Clifford Endres captures the musical, magical world of Austin City Limits in this photographic history of public television's favorite and most critically acclaimed music program. 120 black-and-white and 30 color photographs.

Honored as a “historic rock and roll landmark” by the Rock and Roll Hall of Fame and Museum, Austin City Limits is the longest-running popular music series in American television history. ACL began in 1974 by featuring original Texas music that ran the gamut from Western swing and Texas blues to Tejano, progressive country, and rock and roll. Now the show is celebrating its fortieth anniversary, and its coverage has expanded to encompass unique regional, national, and international performers in an eclectic range of genres. Additionally, the ACL brand includes the annual Austin City Limits Music Festival, a three-day extravaganza that spotlights some 150 bands and attracts more than 200,000 fans. This book spans ACL’s first 40 years, with special emphasis on legendary artists, such as Johnny Cash, Ray Charles, Leonard Cohen, and Willie Nelson, and the most compelling contemporary performers and bands from the past two decades, including Coldplay, John Mayer, Elvis Costello, Pearl Jam, David Bryne, the Flaming Lips, Wilco, Lucinda Williams, and Norah Jones. The best of the best, Austin City Limits: Forty Years of Legendary Music showcases some of the most brilliant, mesmerizing, quirky, esoteric, and unforgettable performances on any stage in the past 40 years.

The best moments from some of the most brilliant, mesmerizing, quirky, esoteric, and unforgettable performances on "Austin City Limits"--the longest-running popular music series in American television history--are captured in this volume.

Austin City Limits is the longest running musical showcase in the history of television, and it still captivates audiences forty years after its debut on the air. From Willie Nelson's legendary pilot show and his fourteen magical episodes running through the years to Season 35, to mythical performances of BB King and Stevie Ray Vaughn, to repeat appearances from Chet Atkins, Bonnie Raitt and Ray Charles, and recent shows with Mumford & Sons, Arcade Fire and The Decemberists, the show has defined popular roots music and indie rock. This is why country rocker Miranda Lambert -- relatively unknown when she taped a show almost a decade ago -- gushed to the studio audience, "Now I know I have arrived!" Austin City Limits: A History tells this remarkable story. With unprecedented access behind the scenes at the tapings of shows with Gillian Welch and David Rawlings, Mos Def, Wilco, and many more, author Tracey Laird tells the story of this landmark musical showcase whose history spans dramatic changes in the world of television, the expansion of digital media, and the ways in which we experience music. Beginning as a simple weekly broadcast, it is today a multifaceted "brand" in contemporary popular music, existing simultaneously as a program available for streaming, a presence on Twitter and other social media, a major music festival, and a state-of-the-art performance venue. Laird explores the ways in which the show's evolution has driven, and been driven by, both that of Austin as the "Live Music Capital of the World," and of U.S. public media as a major player in the dissemination and sponsorship of music and culture. Engagingly written and packed with anecdotes and insights from everyone from the show's producers and production staff to the musicians themselves, Austin City Limits: A History gives us the best seat in the house for this illuminating look at a singular presence in American popular music. Timed to publish with the airing of Austin City Limits 2014 -- the 40th anniversary celebratory broadcast featuring an all-star lineup of musicians including the Foo Fighters, Willie Nelson, Sheryl Crow, and others -- here is a book for all fans of this beloved music institution.

Celebrating the 35th anniversary of Austin City Limits, The longest-running popular music series in American television history_a cookbook of authentic family recipes

Jan Reid revitalizes his classic look at the Austin music scene in substantially reworked chapters that include musicians and musical currents from all over Texas that have significantly contributed to the delightful convergence of popular cultures in Austin.

NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • The Pulitzer Prize-winning author of The Looming Tower—and a Texas native—takes us on a journey through the most controversial state in America. • “Beautifully written…. Essential reading [for] anyone who wants to understand how one state changed the trajectory of the country.” —NPR Texas is a red state, but the cities are blue and among the most diverse in the nation. Oil is still king, but Texas now leads California in technology exports. Low taxes and minimal regulation have produced extraordinary growth, but also striking income disparities. Texas looks a lot like the America that Donald Trump wants to create. Bringing together the historical and the contemporary, the political and the personal, Texas native Lawrence Wright gives us a colorful, wide-ranging portrait of a state that not only reflects our country as it is, but as it may become—and shows how the battle for Texas’s soul encompasses us all.

In this gonzo history of the “City of the Violet Crown,” author and journalist Joe Nick Patoski chronicles the modern evolution of the quirky, bustling, funky, self-contradictory place known as Austin, Texas. Patoski describes the series of cosmic accidents that tossed together a mashup of outsiders, free spirits, thinkers, educators, writers, musicians, entrepreneurs, artists, and politicians who would foster the atmosphere, the vibe, the slightly off-kilter zeitgeist that allowed Austin to become the home of both Armadillo World Headquarters and Dell Technologies. Patoski’s raucous, rollicking romp through Austin’s recent past and hipster present connects the dots that lead from places like Scholz Garten—Texas’ oldest continuously operating business—to places like the Armadillo, where Willie Nelson and Darrell Royal brought hippies and rednecks together around music. He shows how misfits like William Sydney Porter—the embezzler who became famous under his pen name, O. Henry—served as precursors for iconoclasts like J. Frank Dobie, Bud Shrake, and Molly Ivins. He describes the journey, beginning with the search for an old girlfriend, that eventually brought Louis Black, Nick Barbaro, and Roland Swenson to the founding of the South by Southwest music, film, and technology festival. As one Austinite, who in typical fashion is simultaneously pursuing degrees in medicine and cinematography, says, “Austin is very different from the rest of Texas.” Many readers of Austin to ATX will have already realized that. Now they will know why.

An instant New York Times bestseller! The definitive biography of guitar legend Stevie Ray Vaughan, with an epilogue by Jimmie Vaughan, and foreword and afterword by Double Trouble’s Chris Layton and Tommy Shannon. Just a few years after he almost died from a severe addiction to cocaine and alcohol, a clean and sober Stevie Ray Vaughan was riding high. His last album was his most critically lauded and commercially successful. He had fulfilled a lifelong dream by collaborating with his first and greatest musical hero, his brother Jimmie. His tumultuous marriage was over and he was in a new and healthy romantic relationship. Vaughan seemed poised for a new, limitless chapter of his life and career. Instead, it all came to a shocking and sudden end on August 27, 1990, when he was killed in a helicopter crash following a dynamic performance with Eric Clapton. Just 35 years old, he left behind a powerful musical legacy and an endless stream of What Ifs. In the ensuing 29 years, Vaughan’s legend and acclaim have only grown and he is now an undisputed international musical icon. Despite the cinematic scope of Vaughan’s life and death, there has never been a truly proper accounting of his story. Until now. Texas Flood provides the unadulterated truth about Stevie Ray Vaughan from those who knew him best: his brother Jimmie, his Double Trouble bandmates Tommy Shannon, Chris Layton and Reese Wynans, and many other close friends, family members, girlfriends, fellow musicians, managers and crew members.

Since publishing its first issue in 1981, The Austin Chronicle has evolved alongside the city's sound to define and give voice to 'The Live Music Capital of the World.' ... In honor of the Chronicle's thirtieth anniversary, this anthology gathers the weekly's best music writing and photography ... Capturing the moments that make music history as they happen ...