It was hot at Padachina even for a summer day. In this village were many houses, but not a soul could be seen anywhere. The bazaar was full of shops and the lanes were lined with houses built either of brick or of mud. Every house was quiet. The shops were closed, and no one knew where the shopkeepers had gone. Even the street beggars were absent. The weavers wove no more. The merchants had no business. Philanthropic persons had nothing to give. Teachers closed their schools. Things had come to such a pass that children were even afraid to cry. The streets were empty. There were no bathers in the river. There were no human beings about the houses, no birds in the trees, no cattle in the pastures. Jackals and dogs morosely prowled in the graveyards and in the cremation grounds. One great house stood in this village. Its colossal pillars could be seen from a distance. But its doors were closed so tight that it was almost impossible for even a breath of air to enter. Within the house a man and his wife sat deeply absorbed in thought. Mahendra Singh and his wife were face to face with famine. The year before the harvests had been below normal. So rice was expensive this year and people began to suffer. Then during the rainy season it rained plentifully. The villagers at first looked upon this as a special mercy of God. Cowherds sang in joy, and the wives of the peasants began to pester their husbands for silver ornaments. All of a sudden, God frowned again. Not a drop of rain fell during the remaining months of the season. The rice fields dried into heaps of straw. Here and there a few fields yielded poor crops, but government agents bought these up for the army. So people began to starve again. At first they lived on one meal a day. Soon, even that became scarce, and they began to go without any food at all. The crop was too scanty, but the government revenue collector sought to advance his personal prestige by increasing the land revenue by ten per cent. And in dire misery Bengal shed bitter tears. Beggars increased in such numbers that charity soon became the most difficult thing to practise. Then disease began to spread. Farmers sold their cattle and their ploughs and ate up the seed grain. Then they sold their homes and farms. For lack of food they soon took to eating leaves of trees, then grass and when the grass was gone they ate weeds. People of certain castes began to eat cats, dogs and rats.

Rajmohan’s Wife and Sultana’s Dream (1864/1908) features the debut novel of Indian writer Bankim Chandra Chatterjee and a story by Bengali writer, feminist, and educator Rokeya Sakhawat Hossain. Rajmohan’s Wife, Chattopadhyay’s only work in English, launched his career as a leading Bengali intellectual and political figure. Written in English, Sultana’s Dream originated as a way of passing time for its young author while her husband was away on work. Initially published in The Indian Ladies Magazine, Sultana’s Dream helped establish Rokeya’s reputation as a leading figure in Bengali arts and culture. Rajmohan’s Wife is the story of Matangini, a beautiful woman married to a violent, jealous man. Unable to marry the man she loves—who happens to be her own sister’s husband—she settles for the villainous Rajmohan, an abusive man who rules his middle-class Bengali household with an iron fist. With the help of her friend Kanak, Matangini does her best to avoid her husband’s wrath, illuminating the importance of solidarity among women faced with oppression. Vindictive and cruel, Rajmohan secretly enacts a plan to rob Madhav, his brother-in-law, in order to obtain and invalidate a will. Sultana’s Dream is set in Ladyland is a feminist utopia ruled by women, a perfect civilization with no need for men, who remain secluded and without power. Free to develop their own society, women have invented flying cars, perfected farming to the point where no one must work, and harnessed the energy of the sun. With men under control, there is no longer fear, crime, or violence. Ultimately, Ladyland is a world made to mirror our own, a satirical exploration of the absolute power wielded by men over women, and a political critique of Bengali society at large. Sultana’s Dream is more than a science fiction story; it is an act of resistance made by a woman who would shape the lives of her people through advocacy, education, and activism for generations to come. With a beautifully designed cover and professionally typeset manuscript, this edition of Bankim Chandra Chatterjee and Rokeya Sakhawat Hossain’s Rajmohan’s Wife and Sultana’s Dream is a classic of Bengali literature and utopian science fiction reimagined for modern readers.

