Of all the critiques of the Enlightenment, the most telling may be found in the life and writings of Jean-Jacques Rousseau. This searching, long overlooked auto critique receives its first full treatment by Mark Hulliung. Here he restores Rousseau to his historical context, the world of the philosophes, and shows how he employed the arsenal of Voltaire, Diderot, and others to launch a powerful attack on their version of the Enlightenment. With great intellectual skill and rhetorical force, Rousseau exposed the inconsistencies and shortcomings of the Enlightenment: the psychology of Locke, the genre of philosophical and conjectural history, the latest applications of science to the study of society and politics, and the growing interest in materialist modes of thought. As the century moved on, Hulliung shows, the most advanced philosophes found themselves drawn to conclusions that paralleled Rousseau's an agreement that went unacknowledged at the time. The Enlightenment that emerges here is richer, more nuanced, and more self-critical than the one reflected in many interpretations. By extracting Rousseau from personal entangle-ments that stymied debate in his time and that mislead critics to this day, Hulliung reveals the remarkable and remarkably unacknowledged force of Rousseau's accomplishment. This edition includes a brilliant new introduction by the author.

Opening -- Part I. Metarealism. How the real world became a fable, or, The realities of social construction -- Part II. Process social ontology. Concepts in disintegration & strategies for demolition ; Process social ontology ; Social kinds -- Part III. Hylosemiotics. Hylosemiotics : the discourse of things -- Part IV. Knowledge and value. Zetetic knowledge ; The revaluation of values -- Conclusion : becoming metamodern.

Michael Corris examines Ad Reinhardt’s life and work, charting the development of his entire oeuvre - from abstract paintings, to graphic artwork, to illustrations and cartoons.

Examining more than a dozen films from Jewish artists, this book reveals how the postmodern impulse to turn the lens inward intersects provocatively with historical tropes and stereotypes of the Jew. It focuses on Jewish filmmakers working on the margins and examines the work of Jonathan Caouette, Chantal Akerman and many more.

As we move further away from the historical period known as the Enlightenment, it seems the debate about its impact becomes increasingly polarized. Arguments focus on either rejecting or claiming its legacy. In this book Bruce Ward contends that the concern should be neither to reject or claim, but to see how it can be redeemed. / Ward sets up a three-sided dialogic encounter among primary thinkers and critics of modernity philosophical, theological, and literary using Rousseau, Nietzsche, and Dostoevsky to focus the discussion. Ward does not neglect other significant thinkers notably Kant, Heidegger, Tolstoy, Charles Taylor, Locke, Kafka, Ren Girard, and Martha Nussbaum but uses them to illumine the questions at issue among the primary three. Though each chapter of this book can be treated as a relatively independent reflection, the book as a whole offers innovative redemption of the Enlightenment values of equality, authenticity, tolerance, and compassion.

Eugene W. Holland provides an excellent introduction to Gilles Deleuze and Felix Guattari's Anti-Oedipus which is widely recognized as one of the most influential texts in philosophy to have appeared in the last thirty years. He lucidly presents the theoretical concerns behind Anti-Oedipus and explores with clarity the diverse influences of Marx, Freud, Nietzsche and Kant on the development of Deleuze & Guattari's thinking. He also examines the wider implications of their work in revitalizing Marxism, environmentalism, feminism and cultural studies.

"James D. Le Sueur draws from a wealth of interviews and private papers to offer important insights into the contested issues of identity politics among French and Algerian intellectuals during the French-Algerian War, 1954-62."—Journal of Modern History

The iconoclastic ingenuity of bohemians, from Gerard de Nerval to Allen Ginsberg, continually captivates the popular imagination; the worlds of fashion, advertising, and even real estate all capitalize on the alternative appeal of bohemian style. Persistently overlooked, however, is bohemians' distinctive relationship to work. In this book, sociologist Judith R. Halasz examines the fascinating junctures between bohemian labor and life. Weaving together historiography, ethnography, and personal experiences of having been raised amidst downtown New York's bohemian communities, Halasz deciphers bohemians' unconventional behaviors and attitudes towards employment and the broader work world. From the nineteenth-century harbingers on Paris' Left Bank to the Beats, Underground, and more recent bohemian outcroppings on New York's Lower East Side, The Bohemian Ethos traces the embodiment of a politically charged yet increasingly precarious form of cultural resistance to hegemonic social and economic imperatives.