Simon and Auden Triller are twins whose only similarity is the surname they share. From an early age, Simon’s life is filled with academic and athletic accomplishments, friends and adults who admire him. As he grows older, his determination to succeed and passion for life are matched only by his unshakable devotion toward his brother, who is unappreciative to the point of contempt. Auden’s life, on the other hand, is as sparse as Simon’s is full. Wanting nothing more than to live on his own unambitious terms, in a world free of comparisons to his twin, he can’t seem to manage the smallest demands without having them turn into desperate predicaments requiring his brother’s help. Satirical, self-eviscerating and world-weary, Auden’s voice guides the reader back and forth in time and place. Gradually and painfully, Auden realizes the solitude he’s chosen for himself is less peaceful than insanity-making. When, finally, he loses his grip on reality, his actions precipitate a tragedy that threatens to permanently sever his fraternal bond, just when he needs Simon most.

A collection of three novels by Amanda Apthorpe, Brian Prousky & Ronald Bagliere, now available in one volume! Whispers In The Wiring: After the death of his twin brother, Catholic priest Rupert Brown is burdened with grief. When neuroscientist Athena Nevis invites him to take part in her research on heightened religious experiences, Rupert begins to question his life. Soon, Athena’s and Rupert’s interest begins to extend beyond their professional relationship, bringing them both face to face with their values and spirituality. Auden Triller (Is A Killer): Simon and Auden Triller are twins whose only similarity is the surname they share. Auden’s life is as sparse as Simon’s is full. Auden realizes that the solitude he’s chosen for himself is less peaceful than insanity-making. When he finally loses his grip on reality, his actions precipitate a tragedy that threatens to sever his fraternal bond, just when he needs Simon the most. Starting Over: After a devastating loss, Janet Porter’s life in Oregon's Willamette Valley has begun to settle down. When her son Nate returns home from Iraq on a medical discharge, he just wants to be left alone. Desperate for help, Janet confides in Andy McNamara - a war veteran who volunteers at the local V.A. clinic. Soon, it becomes clear that Nate's wounds go far deeper than his torn-up leg. As a tornado touches down in Willamette Valley, they're all thrown into a new world - a world of starting over.

A collection of three novels by Brian Prousky, now available in one volume! Auden Triller (Is A Killer): Simon and Auden Triller are twins with vastly different lives. Simon is accomplished, popular, and devoted to his unappreciative brother. Auden, on the other hand, wants nothing more than a simple life free from comparisons to his twin. As Auden's solitude leads to insanity, he loses his grip on reality, and his actions threaten to sever his bond with Simon just when he needs him most. God Might Forgive Gershwin Burr: After his father's death, Gershwin Burr turns to stealing books as a remedy for his depression, but his thievery spirals out of control. Despite his wife's pleas to stop, he can't bring himself to quit until he's betrayed and arrested. Imprisoned and tormented by guilt, Gershwin seeks redemption and the identity of his betrayer in this beautifully written novel about trauma and redemption. The Anna Geller Invention: A young poet named Harvey Painter is visited by a fan named Anna Geller, who gives him a single poem before disappearing. Thirty years later, an investigative reporter discovers that Anna has secretly given her poems to people around the world, turning her into a literary sensation. Harvey is swept up in the frenzy and becomes infamous when his poem is stolen. This novel is a tribute to poetry and a critique of celebrity culture.

Following the violent death of his father, Gershwin Burr descends into a seemingly inescapable depression until, not-so-accidentally, he discovers a remedy for his condition: he steals a book and finds his mood has lightened. Before long, he’s stealing indiscriminately while refining his skills as a professional thief and amassing a small fortune. Despite mounting pressure from his wife to go straight and from his own tortured conscience, he can’t find the desire or motivation to change. Uncertain about how to proceed, the matter is taken out of his hands when his secret is betrayed by someone whose identity is a mystery to him. Arrested, charged, convicted and jailed, his search for repentance and for the identity of the person responsible for his demise, leave him in a state of perpetual unrest. That is, until the final day of his sentence, when the answers he’s been seeking are at last revealed to him. Beautifully written and evocative, this novel contrasts the reverberations of trauma with long-held, often misguided, notions of who is, and is not, worthy of redemption.

In these exquisitely rendered poems, people fall in and out of love, in and out of religious belief and in and out of accepting the distance between their imagined lives and the lives they live. They look back as much as forward and pick mercilessly at the open wounds of failed relationships. They inhabit geographies that are both their emancipators and captors. And they find joy, or succumb to sorrow, amid life’s inescapable ephemerality and fragility. Breathtaking in its range of styles, Body of Winter, at its heart, is a vivid reflection of the best and worst of us all.

At the centre of this unusual novel of chapter-long sentences lies an unusual protagonist. The survivor of a near-catastrophic fall, he finds himself possessed by peculiar, residual behaviours, the most peculiar of which is a compulsion to expel every drop of pleasure from his life by filling it with repetitive tasks and activities. When an abnormally large, abnormally cruel red butterfly enters his apartment and torments him to the point of delusion and insomnia, he realizes the only way to free himself from its grip is to leave home for an extended period of time and do what is most abhorrent to him: be among people. Wandering the streets, mistaken for the perpetrator of a violent assault by a compassionate university student who takes him in and seeks to rehabilitate him, he remains entirely and infuriatingly resistant to change. Throughout, like a hurricane of events around a static eye, what an intoxicating ride - what a grand experiment – his story is.

Available for the first time in the United States a new series of innovative critical studies introducing writers and their contexts to a wide range of readers. Drawing upon the mast recent thinking in English studies, each book considers biographical material, examines recent criticism, includes a detailed bibliography, and offers a concise but challenging reappraisal of a writer's major work. Published in the U. K. by Northcote House in association with The British Council.

Assembled from a series of newspaper articles first published in the newspaper *Morning Chronicle* throughout the 1840s, this exhaustively researched, richly detailed survey of the teeming street denizens of London is a work both of groundbreaking sociology and salacious voyeurism. In an 1850 review of the survey, just prior to its initial book publication, William Makepeace Thackeray called it "tale of terror and wonder" offering "a picture of human life so wonderful, so awful, so piteous and pathetic, so exciting and terrible, that readers of romances own they never read anything like to it." Delving into the world of the London "street-folk"-the buyers and sellers of goods, performers, artisans, laborers and others-this extraordinary work inspired the socially conscious fiction of Charles Dickens in the 19th century as well as the urban fantasy of Neil Gaiman in the late 20th. Volume I explores the lives of: the "wandering tribes" costermongers sellers of fish, fruits and vegetables sellers of books and stationery sellers of manufactured goods women and children on the streets and more. English journalist HENRY MAYHEW (1812-1887) was a founder and editor of the satirical magazine *Punch.*