Originally published in 1896, this text contains the cunieform text of 60 clay tablets written between 669-625 BC. These tablets were inscribed with prayers and religious compositions of a devotional and magical character and there is little doubt that they were compiled from Babylonian sources.

A new reconstruction and translation of the Maqlû text The Akkadian series Maqlû, “Burning,” is one of the most significant and interesting magical texts from the Ancient Near East. The incantations and accompanying rituals are directed against witches and witchcraft and ctually represent a single complex ceremony. The ceremony was performed during a single night and into the following morning at the end of the month Abu (July/August), a time when spirits were thought to move back and forth between the netherworld and the world of the living. Features: English translation of approximately 100 incantations and rituals Annotated transcription Introduction places the series in historical context and shows how it is a product of a complex literary and ceremonial development.

Maskim Hul is a complete grimoire of Tiamat-centered magick, pre-luciferian sorcery developed from authentic Mesopotamian clay tablets. Tiamat, Kingu and the 11 Chaos-Monsters created by Tiamat are explored, their functions, manifestations and how they survived and existed in the pantheon of Marduk, Ea and the other gods. The gods, demons and evil spirits of Mesopotamia are presented along with Cuneiform sigils and documentation of their use in sorcery. The extensive Invocations of the Gods, Hymns and the entire foundation of authentic Kassapu-practice of ancient Babylon is offered in a concise manner. The grimoire is founded and dedicated to the Seven Sebitti or Maskim, the "Seven Evil Gods" or rebels along with Lamashtu, Lilith are presented in a plethora of rituals and their names of calling. The Serpent Gods of fertility, Ishtar revealed as a form of Tiamat (from pantheon sources) and the rites of necromancy and the Black Flame (Melammu) is presented.

A collection of Babylonian and Assyrian myths and legends, including various analogues of the biblical flood story and discussions of the history of Babylon and Assyria, and descriptions of various forms of Babylonian worship, Assyrian cults, and archaeological excavation of Babylonian and Assyrian sites.

This book presents twenty chapters by experts in their fields, providing a thorough and interdisciplinary overview of the theory and practice of magic in the West. Its chronological scope extends from the Ancient Near East to twenty-first-century North America; its objects of analysis range from Persian curse tablets to US neo-paganism. For comparative purposes, the volume includes chapters on developments in the Jewish and Muslim worlds, evaluated not simply for what they contributed at various points to European notions of magic, but also as models of alternative development in ancient Mediterranean legacy. Similarly, the volume highlights the transformative and challenging encounters of Europeans with non-Europeans, regarding the practice of magic in both early modern colonization and more recent decolonization.

Erica Reiner offers a connection between Near Eastern material and their echoes in the West. a foundation for comparisons between the oriental cultures and gtheir echoes in the West. To provide a foundation for comparisons the Near Eastern material needs to be resented in reliable form. Reiner's sources are culled from such scientific texts as medicine, divination, and rituals, which are not usually included in anthologies of Mesopotamian texts and rarely available in translation..

This volume, edited by Tzvi Zbusch and Karel van der Toorn, contains the papers delivered at the first international conference on Mesopotamian magic held under the auspices of the Netherlands Institute for Advanced Studies (NIAS) in June 1995. It is the first collective volume dedicated to the study of this topic. It aims at serving as a bench-mark and provides analytic and innovative but also sythetic and programmatic essays. Magical texts, forms, and traditions from the Mesopotamian cultural worlds of the third millennium BCE through the first millennium CE, in the Sumerian, Akkadian and Aramaic languages as well as in art, are examined.

This Is A New Release Of The Original 1896 Edition.