Few scary stories begin with a disclaimer that they are fictional. Instead, they claim to be true even when they are not. Such stories blur the line between fiction and reality, pushing audiences to consider where fiction ends and reality begins. These kinds of horror stories comprise the understudied subgenre of liminal horror. As the first book on this subject, this volume surveys a variety of liminal horror films. It discusses the different variations within liminal horror's sub-genres and considers why horror films are obsessed with the natures of, and borders between, fiction and reality. After first laying out the basic traits of the horror genre in the context of liminality, this book then dives into film more specifically and how the medium is uniquely situated to explore the movement between the fictional and the real. Through lenses such as dreaming, memory, and perception, the following chapters explore the role liminal horror plays in the the human psyche's subconscious/unconscious, and the various functions of the human mind in perceiving, or misperceiving, reality.

Have you ever questioned your existence? Who you are, why you’re here? What’s to become of you? Do you or your children constantly struggle just to co-exist in society today? This book is a collection of poems that will challenge your perception by taking you into the realm of the unknown. These stories accompanied with illustrations, will give you a new perspective. If you have the willingness to be and are willing to see then envision with me, through poetry.

“Experience” is a thoroughly political category, a social and historical product not authored by any individual. At the same time, “the personal is political,” and one's own lived experience is an important epistemic resource. In Anaesthetics of Existence Cressida J. Heyes reconciles these two positions, drawing on examples of things that happen to us but are nonetheless excluded from experience. If for Foucault an “aesthetics of existence” was a project of making one's life a work of art, Heyes's “anaesthetics of existence” describes antiprojects that are tacitly excluded from life—but should be brought back in. Drawing on critical phenomenology, genealogy, and feminist theory, Heyes shows how and why experience has edges, and she analyzes phenomena that press against those edges. Essays on sexual violence against unconscious victims, the temporality of drug use, and childbirth as a limit-experience build a politics of experience while showcasing Heyes's much-needed new philosophical method.

From the author of We Are the Ants comes “another winner” (Booklist, starred review) about a boy who believes the universe is slowly shrinking as the things he remembers are being erased from others’ memories. Tommy and Ozzie have been best friends since the second grade, and boyfriends since eighth. They spent countless days dreaming of escaping their small town—and then Tommy vanished. More accurately, he ceased to exist, erased from the minds and memories of everyone who knew him. Everyone except Ozzie. Ozzie doesn’t know how to navigate life without Tommy, and soon he suspects that something else is going on: that the universe is shrinking. When Ozzie is paired up with the reclusive and secretive Calvin for a physics project, it’s hard for him to deny the feelings developing between them, even if he still loves Tommy. But Ozzie knows there isn’t much time left to find Tommy—that once the door closes, it can’t be opened again. And he’s determined to keep it open as long as possible.

New York Times bestseller • Life on the Edge alters our understanding of our world's fundamental dynamics through the use of quantum mechanics. Life is the most extraordinary phenomenon in the known universe; but how did it come to be? Even in an age of cloning and artificial biology, the remarkable truth remains: nobody has ever made anything living entirely out of dead material. Life remains the only way to make life. Are we still missing a vital ingredient in its creation? Using first-hand experience at the cutting edge of science, Jim Al-Khalili and Johnjoe Macfadden reveal that missing ingredient to be quantum mechanics. Drawing on recent ground-breaking experiments around the world, each chapter in Life on the Edge illustrates one of life's puzzles: How do migrating birds know where to go? How do we really smell the scent of a rose? How do our genes copy themselves with such precision? Life on the Edge accessibly reveals how quantum mechanics can answer these probing questions of the universe. Guiding the reader through the rapidly unfolding discoveries of the last few years, Al-Khalili and McFadden describe the explosive new field of quantum biology and its potentially revolutionary applications, while offering insights into the biggest puzzle of all: what is life? As they brilliantly demonstrate in these groundbreaking pages, life exists on the quantum edge. Winner, Stephen Hawking Medal for Science Communication

A futuristic reimaging of the classic Greek myth, as a boy ventures through deep space and challenges the awesome power of black holes. The beauty of the book lies in the images, provided by NASA and the Hubble Space telescope, and printed on board rather than paper.

In a small diner at a location so remote that it stands in the middle of the middle of nowhere, John-a man in a hurry-is at a literal and figurative crossroads. Intent only on refueling before moving along on his road trip, John finds sustenance of an entirely different kind: in addition to the specials of the day, the menu lists three questions that all diners are encouraged to consider: Why are you here? Do you fear death? Are you fulfilled? With the guidance of three people he meets at the cafe, John embarks on a quest for answers that metaphorically takes him from the executive suites of the advertising world to the surf of Hawaii's coastline. Along the way, he discovers a new way to look at his life and relationships... and just how much you can learn from a green sea turtle. The Why Cafe will get readers young and free and older and entrenched to rethink their personal yardstick for success. Charming, simple, and inspiring, it will change lives.

For millennia, shamans and philosophers, believers and nonbelievers, artists and scientists have tried to make sense of our existence by suggesting that everything is connected, that a mysterious Oneness binds us to everything else. People go to temples, churches, mosques, and synagogues to pray to their divine incarnation of Oneness. Following a surprisingly similar notion, scientists have long asserted that under Nature’s apparent complexity there is a simpler underlying reality. In its modern incarnation, this Theory of Everything would unite the physical laws governing very large bodies (Einstein’s theory of relativity) and those governing tiny ones (quantum mechanics) into a single framework. But despite the brave efforts of many powerful minds, the Theory of Everything remains elusive. It turns out that the universe is not elegant. It is gloriously messy. Overturning more than twenty-five centuries of scientific thought, award-winning physicist Marcelo Gleiser argues that this quest for a Theory of Everything is fundamentally misguided, and he explains the volcanic implications this ideological shift has for humankind. All the evidence points to a scenario in which everything emerges from fundamental imperfections, primordial asymmetries in matter and time, cataclysmic accidents in Earth’s early life, and duplication errors in the genetic code. Imbalance spurs creation. Without asymmetries and imperfections, the universe would be filled with nothing but smooth radiation. A Tear at the Edge of Creation calls for nothing less than a new "humancentrism" to reflect our position in the universal order. All life, but intelligent life in particular, is a rare and precious accident. Our presence here has no meaning outside of itself, but it does have meaning. The unplanned complexity of humankind is all the more beautiful for its improbability. It’s time for science to let go of the old aesthetic that labels perfection beautiful and holds that "beauty is truth." It’s time to look at the evidence without centuries of monotheistic baggage. In this lucid, down-to-earth narrative, Gleiser walks us through the basic and cutting-edge science that fueled his own transformation from unifier to doubter—a fascinating scientific quest that led him to a new understanding of what it is to be human.

From the great Croatian writer: a masterly work of literature—hilarious, unforgiving, and utterly reasonable Until the age of fifty-two, the protagonist of On the Edge of Reason suffered a monotonous existence as a highly respected lawyer. He owned a carriage and wore a top hat. He lived the life of “an orderly good-for-nothing among a whole crowd of neat, gray good-for-nothings.” But, one evening, surrounded by ladies and gentlemen at a party, he hears the Director-General tell a lively anecdote of how he shot four men like dogs for trespassing on his property. In response, our hero blurts out an honest thought. From this moment, all hell breaks loose. Written in 1938, On the Edge of Reason reveals the fundamental chasm between conformity and individuality. As folly piles upon folly, hypocrisy upon hypocrisy, reason itself begins to give way, and the edge between reality and unreality disappears.

"[This book is] an ... examination of how we can respond to suffering, live our fullest lives, and remain open to the full spectrum of our human experience"--Amazon.com.