Nothing in the annals of sports has aroused more passion than the heavyweight fights in New York in 1936 and 1938 between Joe Louis and Max Schmeling — bouts that symbolized the hopes, hatreds, and fears of a world moving toward total war. Acclaimed journalist David Margolick takes us into the careers of both men — a black American and a Nazi German hero — and depicts the extraordinary buildup to their legendary 1938 rematch. Vividly capturing the outpouring of emotion that the two fighters brought forth, Margolick brilliantly illuminates the cultural and social divisions that they came to represent.

Most Americans know Andrew Jackson as a frontier rebel against political and diplomatic norms, a "populist" champion of ordinary people against the elitist legacy of the Founding Fathers. Many date the onset of American democracy to his 1829 inauguration. Despite his reverence for the "sovereign people," however, Jackson spent much of his career limiting that sovereignty, imposing new and often unpopular legal regimes over American lands and markets. He made his name as a lawyer, businessman, and official along the Carolina and Tennessee frontiers, at times ejecting white squatters from native lands and returning slaves to native planters in the name of federal authority and international law. On the other hand, he waged total war on the Cherokees and Creeks who terrorized western settlements and raged at the national statesmen who refused to "avenge the blood" of innocent colonists. During the long war in the south and west from 1811 to 1818 he brushed aside legal restraints on holy genocide and mass retaliation, presenting himself as the only man who would protect white families from hostile empires, "heathen" warriors, and rebellious slaves. He became a towering hero to those who saw the United States as uniquely lawful and victimized. And he used that legend to beat back a range of political, economic, and moral alternatives for the republican future. Drawing from new evidence about Jackson and the southern frontiers, Avenging the People boldly reinterprets the grim and principled man whose version of American nationhood continues to shape American democracy.

Vols. 277-230, no. 2 include Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.

Covering genres from adventure and fantasy to horror, science fiction, and superheroes, this guide maps the vast terrain of graphic novels, describing and organizing titles to help librarians balance their graphic novel collections and direct patrons to read-alikes. New subgenres, new authors, new artists, and new titles appear daily in the comic book and manga world, joining thousands of existing titles—some of which are very popular and well-known to the enthusiastic readers of books in this genre. How do you determine which graphic novels to purchase, and which to recommend to teen and adult readers? This updated guide is intended to help you start, update, or maintain a graphic novel collection and advise readers about the genre. Containing mostly new information as compared to the previous edition, the book covers iconic super-hero comics and other classic and contemporary crime fighter-based comics; action and adventure comics, including prehistoric, heroic, explorer, and Far East adventure as well as Western adventure; science fiction titles that encompass space opera/fantasy, aliens, post-apocalyptic themes, and comics with storylines revolving around computers, robots, and artificial intelligence. There are also chapters dedicated to fantasy titles; horror titles, such as comics about vampires, werewolves, monsters, ghosts, and the occult; crime and mystery titles regarding detectives, police officers, junior sleuths, and true crime; comics on contemporary life, covering romance, coming-of-age stories, sports, and social and political issues; humorous titles; and various nonfiction graphic novels.

Spider-Man's daughter May "Mayday" Parker faces tough battles against Darkdevil, the Avengers, and Kaine.

Twelve-year-old Michael Kraus began keeping a diary while he was still living at home in the Czech city of Nachód but continued writing while a prisoner at Theresienstadt (Terezín). When he was shipped with other prisoners to the death camp at Auschwitz-Birkenau, all of his writings were confiscated and destroyed. After his liberation and while convalescing, he began to draw and make notes again about his experiences in Theresienstadt, in Auschwitz, the first death march out of Mauthausen, and its satellite camps, in Melk and Gunskirchen. As a teenager confronting the traumas of these experiences, Kraus found that recording his memories in words and pictures helped him overcome his hatred for those who had murdered his parents. The process of writing and drawing also helped him begin the painful transition to a so-called normal life. As a survivor, Kraus also felt the need to recount his experiences for the benefit of future generations, especially on behalf of the many who did not survive. The present edition makes this memoir, originally written in Czech and significant for having been written so close to the author’s liberation, widely available to English readers for the first time. It also reproduces pages from the original booklets that show how the teenage Kraus illustrated his memories with pencil drawings that both complement and extend his story, giving readers a sense of its character as an unusual and important historical document.