapse of prophetism into priestly and scribal forms, she argues that something radically different in prophecy begins with Ezekiel. Ezekiel represents the creation of a new literary idiom for prophecy. He develops an archival speech form oriented less toward current events than to reshaping the tradition. He has taken a step backward from direct confrontation with an audience as the basic dynamic of communication, and has made the medium of prophecy not the person of the prophet but the text. Like the postexilic prophets, Ezekiel participated in the transformation of the social role of prophecy, and thereby saved himself from oblivion.