"Robert A. Slayton's Back of the Yards is one of the finest accounts I have ever read on an urban, working-class neighborhood in twentieth-century America. Its focus on family, politics, and worklife is penetrating and its conclusions reinforce an emerging scholarly picture of ordinary people exercising unique forms of power."—John Bodnar, author of The Transplanted: A History of Immigrants in Urban America

Located in the back of the Union Stockyards, a history of Chicago's Back of the Yards neighborhood offers a glimpse into the lives of its large immigrant population.

In 1905, Upton Sinclair published his muckraking classic, The Jungle, and shocked the nation with his account of the environmental and human costs of operating Chicago's sprawling Union Stock Yards. His description of the nearby neighborbood where workers lived, often in deplorable conditions, made the "Back of the Yards" one of the most famous - and infamous - urban enclaves in the country. Pride in the Jungle picks up the story of the Back of the Yards about a decade after Sinclair's memorable account. By that time many neighborhood families were on the verge of generational change as the original migrants from Poland, Slovakia, Lithuania, and other parts of Europe surrendered authority over the family to their Americanized children. The neighborhood, too, was changing - from Sinclair's terrible urban slum to a stable, working-class community with a strong sense of pride. Focusing on the period between the world wars, Jablonsky describes the emergence of a distinctive sense of community as ethnicity, religion, family traditions, and an accommodation to the "American way of life" combined to create a "pride in the jungle". Jablonsky also explains how the Back of the Yards community was shaped by the residents' sense of place, by their unique experience of the cultural and the physical landscapes. He describes the grass-roots formation of the widely acclaimed Neighborhood Council as the culmination of "socio-spacial processes" unfolding in the everyday lives of ordinary people. Based on archival sources, published scholarship, and eighty-four oral histories, Jablonsky's lively account establishes why place and space mattered in the era of pedestrians and streetcars - and why they canstill matter in America's troubled, yet vibrant, urban centers.

On the South Side to tour the Union Stock Yard, people got a firsthand look at Chicago's industrial prowess as they witnessed cattle, hogs, and sheep disassembled with breathtaking efficiency. At their height, the kill floors employed 50,000 workers and processed six hundred animals an hour, an astonishing spectacle of industrialized death. Pacyga chronicles the rise and fall of an industrial district that, for better or worse, served as the public face of Chicago for decades. He takes readers through the packinghouses as only an insider can, covering the rough and toxic life inside the plants and their lasting effects on the world outside. He shows how the yards shaped the surrounding neighborhoods; looks at the Yard's sometimes volatile role in the city's race and labor relations; and traces its decades of mechanized innovations.

Chicago has been called by many names. Nelson Algren declared it a “City on the Make.” Carl Sandburg dubbed it the “City of Big Shoulders.” Upton Sinclair christened it “The Jungle,” while New Yorkers, naturally, pronounced it “the Second City.” At last there is a book for all of us, whatever we choose to call Chicago. In this magisterial biography, historian Dominic Pacyga traces the storied past of his hometown, from the explorations of Joliet and Marquette in 1673 to the new wave of urban pioneers today. The city’s great industrialists, reformers, and politicians—and, indeed, the many not-so-great and downright notorious—animate this book, from Al Capone and Jane Addams to Mayor Richard J. Daley and President Barack Obama. But what distinguishes this book from the many others on the subject is its author’s uncommon ability to illuminate the lives of Chicago’s ordinary people. Raised on the city’s South Side and employed for a time in the stockyards, Pacyga gives voice to the city’s steelyard workers and kill floor operators, and maps the neighborhoods distinguished not by Louis Sullivan masterworks, but by bungalows and corner taverns. Filled with the city’s one-of-a-kind characters and all of its defining moments, Chicago: A Biography is as big and boisterous as its namesake—and as ambitious as the men and women who built it.

