The 19 highlighted jewellery and accessory projects include a Huichol Lace Sun Catcher and a Ladder Chain Bracelet (perfect for beginners) along with advanced-level projects like the Waterbird Pendant and Sun Rosette Medallion.

Full-color photographs illustrate the rich art of Native American beadwork in this combination practical how-to and coffee-table book. A historical perspective explains how and why beadwork is produced and what techniques are popular today. Clear and concise directions show how to produce beadwork in the Native American tradition, including lane stitch, loom, applique, gourd stitch, and Comanche brickwork. An illustrated gallery showcases historical and contemporary beadwork. Also included is information on research, tools, and materials.

In-depth guide to ancient Native American crafts focuses on the techniques of the western Sioux. Explanations of techniques involved in quillwork, including dyeing and sewing, beadwork methods. More than 80 photographs and drawings depict handsome motifs on articles of clothing including vests, shirts, robes, dresses, leggings, moccasins, blankets, saddlebags, and shields.

For over 150 years, Tlingit women artists have beaded colorful, intricately beautiful designs on moccasins, dolls, octopus bags, tunics, and other garments. Painful Beauty suggests that at a time when Indigenous cultural practices were actively being repressed, beading supported cultural continuity, demonstrating Tlingit women’s resilience, strength, and power. Beadwork served many uses, from the ceremonial to the economic, as women created beaded pieces for community use and to sell to tourists. Like other Tlingit art, beadwork reflects rich artistic visions with deep connections to the environment, clan histories, and Tlingit worldviews. Contemporary Tlingit artists Alison Bremner, Chloe French, Shgen Doo Tan George, Lily Hudson Hope, Tanis S’eiltin, and Larry McNeil foreground the significance of historical beading practices in their diverse, boundary-pushing artworks. Working with museum collection materials, photographs, archives, and interviews with artists and elders, Megan Smetzer reframes this often overlooked artform as a site of historical negotiations and contemporary inspirations. She shows how beading gave Tlingit women the freedom to innovate aesthetically, assert their clan crests and identities, support tribal sovereignty, and pass on cultural knowledge. Painful Beauty is the first dedicated study of Tlingit beadwork and contributes to the expanding literature addressing women’s artistic expressions on the Northwest Coast.

The rich artistic traditions of Alaska Natives are the subject of this landmark volume, which examines the work of the premier Alaska artists of the twentieth century. Ranging across the state from the islands of the Bering Sea to the interior forests, Alaska Native Art provides a living context for beadwork and ivory carving, basketry and skin sewing. Examples of work from Tlingit, Aleutian Islanders, Pacific Eskimo, Athabascan, Yupik, and Inupiaq artists make this volume the most comprehensive study of Alaskan art ever published. Alaska Native Art examines the concept of tradition in the modern world. Alaska Native Art is a volume to treasure, a tribute to the incredible vision of Alaska's artists and to the enduring traditions of all of Alaska's Native peoples.

Among Native American Plateau people, women are important culture bearers, responsible for passing spiritual values from one generation to the next by many means, including manual art forms, stories, and songs. This book explores each of the Plateau arts by means of Native American legends and poems, articles by various scholars, and interviews with Native American women artists.

In this book, highly detailed and often whimsical pieces are paired with text for the non-specialist. A Guide to American Indian Beadwork of the Southwest explains how the artists are inspired by tradition, history, and the everyday.

Uncommon Threads celebrates the textile arts of the Wabanakis, the indigenous people living between the Gulf of St. Lawrence and the Gulf of Maine. Known geographically as the Maritime Peninsula, the region falls in both the United States and Canada. For millennia, textiles have played a vital role as Native communities have expressed and maintained their identity. This large and distinctive body of Wabanaki artifacts challenges stereotypes about Native textiles and clothing that are based on more familiar styles from better known regions of North America. For Wabanakis, textiles have long been a rich and important medium. They record how, beginning in the seventeenth century, an indigenous people coped with a rapidly expanding alien culture that surrounded them. The Wabanakis defined their view of this new world through their clothing and costume. For all cultures, important occasions and life events demand special clothes that communicate messages to the viewer. By examining Wabanaki costume, including specific styles and decorative ornament, one can find information that illuminates the history of the Wabanakis, their means of communication, and the ways they coped with a rapidly changing world.