A pretty book of tales drawn from life among the Creoles and Acadians of Louisiana. They represent with fidelity and spirit characters and customs unfamiliar to most readers ; they are admirably told, with just enough dialect for local color; and they can hardly fail to be very popular. Some of these stories are little more than croquis — just a brief incident of idea sketched in with a few rapid strokes and left to the imagination of the reader to be materialized, if we may so speak. Others are longer and more finished, but all are full of that subtle, alien quality which holds the Creole apart from the Anglo-Saxon — a quality we do not quite understand and can never reproduce, but which is full of fascination to us from the very fact that it is so unlike ourselves.

In one volume, the two short-story collections that established Kate Chopin as one of America's best-loved realist writers. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A magical coming-of-age story from Coretta Scott King honor author Jewell Parker Rhodes, rich with Southern folklore, friendship, family, fireflies and mermaids, plus an environmental twist. It's city-girl Maddy's first summer in the bayou, and she just falls in love with her new surroundings - the glimmering fireflies, the glorious landscape, and something else, deep within the water, that only she can see. Could it be a mermaid? As her grandmother shares wisdom about sayings and signs, Maddy realizes she may be the only sibling to carry on her family's magical legacy. And when a disastrous oil leak threatens the bayou, she knows she may also be the only one who can help. Does she have what it takes to be a hero? Jewell Parker Rhodes weaves a rich tale celebrating the magic within.

In Folklore Figures of French and Creole Louisiana, Nathan J. Rabalais examines the impact of Louisiana’s remarkably diverse cultural and ethnic groups on folklore characters and motifs during the eighteenth and nineteenth centuries. Establishing connections between Louisiana and France, West Africa, Canada, and the Antilles, Rabalais explores how folk characters, motifs, and morals adapted to their new contexts in Louisiana. By viewing the state’s folklore in the light of its immigration history, he demonstrates how folktales can serve as indicators of sociocultural adaptation as well as contact among cultural communities. In particular, he examines the ways in which collective traumas experienced by Louisiana’s major ethnic groups—slavery, the grand dérangement, linguistic discrimination—resulted in fundamental changes in these folktales in relation to their European and African counterparts. Rabalais points to the development of an altered moral economy in Cajun and Creole folktales. Conventional heroic qualities, such as physical strength, are subverted in Louisiana folklore in favor of wit and cunning. Analyses of Black Creole animal tales like those of Bouki et Lapin and Tortie demonstrate the trickster hero’s ability to overcome both literal and symbolic entrapment through cleverness. Some elements of Louisiana’s folklore tradition, such as the rougarou and cauchemar, remain an integral presence in the state’s cultural landscape, apparent in humor, popular culture, regional branding, and children’s books. Through its adaptive use of folklore, French and Creole Louisiana will continue to retell old stories in innovative ways as well as create new stories for future generations.

Bayou Folk is a Chopin's classic book containing of 23 masterpiece short stories shows rural life in Louisiana after the American Civil War and how former slaves, people of color, women, poor whites, and wealthy whites chafed against social restrictions. Kate Chopin (1850-1904) is an American writer best known for her stories about the inner lives of sensitive, daring women. Her novel The Awakening and her short stories are read today in countries around the world, and she is widely recognized as one of America's essential authors. Her short stories were well received in in the 1890s and were published by some of America's most prestigious magazines--Vogue, the Atlantic Monthly, Harper's Young People, the Youth's Companion, and the Century. A few stories were syndicated by the American Press Association. Many of her stories also appeared in her two published collections, Bayou Folk(1894) and A Night in Acadie (1897), both of which received good reviews from critics across the country who praised them for their graceful descriptions of the lives of Creoles, Acadians, African-Americans, and other people in Louisiana. Twenty-six of her stories are children's stories--those published in or intended for children's or family magazines--the Youth's Companion and others. By the late 1890s Kate Chopin was well known among American readers of magazine fiction. Her early novel At Fault (1890) was not much noticed, but The Awakening (1899) was widely condemned. Critics called it morbid, vulgar, and disagreeable. Chopin's work was mostly forgotten after her death, but, beginning in the 1950s, scholars rediscovered it and praised it for its truthful depictions of women's lives.

The Cajun coast of Louisiana is home to a way of life as unique, complex, and beautiful as the terrain itself. As award-winning travel writer Mike Tidwell journeys through the bayou, he introduces us to the food and the language, the shrimp fisherman, the Houma Indians, and the rich cultural history that makes it unlike any other place in the world. But seeing the skeletons of oak trees killed by the salinity of the groundwater, and whole cemeteries sinking into swampland and out of sight, Tidwell also explains why each introduction may be a farewell—as the storied Louisiana coast steadily erodes into the Gulf of Mexico. Part travelogue, part environmental exposé, Bayou Farewell is the richly evocative chronicle of the author's travels through a world that is vanishing before our eyes.

One agreeable afternoon in late autumn two young men stood together on Canal Street, closing a conversation that had evidently begun within the club-house which they had just quitted. "There's big money in it, Offdean," said the elder of the two. "I would n't have you touch it if there was n't. Why, they tell me Patchly 's pulled a hundred thousand out of the concern a'ready." "That may be," replied Offdean, who had been politely attentive to the words addressed to him, but whose face bore a look indicating that he was closed to conviction. He leaned back upon the clumsy stick which he carried, and continued: "It's all true, I dare say, Fitch; but a decision of that sort would mean more to me than you'd believe if I were to tell you. The beggarly twenty-five thousand's all I have, and I want to sleep with it under my pillow a couple of months at least before I drop it into a slot." "You 'll drop it into Harding & Offdean's mill to grind out the pitiful two and a half per cent commission racket; that 's what you 'll do in the end, old fellow-see if you don't."

At Fault (1890) is a novel by American author Kate Chopin. Published at the author’s expense, At Fault is the undervalued debut of a pioneering feminist and gifted writer who sought to portray the experiences of Southern women struggling to survive in an era decimated by war and economic hardship. Thérèse Lafirme is a Creole widow whose husband’s death has made the Place-du-Bois plantation on the Cane River in northwestern Louisiana her sole responsibility. Struggling to survive in a region that, following the fall of the Confederacy, has failed to recover from the devastation of defeat, Lafirme agrees to sell her land’s timber rights to a recently divorced businessman named David Hosmer. As the two begin to fall in love, Hosmer’s sawmill causes tension in an agrarian community unaccustomed to modern industry. Hosmer proposes to Thérèse, she is forced to consider the prospect of marriage against the opinion her community as well as her own moral and religious values, to set her personal desires aside in order to appease tradition. When Fanny, Hosmer’s alcoholic ex-wife, re-enters the picture, trouble ensues that threatens to ruin Lafirme’s reputation as an honest, hardworking woman. At Fault, like much of Chopin’s work, went largely unnoticed upon publication, but has since garnered critical acclaim as a work that explores the lived experiences of women and racial minorities during a period of political and economic upheaval. Both fictional and autobiographical—Chopin was a widow of French heritage who struggled to provide for her family following her husband’s death—At Fault is an underappreciated masterpiece of nineteenth-century literature. With a beautifully designed cover and professionally typeset manuscript, this edition of Kate Chopin’s At Fault is a classic of American literature reimagined for modern readers.