"Asleep at the Chateau is a book about special people staying at a special hotel in Hollywood (the Chateau Marmont). Photographer Jork Weismann captures them in intimate pictures: all of them sleeping. From Patti Smith to Bret Easton Ellis: at one point even the most productive people need to rest"--Publisher's description.

This photographic board book from the creators of the blabla brand follows sleepy, sleepy Wooly as he gets ready for bed while, along the way, getting into one funny moment after another. Blabla was created in 2001 by Susan Pritchett and Florence Wetterwald, two good friends with the same philosophy of life and beauty.​ ​ While visiting Peru,​ they ​came across entire villages of ​expert ​knitters​ who ​had been keeping the tradition alive for generations.​ ​Inspired by their ​talent and ​touched by their ​gentle ​spirit,​ ​​they decided to start a company of knitted products for children​.​ ​They have​ ​now​ ​been collaborating with the same artisans for​ ​over a decade.​​ ​ ​With a commitment to fair trade, and keeping environmental awareness in mind, blabla's mission is to continue to inspire joy and laughter.​

We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.

Experience the suspenseful and darkly humorous narrative of Guy De Maupassant's "An Uncomfortable Bed." This short story follows the unsettling and eerie events that unfold when a man encounters a mysteriously uncomfortable bed. De Maupassant masterfully weaves themes of paranoia, discomfort, and psychological tension into the narrative. De Maupassant excels at creating a chilling atmosphere, blending humor with an underlying sense of dread. His storytelling offers a gripping exploration of how a seemingly ordinary object can become the source of profound unease. "An Uncomfortable Bed" is a captivating and eerie story, ideal for readers who enjoy dark humor and psychological suspense in the masterful prose of one of France's greatest literary figures. -

In this stunning sequel to Howl's Moving Castle, Diana Wynne Jones has again created a large-scale, fast-paced fantasy in which people and things are never quite what they seem. There are good and bad djinns, a genie in a bottle, wizards, witches, cats and dogs (but are they cats and dogs?), and a mysterious floating castle filled with kidnapped princesses, as well as two puzzling prophecies. The story speeds along with tantalizing twists and turns until the prophecies are fulfilled, true identities are revealed, and all is resolved in a totally satisfying, breathtaking, surprise-filled ending. Abdullah was a young and not very prosperous carpet dealer. His father, who had been disappointed in him, had left him only enough money to open a modest booth in the Bazaar. When he was not selling carpets, Abdullah spent his time daydreaming. In his dreams he was not the son of his father, but the long-lost son of a prince. There was also a princess who had been betrothed to him at birth. He was content with his life and his daydreams until, one day, a stranger sold him a magic carpet. All fans of classic fantasy books deserve the pleasure of reading those by Diana Wynne Jones, whose acclaim included the World Fantasy Award for Life Achievement. As Neil Gaiman stated, she was "quite simply the best writer for children of her generation." The three books in the World of Howl are: Howl's Moving Castle Castle in the Air House of Many Ways Other beloved series from Dianna Wynne Jones include the Chronicles of Chrestomanci and the Dalemark Quartet.

It is 1948 and a young American couple arrive in France for a holiday, full of anticipation and enthusiasm. But the countryside and people are war-battered, and their reception at the Chateau Beaumesnil is not all the open-hearted Americans could wish for.

She decides to while away the hours by sleeping, but getting a good night’s rest turns out to be a lot of work! She begins by fashioning a DIY pillow out of the fur of her Teddy Demon guards and an “air mattress” from the magical Shield of the Wind. The princess’s hapless demonic guards soon discover that their captive expects to be treated like, well, a princess. Things go from bad to worse—for her captors—when some of Princess Syalis’s schemes end in her untimely—if temporary—demise and she chooses the Forbidden Grimoire for her bedtime reading... -- VIZ Media

In the late 18th and early 19th centuries, attitudes toward history and national identity fostered a romantic rediscovery of folk and fairy tales. This is the period of the Golden Age of folk and fairy tales, when European folklorists sought to understand and redefine the present through the common tales of the past, and long neglected stories became recognized as cultural treasures. In this rich collection, distinguished expert of fairy tales Jack Zipes continues his lifelong exploration of the story-telling tradition with a focus on the Golden Age. Included are one hundred eighty-two tales--many available in English for the first time--grouped into eighteen tale types. Zipes provides an engaging general Introduction that discusses the folk and fairy tale tradition, the impact of the Brothers Grimm, and the significance of categorizing tales into various types. Short introductions to each tale type that discuss its history, characteristics, and variants provide readers with important background information. Also included are annotations, short biographies of folklorists of the period, and a substantial bibliography. Eighteen original art works by students of the art department of Anglia Ruskin University not only illustrate the eighteen tale types, but also provide delightful—and sometimes astonishing—21st-century artistic interpretations of them.

Richly hypnotic photos by a reigning master of celebrity photojournalism, this book provides a retro look at today's hot stars evoking the elegant style of Hollywood's Golden Age. The brilliant eye of Len Prince has captured familiar faces--from Drew Barrymore to Sarah Jessica Parker--in unfamiliar poses, and the resulting portraits are as surprising as they are mesmerizing. 90 full-page photos.

This book investigates certain recurrent structures in the history of the novel as a textual genre and as a narrative form typical of Western literature. From its origins, in the vernacular cultures of the twelfth and thirteenth centuries, the novel text seems to be characterised by certain stylistic procedures adopted to represent a new narrative framework, which has no direct terms of comparison in the previous literary tradition. Indeed, the novel, as a ‘textual machine’, often produces a ‘narrative manipulation’ of time and duration, to the point of establishing, along its development, a very close link between History, individual memory and a prospective narrative future. This book explores some structural and formal paths of the ‘novelistic machine’, through three exemplary cases: (1) the ‘name of the novel’ at the origins of the literary genre, with the invention of a new ‘novelistic technique’ (i.e. the conjointure) by Chrétien de Troyes (twelfth century); (2) the bookform, namely, ‘the book of novels’ as a concrete and material object that transmits the narrative text and involves itself within the fictional universe; (3) the literary topos of the ‘dreaming incipit’ and its long history from the Roman de la rose to Proust. This book will be of significant interest to students and scholars of medieval literature, the history of the novel and philology.