This study argues that the Bengali novelist Bankimchandra Chattopadhyay produced some of the most searching critical reflections on modernity in colonial India. It rejects assumptions that Bankim was a conservative, claiming that his art must be seen in a different, historical context.

On Krishna (Hindu deity).

Kapalkundala is a Bengali romance novel by Indian writer Bankim Chandra Chattopadhyay. Published in 1866, it is a story of a forest-dwelling girl named Kapalkundala, who fell in love with and married Nabakumar, a young gentleman from Saptagram. Eventually, she finds herself unable to adjust to city life.

One of the most popular Indian novels of all ages, 'Ananda Math' was translated innumerable times into Indian and English languages. Five editions were published in Bengali and Hindi during the author's lifetime, the first in 1882. The novel has the backdrop of the 18th century famine in Bengal, infamous as "Chhiyattorer Manvantar" (famine of 76th Bengali year, 1276), to narrate the saga of armed uprising of the ascetics and their disciples against the pillaging East India Company rulers. The uprising is historically known as 'Santan Vidroha', the ascetics being the children of Goddess Jagadambe. The saga of 'Ananda Math' is thrilling and best epitomised in the patriotic mass-puller song "Bande Mataram' ('Hail thee, O My Motherland'). The song is still a mantra that stirs imagination of millions of Hindus. The ascetics robbed the tormentors of people — the British rulers and the greedy jamindars — distributed the looted wealth to poverty-stricken people but kept nothing for themselves. Their targets were mostly the Company armoury and supplies. They had a highly organised setup, spread throughout Bengal. It was also India's first battle for freedom, and not the Sipahi Vidroha of 1857.

The first volume of this collector's edition brings together five of Bankimchandra's best-known works in English translation. Set in the Bengal of Emperor Jehangir's time, Kapalkundala tells the story of Nabakumar, a young woman named Kapalkundala whom he rescues from a tantric intent on human sacrifice, and the beautiful Lutfunnisa who has sold her heart on marrying him. In Bishabriksha (The Poison Tree), set in Bankimchandra's own time, Nagendra is torn between his devoted wife Suryamukhi and the bewitching young widow Kundanandini. Unable to prioritize either of the women he cares for, Nagendra ends up losing both. Indira is a lighthearted tale of playful intrigues: Upendra does not realize that his wife Indira is now working as a cook in his friend's house, and is given a royal run-around by Indira and Subhasini, her employer. Krishnakanta's Will is a tragedy of lust, infidelity, greed and death revolving around Govindalal, his wife Bhramar, the attractive widow Rohini, and a stolen will. psychologically taut tale; it is the first Indian novel where characters narrate their stories in the first person.

Describes authors, works, and literary terms from all eras and all parts of the world.

This Book Will Appeal To Students Of Religion And Philosophy And General Readers Interested In The Development Of Hindu Thought In The Nineteenth Century.

'Durgeshnandini' is the first novel of Bankim Chandra. It refers to the beloved daughter of the master of Fort Mandaran, Birendra Singh. Fort Mandaran was an estate near Bishnupur of United Bengal, constructed by Pathan Sultan Hussain Shah's commander-in-chief Ismail Ghazi. After the Pathans were driven away by Mughal Emperor Akbar, by turn of historical events, the estate came under the control of Hindu commander Jaidhar Singh. Birendra was his natural heir, who before taking it over, had served in Akbar's army as a commander himself. The novel unfolds a saga of Pathan Sultan Katlu Khan's repeat attempts to enter and conquer the Banga province. To crush him and his ambition, Emperor Akbar had sent his most trusted and valiant courtier Raja Man Singh to take charge of Banga and rescue people from Pathans' tyrannious atrocities. Raja Man Singh sent his valorous son Jagat Singh to crush the Pathans. While growingly successful at the job in many small guerrilla-type battles, by turns of events, Jagat Singh encounters Tillottama and both fall in love at first sight. How, due to an inadvertent move, both of them came under captivity of the marauding Pathan Sultan and later earned their freedom, have been described in a captivating style of desanskritised idioms.