A performer's edition of the most often performed organ works of the renowned Virgil Fox. This collection includes his markings, registrations and performance hints. 29 pieces are included ranging from chorale settings, Christmas music, transcriptions of choral and orchestral works to an exciting arrangement of 'The Star-Spangled Banner.' Titles: * Adagio from Vivaldi’s Concerto in D minor (J.S. Bach) * Adagio Cantabile (J.S. Bach) * Arioso (J.S. Bach) * Cantabile Symphonique (Camille Saint-Saens) * Come Sweetest Death, Come Blessed Rest (J.S. Bach) * Echo Noel (Louis Claude D’Aquin) * Fanfares from Parsifal (Richard Wagner) * Giga (M. Enrico Bossi) * Good King Wenceslas (Traditional) * Hallelujah Chorus from Messiah (George Frideric Handel) *In Dulci Jubilo (Traditional) * In Dulci Jubilo (J.S. Bach) * In Dulci Jubilo (Franz Liszt) * Joy to the World (George Frideric Handel) * Libera Me from Requiem (Gabriel Faure) * Nocturne from Shylock (Gabriel Faure) * Noel Sue Les Flutes (Louis Claude D’Aquin) * Now Thank We All Our God (J.S. Bach) * O Little Town of Bethlehem (Traditional) * Pastoral Symphony from Messiah (George Frideric Handel) * Perpetuum Mobile (Wilhelm Middleschulte) *Rigaudon from Idomenee (Andre Campra) * Schmucke Dick, O Liebe Seele (J.S. Bach) * Schmucke Dick, O Liebe Seele (Johannes Brahms) * Sheep May Safely Graze (J.S. Bach) * Silent Night (Franz Gruber) * Simple Gifts (Traditional) * The Star-Spangled Banner (Traditional) * Ye Sweet Retreat (William Boyce)

A spicy biography of the late Virgil Fox (-), who was the most successful and famous organist in history. Prepared by the organists managers for years, the book is based on a -page memoir of Foxs artistic heir and protg, Ted Alan Worth, with contributions by other associates and students who knew Fox intimately.

(H.T. Fitzsimons Co). Five works as written by the renowned Richard Purvis from the Grace Cathedral. Includes background information on Purvis as well as detailed musical notes and photos. Pieces include: Carol Rhapsody * Greensleeves * Gwalshmai * Lilliburlero * O Sacred Head, Now Wounded.

This revised collection includes both original works and familiar hymn arrangements by noted composer and organist Robert Hebble. The pieces range from grandiose to reflective, and are useful in worship settings or concerts. A history of the actual Crystal Cathedral organ is also included along with an update on additions by Fred Swann. Titles: * Celebration * Diptych (Orientis Partibus) * Heraldings * Meditation on My Shepherd Will Supply My Need * Nave (Divinum Mysterium) * Toccata on Old Hundredth * Pastel * Prelude on I Wonder As I Wander * Psalm Prelude * Schematics (Ton y Botel and Ebenezer) * Seven Palette Sketches of Utrillo * Soft Stillness and the Night

Richard Purvis-organist, choirmaster, and composer at historic Grace Cathedral-became a San Francisco legend and (along with Alexander Schreiner, E. Power Biggs, and Virgil Fox) a national celebrity who made mid-20th century American organ music popular with the masses through records, recitals, and the press. The only book of its kind, Richard Purvis, Organist of Grace is a major contribution to our understanding of the music, culture, and church politics of an era marked as much by social change as by a revolution in musical taste, technology, and compositional technique. Uniquely among his colleagues, Purvis was first and foremost a writer and performer of original music that thrilled church and concert audiences everywhere-a talent that won him more than one invitation to leave Grace to compose for Hollywood. (His closest ally at Grace described Purvis as writing "film music for the Episcopal church.") Child prodigy, conservatory virtuoso, prisoner of war-Purvis's early life reads like a movie. Then came his epic rise and fall at Grace, concertizing throughout the United States, and a teaching career that spawned a generation of organists who, like Purvis, were equally adept at playing theatre organs, unafraid to experiment-even with electronic organs-and trained to trust their ear, not just the page. Through scrupulous research and extensive interviews with those who knew Purvis best, James Welch captures the character, career, and legacy of "The Master of Grace" in the book that future scholars and readers will return to, again and again, as the Place Where it All Began in Purvis studies.Richard Purvis, Organist of Grace, 508 pages, is lavishly illustrated with never-before seen photos and a wealth of documents and interviews. It chronicles Purvis's early life in the Bay Area, his years at The Curtis Institute, his military service in World War II, and his tempestuous tenure at Grace Cathedral, where he made the stones sing and crowds cheer. The book includes detailed chapters about Purvis as composer, recitalist, and teacher; complete lists of his published (and unpublished) organ and choral works; the story of his strong interest in the theatre organ; and colorful anecdotes and reminiscences from those who knew him as a friend, teacher, and colleague. His legend continues-clarified, corrected, and completed-in this essential resource for organists, historians, and lovers of music.

