This book brings together a world-renowned collection of philosophers and theologians to explore the ways in which the resurgence of eschatological thought in contemporary theology and the continued relevance of phenomenology in philosophy can illuminate each other. Through a series of phenomenological analyses of key eschatological concepts and detailed readings in some of the key figures of both disciplines, this text reveals that phenomenology and eschatology cannot be fully understood without each other: without eschatology, phenomenology would not have developed the ethical and futural aspects that characterize it today; without phenomenology, eschatology would remain relegated to the sidelines of serious theological discourse. Along the way, such diverse themes as time, death, parousia, and the call are re-examined and redefined. Containing new contributions from Jean-Yves Lacoste, Claude Romano, Richard Kearney, Kevin Hart and others, this book is necessary reading for anyone interested in the intersection of contemporary philosophy and theology.

MacKendrick (philosophy, Le Moyne College) explores language and silence and their temporality and atemporality through works of philosophy, literature, and religion, where eternity and silence have long been matters of concern. Among the authors she considers are Maurice Blanchot, Georges Bataille, four poets, St. Augustine, and Meister Eckhart. Annotation copyrighted by Book News Inc., Portland, OR

"Another of Blanchot's almost-fictions . . . throwing into deliciously baffling high relief the enigmatic condition of a man and woman alone in a sparsely furnished hotel room who try to remember what has happened to bring them there as they apprehensively await whatever will happen next. Their reserved confusion and quiet desperation eventually impress upon them (and us) the realization that imagination (or, if you will, writing) can create reality -- and offer the paradoxical solace that seems to rest at the heart of Blanchot's writing: the sense that even language that expresses meaninglessness can't help but contain and, therefore, convey meaning." -- Kirkus. "This absolutely first-rate translation will not only make Blanchot accessible to many new readers but will also encourage Blanchot scholars and students to reconsider everything they thought they knew about L'Attente l'oubli. . . . This book should be required reading, period." -- Choice. "Awaiting Oblivion is one of [Blanchot's] crowning works . . . a penetrating reflection upon human nature, language, and literature.""--Translation Review. ""Blanchot is a terrifying writer.""--Review of Contemporary Fiction. Maurice Blanchot has been for a half century one of France's leading authors of fiction and theory. Two of his most ambitious nonfiction works, The Space of Literature and The Writing of the Disaster, are also available from the University of Nebraska Press, as is The Most High, his third novel. John Gregg is the author of Maurice Blanchot and the Literature of Transgression.

Reproduction of the original: The Story of Mary MacLane by Mary MacLane

Examining the legacies of Heidegger, along with Derrida, Levinas and Nietzsche, Rafael Winkler argues that it is not the search for truth or even contradictions that stimulates philosophical thought. Instead, it is our exposure to the unthinkable or the impossible – to thought's own limits. An experience of the unthinkable is possible in our encounter with the uniqueness of death, the singularity of being, and of the self and the other. This 'thinking of finitude' also has political implications, as it provides us with a way to talk about, and evaluate, absolute strangeness and, by implication, the absolute stranger or foreigner. Illuminating Heidegger's writings on the question of ontology, ethics and history, Winkler proves that this encounter with thought's limits is one of the mainstays of the philosophies of difference of Heidegger, Levinas, and Nietzsche.

As if fulfilling the One-Hundred-Soul Debt Contract to Death wasn’t bad enough, now Kenobi Reynolds is forced to work with the one thing he hates most: a Dark Mage. With the unexpected announcement that he has three days to collect five souls, the embolden Death Disciple (Kenobi Reynolds) prepares to confront the one responsible for his father’s death that returns by way of the forced open sacred portal.

What does it mean to be called "human"? How does this nomination affect or effect what it means to be called "divine"? This book responds to these related questions in intertwined explorations of the passionate trials-examinations, tests, and ordeals-of Antigone and Jesus. Impelled by her love of the impossible, Antigone crosses uncrossable boundaries, transgresses norms of kinship and mortality, confounds distinctions of nature and culture, and, in the process, unearths and critiques the sexism implicit in humanism. Antigone thus disrupts humanist traditions stretching from Sophocles to Martin Heidegger-traditions that would render her subhuman or inhuman. She survives these exclusions and engenders a new mode of humanity, one that destabilizes classic oppositions of life and death and affirms mortal finitude in the face of the future's unforeseeability. This new mode of humanity offers a new way of considering Jesus, whom Christianity identifies as human and divine. Building on his reading of Antigone, the author, through a close reading of Mark's gospel focused on Jesus' cry of abandonment from the cross, shows that to refigure humanity is also to refigure divinity and their relation. In the first extended treatment of Jean-Luc Nancy's Corpus in English, the author draws on the theoretical insights of Jacques Derrida and Nancy to propose an innovative account of Jesus' humanity and divinity-one that can contribute to religious understandings of embodiment and prayer and can open avenues of inquiry into tragedy, sexual difference, posthumanism, and politics. By pairing Antigone and Jesus and engaging the work of Judith Butler, Simone Weil, Jean-Louis Chr tien, and Dominique Janicaud, this book constructively participates in interdisciplinary conversations at the nexus of religious, philosophical, literary, and gender studies.

This study offers a detailed analysis of the fiction of J. M. Coetzee, including the novels of the South African and Australian periods, to demonstrate the development of Coetzee's engagement with the complexities of non-normative embodiment. In this illuminating monograph, Pawel Wojtas demonstrates the extent to which Coetzee's multifaceted depictions of disability offer a sustained critique of the ableist implications of political violence and neoliberal inclusionism alike. Exploring a wide range of notions, such as ocularnormativism, mute speech, eco-disability, disability Gothic, dismodernism, autogerontography, and bibliotherapy, Wojtas shows how Coetzee's 'disabled textuality' provokes a sustained meditation on various forms of cultural denigration of disability experience.