It’s 1941 and the Earth has been plunged into a global conflict by a tyrannical, fantastic megalomaniac known as The Dictator – and only one man, Flash Gordon, can save the day. However, marooned on the planet Mongo, Flash, Dale Arden, and Dr. Hans Zarkov will first have to escape Ming the Merciless’s seemingly endless supply of rocket ships and troops. In order to make it back to Earth, Flash must also battle carnivorous dinosaurs, cannibalistic ape-men, unite two warring tribes, find a hidden kingdom, and fend off two lovelorn princesses and the jealous rage of his girlfriend, Dale. ‘Radium Mines of Electra’ reprints the first two years of Austin Briggs’ four-year run on Flash Gordon from May 1940 to September 1942.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

JESUS PROMISED TO BUILD SOMETHING. DO WE EVEN KNOW WHAT IT IS? Fill in the blank: "Upon this rock I will build My ________?" For generations, we have been taught that Jesus promised to build His "church" in Matthew 16:18, so we've dutifully tried to build the church with Him. But there's a big problem: that's not the word He used. Instead, He announced something far more potent: "I will build My ekklesia!" Have you ever wondered why the established church culture so often seems stuck in neutral? If Jesus gave His disciples authority and keys to bind and loose, why are so many churches either apathetic or chronically weak in prayer? The reason is because a motherlode of identity and mission separates those two words. In Ekklesia Rising, you'll learn: The DNA of ekklesia: how revelation produces dominion The "keys" Christ gives, and how to receive and use them Divine design: masculine authority with bridal love The role of the Divine Council in heaven and on earth The inner constitution of contending, covenantal communities Make no mistake, Jesus will build His ekklesia. His Father's house will be a "House of Prayer for All Nations." For hundreds of years, we have been the church. Finally, let us become His ruling ekklesia.

In a very real sense, Albert Dorne's life was a literal manifestation of the Horatio Alger tale and a model of the American Dream come true. Born into abject poverty at the dawn of the 20th Century, Albert Dorne rose to prominence and privilege through the application of sheer determination, an instinctive grasp of solid business practices and a keen understanding of human nature combined with a native talent for drawing. Despite dropping out of school as a teen, he was and known as one of the more erudite men in his field and widely recognized as the founder of the Famous Artists School. A self-taught artist, by the time of his death in 1965, Dorne had established himself as perhaps the preeminent, highest paid illustrator of his day-one whose services were sought after by the biggest companies and best magazines for his memorable advertizing art and dynamic illustrations. A self-made man, he enjoyed the finest things that his millions could buy, and yet he never forgot his roots and remained a champion of the handicapped and the working man to the end. Now, for the first time, the entire career of this complex titan of education, industry and illustration is presented in the pages of one book. Featuring an informative essay by David Apatoff, an insightful introduction by author-illustrator Howard Munce, who knew the artist, and a graphic foreword by celebrated Mad magazine artist, Jack Davis, this volume captures the scope and breadth of Albert Dorne's many accomplishments. Key points: This is the first and only career-spanning survey of Albert Dorne's career and his prodigious artistic output. Featuring hundreds of full color images of the artist's work, many reproduced from the original art, almost every page teems with the colorful, lively illustrations of this master craftsman. Showcases examples from every stage of Dorne's professional life, including advertising art, editorial illustrations, and posters created to support the armed services during World War II. Albert Dorne consorted with the best and brightest, with presidents and starlets, and yet he never lost touch with the common man and woman, whose concerns infuse his artwork. One of the most important and influential artists of his era, almost forgotten today, is brought to vibrant life on the page.

Describes emotional patterning of the Utkuhikhalingmiut, a small group of Eskimos who live at the mouth of the Back River, in the context of their life as seen as lived by the author. Based on field work conducted between June 1963 and March 1965.

In his own words, Rockwell retraces the steps by which he creates his famous paintings, from the moment of inspiration, through the search for perfect models, locations, props, and costumes, to the finished work

Interviews with twelve contemporary American illustrators and analyses of their techniques and approaches are accompanied by examples of their work, with personal comments.

The Chamber of Life by Green Peyton Wertenbaker The Chamber of Life is presented here in a high quality paperback edition. This popular classic work by Green Peyton is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Green Peyton then we highly recommend this publication for your book collection. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

From 1989 to 2001, author Fred Taraba was a regular contributor to the graphic arts publication, Step-By-Step Graphics. His column, Methods of the Masters, documented the lives and working methods of some of America s finest Golden Age illustrators. While a number of other writers contributed to the regular column, Fred himself wrote 41 installments. This book is a compilation of those 41 classic articles, which have been extensively reworked and revised with completely new artwork especially prepared for this volume. Featuring 41 of America's greatest illustrators, this book is a showcase for hundreds of reproductions of original paintings, photographs, and tearsheets of vintage printed ephemeral materials. Each artist's life and career is discussed, and their working methods are described in detail. This book is destined to be a classic, and belongs on the bookself of every serious student of American illustration history.