John Graham shares his stand-up magic routines.

Featuers the four plays - ""Reach"", ""Some Mother's Sons"", ""Shwele Bawo!!"", and ""Dream of the Dog"" - that explore the themes such as reconciliation, matriarchy, justice, accountability, corruption, truth, memory, and violence which reflect on the challenges and questions South Africans are confronted with in their nascent democratic state.

KwaZulu-Natal, South Africa, shortly after the millennium. Patricia and Richard Wiley, an elderly white couple, are packing up to leave the farm they’ve sold to developers. Their preparations are interrupted by the arrival of a young man – ‘Look Smart’ – who used to be one of the black workers on their estate until he disappeared fifteen years ago. The day before Look Smart left, something terrible happened on the Wileys’ farm. But everyone has a different memory of the dreadful event and their own role in it. As the different accounts of their shared past are unravelled, they are all forced to confront their own versions of the truth – with shocking ramifications for their lives today. Dream of the Dog is a richly textured and complex story of South Africa’s emerging democracy, and its continued negotiation with its past in order to find a workable identity for its future. Critically acclaimed in South Africa, this new play takes an unflinching look at the twin mantras of the post-Mandela age – reconciliation and forgiveness – as it asks whether black and white can ever live together peacefully.

"Stage to Stage captures Josh's perspective on the notable events that illuminated his extraordinary journey to Broadway. Starting with his Stages album, which featured Broadway classics, the book chronicles the past two + years. Also included are behind the scenes photos and key moments from the making of the Stages Live Television special and the On Stage world tour, culminating in his experiences surrounding his first-ever Broadway performances and his first Tony Nomination."--Publisher

"Warm, funny, and a visual delight, Steenz's take on Heart of the City is next-level." –Dana Simpson, Phoebe and Her Unicorn This first book collection of Heart of the City comics by the strip’s new creator, Steenz, is packed with outstanding art, a diverse cast of characters, and engaging, positive storylines about friendship, pop culture, ghost stories, and a wide range of real-world issues. Heart Lamarr is a girl with big dreams who lives in Philadelphia with her single mom. She has her sights set on a life of theater, but she runs into plenty of drama off-stage, too. Luckily, her best friends Dean, Kat, and Charlotte form a stellar supporting cast to help Heart navigate the challenging world of school plays, cliques, rumors, and everything else middle school throws at them.

At last, for those who adapt literature into scripts, a how-to book that illuminates the process of creating a stageworthy play. Page to Stage describes the essential steps for constructing adaptations for any theatrical venue, from the college classroom to a professionally produced production. Acclaimed director Vincent Murphy offers students in theater, literary studies, and creative writing a clear and easy-to-use guidebook on adaptation. Its step-by-step process will be valuable to professional theater artists as well, and for script writers in any medium. Murphy defines six essential building blocks and strategies for a successful adaptation, including theme, dialogue, character, imagery, storyline, and action. Exercises at the end of each chapter lead readers through the transformation process, from choosing their material to creating their own adaptations. The book provides case studies of successful adaptations, including The Grapes of Wrath (adaptation by Frank Galati) and the author's own adaptations of stories by Samuel Beckett and John Barth. Also included is practical information on building collaborative relationships, acquiring rights, and getting your adaptation produced.

Commercial theatre is thriving across Europe, while public theatre has suffered under changing patterns of cultural consumption - as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic dis.

This book is the first practical, hands-on guide that shows how leaders can build psychological safety in their organizations, creating an environment where employees feel included, fully engaged, and encouraged to contribute their best efforts and ideas. Fear has a profoundly negative impact on engagement, learning efficacy, productivity, and innovation, but until now there has been a lack of practical information on how to make employees feel safe about speaking up and contributing. Timothy Clark, a social scientist and an organizational consultant, provides a framework to move people through successive stages of psychological safety. The first stage is member safety-the team accepts you and grants you shared identity. Learner safety, the second stage, indicates that you feel safe to ask questions, experiment, and even make mistakes. Next is the third stage of contributor safety, where you feel comfortable participating as an active and full-fledged member of the team. Finally, the fourth stage of challenger safety allows you to take on the status quo without repercussion, reprisal, or the risk of tarnishing your personal standing and reputation. This is a blueprint for how any leader can build positive, supportive, and encouraging cultures in any setting.

Beginning with the triple impulses of Naturalism, symbolism and the grotesque, the bulk of the book concentrates on the most famous directors of this century - Stanislavski, Reinhardt, Graig, Meyerhold, Piscator, Brecht, Artuaud and Grotowski. Braun's guide is more practical than theoretical, delineating how each director changed the tradition that came before him.