A classic translation of Basho's most famous travel journal

Discover the strange, sublime, and breathtaking sights of Texas with this illustrated guide featuring thirty backroad excursions. The second largest state in America, Texas is home to a vast array of hidden treasures waiting just off the beaten path. Backroads of Texas guides readers to intriguing sites, offbeat characters, and glorious landscapes that are typically missed by interstate travelers. Watch frenzied bats as they fly by the thousands from San Angelo’s Foster Road Bridge. Catch your breath as you drink in the majestic Guadalupe Mountains. Get ready for goosebumps when you spelunk into the shadowy depths of Inner Space Cavern. And try not to get spooked when you see the paranormal “ghost lights” near the eclectic town of Marfa. These off-road sights are what truly set the Lone Star State apart from its neighbors. Completely reimagined for a new generation of road-trip takers and explorers, Backroads of Texas is lavishly illustrated with photographs, maps, and vintage advertising of Texas’s many scenic, historic, and cultural attractions.

NOW A MAJOR MOTION PICTURE Funny and heartbreaking, this New York Times bestselling debut perfectly captures the maddening confusion of adolescence and the prickly nature of family with irony and unerring honesty. Harley Altmyer should be in college having the time of his life. He should be free from the backwards Pennsylvania coal town he calls home, with its lack of jobs and no sense of humor. Instead, he’s constantly reminded of just how messed up everything is... Harley’s mother is in prison for killing his father, so he’s in charge of bringing up his younger sisters and working two jobs to pay the bills—and that doesn’t leave a lot of time for distractions. But lately, he’s getting more and more sidetracked by lusting after Callie Mercer, his middle-aged neighbor. As he struggles to keep it together, things begin to spin out of control. Soon Harley finds that as shattered as his family is, there are still more crushing surprises in store. “In Harley, O’Dell has created a hero who’s heartbreakingly believable; like Holden Caulfield, he uses caustic humor to hide his pain. Readers will care very much about him and his future, if indeed he has one.”—St. Petersburg Times

'It was with awe That I beheld Fresh leaves, green leaves, Bright in the sun' When the Japanese haiku master Basho composed The Narrow Road to the Deep North, he was an ardent student of Zen Buddhism, setting off on a series of travels designed to strip away the trappings of the material world and bring spiritual enlightenment. He writes of the seasons changing, the smell of the rain, the brightness of the moon and the beauty of the waterfall, through which he sensed the mysteries of the universe. These writings not only chronicle Basho's travels, but they also capture his vision of eternity in the transient world around him. Translated with an Introduction by Nobuyuki Yuasa

This book presents interdisciplinary research on the aesthetics of perfection and imperfection. Broadening this growing field, it connects the aesthetics of imperfection with issues in areas including philosophy, music, literature, urban environment, architecture, art theory, and cultural studies. The contributors to this volume argue that imperfection has value in being open and inclusive. The aesthetics of imperfection is typified by organic, unpolished production and the avoidance of perfect finish, instead representing living and natural change, and opposing the consumerist concern with the flawless and pristine. The chapters are divided into seven thematic sections. After the first section, on imperfection across the arts and culture, the next three parts are on imperfection in the arts of music, visual and theatrical arts, and literature. The second half of this book then moves to categories in everyday life and branches this further into body, self, and the person, and urban environments. Together, the chapters promote a positive ethos of imperfection that furthers individual and social engagement and supports creativity over mere passivity. Imperfectionist Aesthetics in Art and Everyday Life will appeal to a broad range of scholars and advanced students working in philosophical aesthetics, literature, music, urban environment, architecture, art theory, and cultural studies.

The Book of Macrobiotics is a passport to a world of infinite understanding and adventure. It has been read, reread, studied, and treasured by hundreds of thousands of people who seek a clear, comprehesive approach to the problem of living in a world of endless change. Now after two decades, The Book of Macrobiotics has been completely revised and expanded to reflect refinements in Michio Kushi's teachings, as well as many developments in the modern practice of macrobiotics. During this time, the standard macrobiotic diet has been simplified and broadened. Macrobiotic approaches to cancer, heart disease, and other degenerative disorders have evolved and expanded, as have basic home care and lifestyle recommendations. This revised edition of The Book of Macrobiotics also includes a new chapter on the Spiritual World; new material on Yin and Yang and the Five Transformations, Man/Woman Relations, and Humanity's Origin and Destiny; and an annotated East West Reading List. Many new illustrations have been furnished, and the Food Composition tables have been expanded to include nutritional information on dozens of additional foods, including tempeh, seitan, rice cakes, and amazake. Here, for a new generation, is a beautifully revised and updated version of a macrobiotic classic.

Meditation in the Wild takes the reader on an adventure with the Buddhist forest monks and hermits of the last 2500 years. Walking into jungles and living on mountain sides, their encounters with nature teach us about the meaning of life and death, our struggles with our own minds and how we treat each other. Sitting with tigers, biting insects and bamboo shoots they looked on life compassionately. They remind us of who we are and what we have become. ,

A collection of 108 haiku poems to heighten awareness and deepen our appreciation for the ordinary in everyday life Haiku, the Japanese form of poetry written in just three lines, can be miraculous in its power to articulate the profundity of the simplest moment—and for that reason haiku can be a useful tool for bringing us to a heightened awareness of our lives. Here, the poet Patricia Donegan shares her experience of the haiku form as a way of insight that anyone can use to slow down and uncover the beauty of ordinary moments. She presents 108 haiku poems—on themes such as honesty, transience, and compassion—and offers commentary on each as an impetus to meditation and as a key to unlocking the wonder in what we find right before us.

Describes authors, works, and literary terms from all eras and all parts of the world.

Focusing on lyric poetry, Mastery's End looks at important, yet neglected, issues of subjectivity in post-World War II travel literature. Jeffrey Gray departs from related studies in two regards: nearly all recent scholarly books on the literature of travel have dealt with pre-twentieth-century periods, and all are concerned with narrative genres. Gray questions whether the postcolonial theoretical model of travel as mastery, hegemony, and exploitation still applies. In its place he suggests a model of vulnerability, incoherence, and disorientation to reflect the modern destabilizing nature of travel, a process that began with the unprecedented movement of people during and after World War II and has not abated since. What the contemporary discourse concerning displacement, border crossing, and identity needs, says Gray, is a study of that literary genre with the least investment in closure and the least fidelity to ethnic and national continuities. His concern is not only with the psychological challenges to identity but also with travel as a mode of understanding and composition. Following a summary of American critical perspectives on travel from Emerson to the present, Gray discusses how travel, by nature, defamiliarizes and induces heightened awareness. Such phenomena, Gray says, correspond to the tenets of modern poetics: traversing territories, immersing the self in new object worlds, reconstituting the known as unknown. He then devotes a chapter each to four of the past half-century's most celebrated English-speaking, western poets: Elizabeth Bishop, Robert Lowell, John Ashbery, and Derek Walcott. Finally, two multi-poet chapters examine the travel poetry of Allen Ginsberg, Gary Snyder, and Robert Creeley, Lyn Hejinian, Nathaniel Mackey and others.