August Folly is one of Angela Thirkell's standard slice-of-life social comedies set among the rural British lower gentry between the wars. The Tebben family have their little country abode, badly managed by Mrs. Tebben, from which Mr. Tebben commutes to a humble job. Their son, Richard, has just finished the university education for which his parents scrimped and sacrificed but he failed to achieve great glory with it. Richard is spending the summer nominally reading for the law or another profession, but he has little drive. His sister, Margaret, is overlooked and underappreciated, and the investment made in her brother's future precludes any investment in hers. What is the fate of the family?

Angela Thirkell is perhaps the most Pym-like of any twentieth-century author, after Pym herself - Alexander McCall It's August in the Barsetshire village of Worsted, and Richard Tebben, just down from Oxford, is contemplating the gloomy prospect of a long summer in the parental home. But the numerous and impossibly glamorous Dean family - exquisite Rachel, her capable husband and six of their nine brilliant children - have come for the holidays, and their hostess Mrs Palmer plans to rope everyone into performing in her disastrous annual play. Surrounded by the irrepressible Deans, Richard and his sister Margaret cannot help but have their minds broadened, spirits raised and hearts smitten.

In Edwardian London, a girl dreams of being an artist, despite her family's disapproval. Welcome to the world of the fabulously wealthy in London, 1909, where dresses and houses are overwhelmingly opulent, social class means everything, and women are taught to be nothing more than wives and mothers. Into this world comes seventeen-year-old Victoria Darling, who wants only to be an artist—a nearly impossible dream for a girl. After Vicky poses nude for her illicit art class, she is expelled from her French finishing school. Shamed and scandalized, her parents try to marry her off to the wealthy Edmund Carrick-Humphrey. But Vicky has other things on her mind: her clandestine application to the Royal College of Art; her participation in the suffragette movement; and her growing attraction to a working-class boy who may be her muse—or may be the love of her life. As the world of debutante balls, corsets, and high society obligations closes in around her, Vicky must figure out: just how much is she willing to sacrifice to pursue her dreams?

Ever since her mother died and her father lost his shoemaking skills, Fortunata has survived by telling fake fortunes. But when she's tricked into telling a grand fortune for a prince, she is faced with the impossible task of fulfilling her wild prophecy—or her father will be put to death. Now Fortunata has to help Prince Leonato secure a magic sword, vanquish a wicked witch, discover a long-lost golden shoe, and rescue the princess who fits it. If only she hadn't fallen in love with the prince herself !

A New Yorker becomes ensnared by the eerie drama unfolding at a derelict New England family home in this charming mystery from the author of the Mrs. Pollifax novels. “Delightful . . . a suspenseful romp . . . highly recommended.”—Booklist At the request of his father, New York City novelist Andrew Thale tackles an odd assignment—to check out an old family property in Massachusetts, neglected since Aunt Harriet Thale’s death years ago. But far from being deserted, Thale’s Folly, as Andrew discovers, is fully inhabited—by a quartet of charming squatters, former “guests” of kindhearted Harriet. There is elegant Miss L’Hommedieu, Gussie the witch, Leo the bibliophile, and beautiful Tarragon, who is unlike any girl Andrew has ever met in Manhattan. Andrew is entranced by these unworldly creatures and their simple life. Yet all is not well in Thale’s Folly. A thief breaks into the farmhouse, an old friend of the “family” disappears, and Andrew and Tarragon are drawn into mysteries they cannot fathom. . . .

Pulitzer Prize–winning historian Barbara W. Tuchman, author of the World War I masterpiece The Guns of August, grapples with her boldest subject: the pervasive presence, through the ages, of failure, mismanagement, and delusion in government. Drawing on a comprehensive array of examples, from Montezuma’s senseless surrender of his empire in 1520 to Japan’s attack on Pearl Harbor, Barbara W. Tuchman defines folly as the pursuit by government of policies contrary to their own interests, despite the availability of feasible alternatives. In brilliant detail, Tuchman illuminates four decisive turning points in history that illustrate the very heights of folly: the Trojan War, the breakup of the Holy See provoked by the Renaissance popes, the loss of the American colonies by Britain’s George III, and the United States’ own persistent mistakes in Vietnam. Throughout The March of Folly, Tuchman’s incomparable talent for animating the people, places, and events of history is on spectacular display. Praise for The March of Folly “A glittering narrative . . . a moral [book] on the crimes and follies of governments and the misfortunes the governed suffer in consequence.”—The New York Times Book Review “An admirable survey . . . I haven’t read a more relevant book in years.”—John Kenneth Galbraith, The Boston Sunday Globe “A superb chronicle . . . a masterly examination.”—Chicago Sun-Times

