This book is the first detailed examination of these four authors as part of a Roman Catholic, counter-modern community of discourse. It is informed by extensive research in the writers' works, scholarship on them, and their personal papers.

On the publication of Orthodoxy in 1908, Wilfrid Ward hailed G. K. Chesterton as a prophetic figure whose thought was to be classed with that Burke, Butler, Coleridge, and John Henry Newman. When Chesterton died in 1936, T. S. Eliot pronounced that 'Chesterton's social and economic ideas were the ideas for his time that were fundamentally Christian and Catholic'. But how did he come by these ideas? Eliot noted that he attached 'significance also to his development, to his beginnings as well as to his ends, and to the movement from one to the other'. It is on that development that this book is focused. Chesterton and the Romance of Orthodoxy is an exploration of G.K. Chesterton's imaginative and spiritual development, from his early childhood in the 1870s to his intellectual maturity in the first decade of the twentieth century. William Oddie draws extensively on Chesterton's unpublished letters and notebooks, his journalism, and his early classic writings, to reveal the writer in his own words. In the first major study of Chesterton to draw on this source material, Oddie charts the progression of Chesterton's ideas from his first story (composed at the age of three and dictated to his aunt Rose) to his apologetic masterpiece Orthodoxy, in which he openly established the intellectual foundations on which the prolific writing of his last three decades would build. Part One explores the years of Chesterton's obscurity; his childhood, his adolescence, his years as a student and a young adult. Part Two examines Chesterton's emergence on to the public stage, his success as one of the leading journalists of his day, and his growing renown as a man of letters. Written to engage all with an interest in Chesterton's life and times, Oddie's accessible style ably conveys the warmth and subtlety of thought that delighted the first readership of the enigmatic GKC.

In Catholic Literary Giants, Joseph Pearce takes the reader on a dazzling tour of the creative landscape of Catholic prose and poetry. Covering the vast and impressive terrain from Dante to Tolkien, from Shakespeare to Waugh, this book is an immersion into the spiritual depths of the Catholic literary tradition with one of today's premier literary biographers as our guide. Focusing especially on the literary revival of the twentieth century, Pearce explores well-known authors such as G.K. Chesterton, Graham Greene and J.R.R. Tolkien, while introducing lesser-known writers Roy Campbell, Maurice Baring, Owen Barfield and others. He even includes the new saint, Pope John Paul II, who wrote many literary and poetic pieces, among them the story that was made into a feature film, The Jeweler's Shop.

Throughout his life, Gilbert Chesterton always had a propensity for throwing his genius around. As a result of this tendency, Chesterton penned articles, essays, stories, and poems for so many periodicals that it was almost impossible to keep track of them. In this volume, Dr. Denis J. Conlon, Professor of English Literature at the University of Antwerp, has compiled Chesterton's short stories--some of which have never appeared in print. Many stories will be new to Chesterton fans because they were originally published in England and never appeared in U.S. editions, and others published in the U.S. remain unknown on the other side of the Atlantic. Dr. Conlon also includes the lost Father Brown stories, "Fr. Brown and the Donnington Affair" and "The Mask of Midas". There are 43 short stories here, along with a selection of 25 complete and incomplete tales from Chesterton's notebooks, and numerous drawings and illustrations. Some of the stories in this wonderful volume are: "The Coloured Lands," "The Sword of Wood," "The Trees of Pride," "How I Found the Superman," "The Five of Swords," "Homesick at Home," and "The End of Wisdom." With illustrations.

Dale Ahlquist, the President of the American Chesterton Society, and author of G. K. Chesterton -The Apostle of Common Sense, presents a book of wonderful insights on how to "look at the whole world through the eyes of Chesterton". Since, as he says, "Chesterton wrote about everything", there is an ocean of his material to benefit from GKC's insights on a kaleidoscope of many important topics. Chesterton wrote a hundred books on a variety of themes, thousands of essays for London newspapers, penned epic poetry, delighted in detective fiction, drew illustrations, and made everyone laugh by his keen humor. Everyone who knew Chesterton loved him, even those he debated with. His unique writing style that combines philosophy, spirituality, history, humor, and paradox have made him one of the most widely read authors of modern times. As Ahlquist shows in his engaging volume, this most quoted writer of the 20th century has much to share with us on topics covering politics, art, education, wonder, marriage, fads, poetry, faith, charity and much more.

G. K. Chesterton is remembered as a brilliant creator of nonsense and satirical verse, author of the Father Brown stories and the innovative novel, The Man who was Thursday, and yet today he is not counted among the major English novelists and poets. However, this major new biography argues that Chesterton should be seen as the successor of the great Victorian prose writers, Carlyle, Arnold, Ruskin, and above all Newman. Chesterton's achievement as one of the great English literary critics has not hitherto been fully recognized, perhaps because his best literary criticism is of prose rather than poetry. Ian Ker remedies this neglect, paying particular attention to Chesterton's writings on the Victorians, especially Dickens. As a social and political thinker, Chesterton is contrasted here with contemporary intellectuals like Bernard Shaw and H. G. Wells in his championing of democracy and the masses. Pre-eminently a controversialist, as revealed in his prolific journalistic output, he became a formidable apologist for Christianity and Catholicism, as well as a powerful satirist of anti-Catholicism. This full-length life of G. K. Chesterton is the first comprehensive biography of both the man and the writer. It draws on many unpublished letters and papers to evoke Chesterton's joyful humour, his humility and affinity to the common man, and his love of the ordinary things of life.

Charting the theological and cultural potency of Acts across the timespan of Christian history, this work of profound scholarship reveals the full extent of the New Testament book’s religious, artistic, literary, and political influence. Reveals the influence of Acts at key turning points in the history of the Christian church Traces the rich and varied artistic and cultural heritage rooted in Acts, from music to literature Analyzes the political significance of the book as a touchstone in the church’s external relations Provides detailed commentary on the exegesis of Acts down the centuries

Who was Gilbert Keith Chesterton? A rotund man in a cape brandishing a walking stick? Certainly. A twentieth-century writer? Prolifically. A great champion and defender of the Christian Faith? Gallantly. He is known too as the "prince of paradox" and an "apostle of common sense." Chesterton has lately been enjoying a resurgence in popularity. His name appears on blog posts and news articles alike. His name is spoken more often on college campuses, and schools around the United States are being named after him. Who was this engaging, witty, prophetic man? Allow Dale Ahlquist, the president of the American Chesterton Society, to introduce you to him. In a rollicking adventure quite Chestertonian in flavor, Ahlquist captains an expedition of discovery into who this GKC fellow is. He deftly and cleverly explores Chesterton as a man, as a writer, and as a potential saint. Those curious about Chesterton will have their initial questions answered. Those who might be dubious about Chesterton's reputation will be challenged to reconsider. Those who consider Chesterton an old friend will be delighted. All will be engaged by amusing anecdotes, plentiful quotations, and a thoughtful study of the life of G. K. Chesterton.

In this study of the 19th-century American novel, the author demonstrates the imaginative continuity between sentimental and realistic fiction and sets out to establish that realism is the central and preeminent literary type in America, a mode grounded in the tradition of women's popular fiction which shaped the nation's reading habits in the mid-19th century. He examines this feminine literature, with its common technique of symbolizing deeper social conflicts through patterns of courtship, marriage, and gender roles. Contends that Howells and James owe much of their fictional domain to the often-disparaged household dramas of these female precursors.