"A book that I highly recommend. A well-written book with lots of important information." -John B. Wells, Coast to Coast AM This book presents frightening facts that will shake many of your deepest beliefs to the core. A dark plan put into place centuries ago has come to fruition. Consider Battle Hymn your wake-up call. Painstakingly researched through hundreds of sources and interviews, Battle Hymn rips the cover off the invisible government that controls our leaders and soon, our very lives. Composed of just a few hundred powerful but unelected people, an elite cadre seeks to create a one-world government to complete its already advanced globalist plans to end the sovereignty of all nations-including the United States. Its ultimate goal is complete control through a New World Order where a socialist dictatorship ensures that every citizen is tagged, mollified, and productive. Order your copy of Battle Hymn today, a book that is still current, still timely, and still terrifying.

It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will You Meet Us." Union soldiers in the Civil War then turned it into "John Brown's Body." Julia Ward Howe, uncomfortable with Brown's violence and militancy, wrote the words we know today. Using intense apocalyptic and millenarian imagery, she captured the popular enthusiasm of the time, the sense of a climactic battle between good and evil; yet she made no reference to a particular time or place, allowing it to be exported or adapted to new conflicts, including Reconstruction, sectional reconciliation, imperialism, progressive reform, labor radicalism, civil rights movements, and social conservatism. And yet the memory of the song's original role in bloody and divisive Civil War scuttled an attempt to make it the national anthem. The Daughters of the Confederacy held a contest for new lyrics, but admitted that none of the entries measured up to the power of the original. "The Battle Hymn" has long helped to express what we mean when we talk about sacrifice, about the importance of fighting--in battles both real and allegorical--for the values America represents. It conjures up and confirms some of our most profound conceptions of national identity and purpose. And yet, as Stauffer and Soskis note, the popularity of the song has not relieved it of the tensions present at its birth--tensions between unity and discord, and between the glories and the perils of righteous enthusiasm. If anything, those tensions became more profound. By following this thread through the tapestry of American history, The Battle Hymn of the Republic illuminates the fractures and contradictions that underlie the story of our nation.

Music was everywhere during the Civil War. Tunes could be heard ringing out from parlor pianos, thundering at political rallies, and setting the rhythms of military and domestic life. With literacy still limited, music was an important vehicle for communicating ideas about the war, and it had a lasting impact in the decades that followed. Drawing on an array of published and archival sources, Christian McWhirter analyzes the myriad ways music influenced popular culture in the years surrounding the war and discusses its deep resonance for both whites and blacks, South and North. Though published songs of the time have long been catalogued and appreciated, McWhirter is the first to explore what Americans actually said and did with these pieces. By gauging the popularity of the most prominent songs and examining how Americans used them, McWhirter returns music to its central place in American life during the nation's greatest crisis. The result is a portrait of a war fought to music.

A group of American Civil War soldiers are swept away from the battlefields of Earth to a distant alien world--where the only place for a human is an early grave! But the Union 35th Maine regiment embodies the radical ideas of freedom and democracy, and they're willing to lay down their lives to stop this alien reign of terror!

The explosive, true story of a man of God turned fighter pilot who fought and prayed his way through 300 combat missions and two wars. Author Dean E. Hess is the subject of this inspiring autobiography, Battle Hymn, first published in 1956, which tells of his experiences as a U.S. Air Force colonel, including his involvement in the so-called “Kiddy Car Airlift” during the Korean War on December 20, 1950. With the airfield over capacity, Hess sent Korean orphans to an orphanage in Seoul. When the North Korean forces began to capture the city, Hess reportedly organized 15 C-54 Skymaster aircraft to airlift 950 orphans and 80 orphanage staff from the path of the Chinese advance to safety on Jeju Island. When Hess departed Korea in June 1951, a new orphanage on this island held over 1,000 Korean children. The book later served the basis for the 1957 film of the same name, where he was played by Rock Hudson. “Stirring”—San Francisco Chronicle “In his career as a war correspondent Quentin Reynolds has met his share of heroes, but few of them, he says have impressed him as deeply as Col. Dean E. Hess.”—Readers Digest “Twentieth century American soldiers, sailors, airmen and Marines have enjoyed a warm reputation for caring about the children of the lands they have fought in. Col. Dean E. Hess—Air Force humanitarians—well represents this tradition.”—The Times Magazine

Since its composition in Washington's Willard Hotel in 1861, Julia Ward Howe's "Battle Hymn of the Republic" has been used to make America and its wars sacred. Few Americans reflect on its violent and redemptive imagery, drawn freely from prophetic passages of the Old and New Testaments, and fewer still think about the implications of that apocalyptic language for how Americans interpret who they are and what they owe the world. In A Fiery Gospel, Richard M. Gamble describes how this camp-meeting tune, paired with Howe's evocative lyrics, became one of the most effective instruments of religious nationalism. He takes the reader back to the song's origins during the Civil War, and reveals how those political and military circumstances launched the song's incredible career in American public life. Gamble deftly considers the idea behind the song—humming the tune, reading the music for us—all while reveling in the multiplicity of meanings of and uses to which Howe's lyrics have been put. "The Battle Hymn of the Republic" has been versatile enough to match the needs of Civil Rights activists and conservative nationalists, war hawks and peaceniks, as well as Europeans and Americans. This varied career shows readers much about the shifting shape of American righteousness. Yet it is, argues Gamble, the creator of the song herself—her Abolitionist household, Unitarian theology, and Romantic and nationalist sensibilities—that is the true conductor of this most American of war songs. A Fiery Gospel depicts most vividly the surprising genealogy of "The Battle Hymn of the Republic," and its sure and certain position as a cultural piece in the uncertain amalgam that was and is American civil religion.

From the New York Times bestselling author of the Legion of the Damned® novels comes the final volume in the postapocalyptic military science fiction trilogy about America warring with itself and the people trying to keep it together... The Second Civil War continues to rage as Union president Samuel T. Sloan battles to keep America whole and, more than that, to restore the country to its former greatness. "Wanted Dead or Alive." Following a fateful battle between Union Army major Robin "Mac" Macintyre and her sister, the New Confederacy places a price on Mac's head, and bounty hunters are on her trail. But there's work to be done, and Mac is determined to help Sloan reunify the country by freeing hundreds of Union POWs from appalling conditions in Mexico and capturing a strategic oil reserve that lies deep inside Confederate territory. However, to truly have peace it will be necessary to capture or kill the New Confederacy's leadership, and that includes Mac's father, General Bo Macintyre.

At Michaela Community School, teachers think differently, overturning many of the ideas that have become orthodoxy in education. Here, 20 Michaela teachers explore controversial ideas that improve the lives of pupils from disadvantaged backgrounds. Michaela is blazing a trail, defying many of the received notions about what works best in schools.

This book from Rick Mooney features easy classical music as well as folk songs, fiddle tunes and Mooney originals composed to address specific technical points. A second cello part throughout promotes a student's ability to hear and play accurately.

Why do Jews win so many Nobel Prizes and Pulitzer Prizes? Why are Mormons running the business and finance sectors? Why do the children of even impoverished and poorly educated Chinese immigrants excel so remarkably at school? It may be taboo to say it, but some cultural groups starkly outperform others. The bestselling husband and wife team Amy Chua, author of Battle Hymn of the Tiger Mother, and Jed Rubenfeld, author of The Interpretation of Murder, reveal the three essential components of success – its hidden spurs, inner dynamics and its potentially damaging costs – showing how, ultimately, when properly understood and harnessed, the Triple Package can put anyone on their chosen path to success.