“Hearteningly strange . . . Collins exhumes little-known figures [and] recounts their perversely inspiring battles against the more logical ways of the world.” —The Onion Here are thirteen unforgettable portraits of forgotten people: men and women who might have claimed their share of renown but who, whether from ill timing, skullduggery, monomania, the tinge of madness, or plain bad luck—or perhaps some combination of them all—leapt straight from life into thankless obscurity. Collins brings them back to glorious life. John Banvard was an artist whose colossal panoramic canvasses (one behemoth depiction of the entire eastern shore of the Mississippi River was simply known as “The Three Mile Painting”) made him the richest and most famous artist of his day . . . before he decided to go head to head with P. T. Barnum. René Blondot was a distinguished French physicist whose celebrated discovery of a new form of radiation, called the N-Ray, went terribly awry. At the tender age of seventeen, William Henry Ireland signed “William Shakespeare” to a book and launched a short but meteoric career as a forger of undiscovered works by the Bard—until he pushed his luck too far. Collins’ love for what he calls the “forgotten ephemera of genius” give his portraits of these figures and the other ten men and women in Banvard’s Folly sympathetic depth and poignant relevance. Their effect is not to make us sneer or revel in schadenfreude; here are no cautionary tales. Rather, here are brief introductions—acts of excavation and reclamation—to people whom history may have forgotten, but whom now we cannot.

"Leslie Ford is one of the cleverest and most original of our mystery novelists." -- New York Times The mansion at Strawberry Hill rose like a stately white magnolia from a lush green hilltop in Carolina. It was a haven of beauty and grace, and Jennifer Reid knew it was the only place she would ever love. Then murder entered Strawberry Hill, and a mad killer waited in the shadows for Jennifer and the man she adored... "Neatly handled...deft...recommended." -- Saturday Review. "Good telling...real suspense." -- New York Times.

Amid food shortages and grumbling, Barsetshire is unsettled by the arrival of a pretty war widow in this “delicately humorous [and] entertaining” novel (The New York Times). World War II may be over, but its effects linger in the English countryside as the local ladies trade ration coupons for a paltry selection of provisions. It’s feeling like a bleak summer—but it won’t be a boring one, now that flirtatious young widow Peggy Arbuthnot and her sister-in-law, Effie, are on the scene. Peggy has quite a few admirers—including Noel Merton, which is rather unfortunate for his wife. Suspense reigns over who might win Peggy’s hand—and whether the Merton marriage will survive . . . “Where Trollope would have been content to arouse a chuckle, [Thirkell] is constantly provoking us to hilarious laughter. . . . To read her is to get the feeling of knowing Barsetshire folk as well as if one had been born and bred in the county.” —Kirkus Reviews

Cyrus is a genius child brimming with talent with a bright future, loving parents, and a younger sister he adores. But on his thirteenth birthday, everything changed. Emerging from a coma, he finds the world irrevocably altered, haunted by the memory of his parents' murder. His screams for his sister are met with confinement, and the boy he once was faded to grey, replaced by someone cold, consumed with revenge. This book is a raw, visceral journey through the eyes of a psychopath serial killer, an exploration of the darkest corners of human nature where the thrill of the hunt and the complexity of the human mind are laid bare in their most primal ways. Cyrus is a creature carved from vengeance and pain. His life, a relentless quest for retribution, blurs the lines between justice and brutality. Each step he takes is an opus of violence, pulling him deeper into a world where the lines between predator and prey are erased. This book invites readers to a chilling realm where psychopathy and serial killings are not just actions but reflections of the soul's deepest, most hidden fissures. It's a world where the quest for vengeance becomes a labyrinth of moral ambiguity, and the possibility of redemption is as elusive as the darkness in which Cyrus dwells. This is more than a tale of revenge; it's a haunting portrait of humanity's most profound dilemmas, painted in shades as dark as the night itself.