An exploration of how the Windy City became a postwar Latinx metropolis in the face of white resistance. Though Chicago is often popularly defined by its Polish, Black, and Irish populations, Cook County is home to the third-largest Mexican-American population in the United States. The story of Mexican immigration and integration into the city is one of complex political struggles, deeply entwined with issues of housing and neighborhood control. In Making Mexican Chicago, Mike Amezcua explores how the Windy City became a Latinx metropolis in the second half of the twentieth century. In the decades after World War II, working-class Chicago neighborhoods like Pilsen and Little Village became sites of upheaval and renewal as Mexican Americans attempted to build new communities in the face of white resistance that cast them as perpetual aliens. Amezcua charts the diverse strategies used by Mexican Chicagoans to fight the forces of segregation, economic predation, and gentrification, focusing on how unlikely combinations of social conservatism and real estate market savvy paved new paths for Latinx assimilation. Making Mexican Chicago offers a powerful multiracial history of Chicago that sheds new light on the origins and endurance of urban inequality.

Chronicles the experiences of immigrants in two iconic South Side Polish neighborhoods in Chicago to demonstrate how Poles created new communities in an attempt to preserve the customs of their homeland.

"Heart-wrenching moments of emotional struggle are presented with insight and compassion...a fascinating read that one will not soon forget." -US Review of Books Set during the Depression in the South Chicago neighborhood of Sinclair's The Jungle, Betty O'Leary's family struggles to scrape by in this harsh, foul-smelling, yet compassionate area. The youngest in her Irish Catholic family, Betty is overshadowed by her pretty sister, Maureen, and when tragedy threatens to shatter her world, Betty is sent away to stay with relatives. As grief and loss take its toll on family members, Betty eventually meets Phil, who offers hope for long-awaited happiness. But secrets begin to unravel, and depression gradually descends on Betty. Is a family history of asylums and madness the cause? And unlike her disturbed mother, will Betty ever find peace and fulfillment? The story gives voice to those struggling with emotional pain and shows how families can heal with love, courage, and promise. It tells of a unique neighborhood reflecting America's cultural changes and how one's childhood is forever present.

A unique artistic tribute to a Chicago neighborhood lost to gentrification: “Kevin Coval made me understand what it is to be a poet” (Chance the Rapper, Grammy winner and activist). Everything Must Go is an illustrated collection of poems in the spirit of a graphic novel, a collaboration between poet Kevin Coval and illustrator Langston Allston. The book celebrates Chicago’s Wicker Park in the late 1990s, Coval’s home as a young artist, the ancestral neighborhood of his forebears, and a vibrant enclave populated by colorful characters. Allston’s illustrations honor the neighborhood as it once was, before gentrification remade it. The book excavates and mourns that which has been lost in transition and serves as a template for understanding the process of displacement and reinvention currently reshaping American cities. “Chicago’s unofficial poet laureate.” —NPR

A Washington Post Bestseller An entirely fresh approach to ending the high school dropout crisis is revealed in this groundbreaking chronicle of unprecedented transformation in a city notorious for its "failing schools" In eighth grade, Eric thought he was going places. But by his second semester of freshman year at Hancock High, his D's in Environmental Science and French, plus an F in Mr. Castillo's Honors Algebra class, might have suggested otherwise. Research shows that students with more than one semester F during their freshman year are very unlikely to graduate. If Eric had attended Hancock—or any number of Chicago's public high schools—just a decade earlier, chances are good he would have dropped out. Instead, Hancock's new way of responding to failing grades, missed homework, and other red flags made it possible for Eric to get back on track. The Make-or-Break Year is the largely untold story of how a simple idea—that reorganizing schools to get students through the treacherous transitions of freshman year greatly increases the odds of those students graduating—changed the course of two Chicago high schools, an entire school system, and thousands of lives. Marshaling groundbreaking research on the teenage brain, peer relationships, and academic performance, journalist turned communications expert Emily Krone Phillips details the emergence of Freshman OnTrack, a program-cum-movement that is translating knowledge into action—and revolutionizing how teachers grade, mete out discipline, and provide social, emotional, and academic support to their students. This vivid description of real change in a faulty system will captivate anyone who cares about improving our nation's schools; it will inspire educators and families to reimagine their relationships with students like Eric, and others whose stories affirm the pivotal nature of ninth grade for all young people. In a moment of relentless focus on what doesn't work in education and the public sphere, Phillips's dramatic account examines what does.