Carlo Curley is probably the most famous living organist. American by birth, he has made Britain his home, and keeps his awesome touring organ at St Paul's Hammersmith, where he also lives in the vicarage.

A top-selling organ music book. Edited and arranged by E. Power Biggs (1906-1977). Includes a biographical sketch of the very influential Mr. Biggs. Titles: Adagio (for the Glass Harmonica or Musical Glasses) (W. A. Mozart) * All Glory Be to God on High (Festival Prelude for Organ) (J. S. Bach) * Andante (from Concerto No. 3 in B-flat) (W. Felton) * Prelude on Ave Verum Corpus (W. A. Mozart) * A Christmas Pastorale (from The Christmas Concerto) (G. Valentini) * The Cuckoo (L. C. d'Aquin) * The Emperor's Fanfare (from Sixth Double Concerto) (A. Soler) * The Faithful Shepherd (Pastorale) (G. F. Handel) * The Fifers (F. Dandrieu) * Firework Music (Suite from the Music for the Royal Fireworks) (G. F. Handel) * Fugue in C Major (The "Fanfare" Fugue) (J. S. Bach) * God's Time Is the Best (Sinfonia to Cantata No. 106) (J. S. Bach) * I Stand at the Threshold (Sinfonia to Cantata No. 156) (J. S. Bach) * Jesu, Joy of Man's Desiring (from Cantata No. 147) (J. S. Bach) * The Musical Clocks (from a Suite of Twelve Pieces) (F. J. Haydn) * Offertoire for Easter (On the Melody "O Filii et Filiae") (F. Dandrieu) * Sheep May Safely Graze (In G) (from Cantata No. 208 -- The "Birthday Cantata") (J. S. Bach) * The Shepherds at the Manger (from the Piano Suite "The Christmas Tree") (F. Liszt) * Sinfonia, Chorale and Variation (from the Easter Cantata -- No. 4 -- "Christ Lay in Death's Dark Prison") (J. S. Bach) * Slow Movement (from Concerto in D Minor) (A. Vivaldi/J. S. Bach) * A Solemn Prelude (from Cantata No. 21 -- "Sighing, Weeping, Sorrow, Need") (J. S. Bach) * The Trophy (F. Couperin). "Minuet Finale from Firework Music," "Overture from Firework Music," and "Rejoicing from Firework Music" are Federation Festivals 2016-2020 selections.

At the beginning of the twentieth century the pipe organ was a major source of music for live audience consumption. As the century unfolded the organ had to yield a portion of the stage to upstart symphony orchestras, but despite rapidly changing musical tastes it remained a major player. The second half of the 20th century and the beginning of the 21st, however, had become a challenging period for both organists and their booking agents. This is the story of one of the two agencies which dominated the American scene during that period, as told by the man who ventured from a Lutheran pulpit in New York City into the highly competitive and somewhat rarified world of performance musicians, with a stop along the way in the city room of a major American daily newspaper. Were these organists and their agents a bickering mostly gay tribe defined by jealousies, or a self-protective band of loyalists defined by mutual love of and sacrifice for the King of Instruments? This book is part memoir, part historical account, and part commentary. It is also a peek behind the scenes of how the art of organ performance survived into the 21st century.