AsEverWas, along with Ed Sanders' Tales of Beatnik Glory are the two most important tomes I've seen recounting those decades of the twentieth century. -- Larry Sawyer, Editor, Milk Magazine Hammond takes you places you want to linger and others that cause you to shudder with fears you might not know you had. It was the sixties, but you haven't read this story before. -- Comment on Amazon.com from a reader in Sioux Falls, South Dakota Hammond's book may be one of the quintessential freak histories. -- Michael Simmons, LA Weekly columnist It brought back memories I've never had! -- Gary Fulkerson, singer/songwriter When the counterculture was busy being born in Los Angeles and San Francisco in the mid-1960s, Hammond Guthrie found himself in the midst of hipster heaven, somewhere between late Beat and early Hippie. A budding painter and writer, he quickly made friends with many of the musicians, poets, performance artists and street people who were blazing trails into new lifestyles. Realizing that life was meant to be a total trip, a non-stop adventure, he left the West Coast with his wife for England and immersed himself in the alternative scene in London - the world of International Times, the UFO Club, Arts Lab, inner-city squats - with a writing gig at Time Out magazine. Moving on to Amsterdam, he befriended Provos and free-living bohemians, while building a promising career in the art world - the Stedelijk Museum even bought his paintings for their collection. But in the early 1970s the trip took a surreal turn. His wife started taking free love far too literally, and her amorous escapade with a drug dealer entangled them both in a nerve-racking intrigue in the twilight zone of Tangier. Hammond's Moroccan mission was to spring five Americans, including his wife's lover, from 60-year prison sentences for wholesale hashish smuggling. Here he tells it all in his playful style, with a keen eye for absurd detail and an unflagging sense of humor. Among the hundreds of famous and not-so-famous personalities he encountered along the way were the Buffalo Springfield, Del Close, Max Crosley, Richie Havens, Nico, Carmen McCrea, Allen Ginsberg, John "Hoppy" Hopkins, William Burroughs, Simon Vinkenoog, Kenneth Alsop, Pete Townshend, and Emmet Grogan. I laughed, I cried. It's a marvelous book written in intriguing conversational style, bringing back wonderful memories from a wonderful time. -- Herb Gold, Beat journalist AsEverWas captures the story of countless others who lived on the fringes during an era when the country was at an important crossroads. Anyone who was alive during these turbulent times and who gives a damn about just how we got here should read this book -- John Aiello, poet and journalist Helps you see, feel and understand the moods, people and places that shaped an extraordinary decade. For its style and its lessons, Hammond Guthrie's memoir is a rare and important achievement. -- Stew Albert, co-founder of the Yippies I'm blown away by the stories - [he] really [has] seen and done it all. Just fascinating and, unlike so many of the other accounts I've seen, [Hammond] actually does remember. -- Jeff Tamarkin, author of Got a Revolution 'What a marvelous surprise lurking beneath the cover of this one.' -- Jack Magazine

Did you know that less than two weeks after Jack Kerouac reported to the Newport, RI U.S. Naval Training Station (the same month that the German 6th Army was surrendering at Stalingrad), he was discharged, diagnosed with a “Constitutional Psychopathic State, Schizoid Personality”? That just a few months later, William Burroughs moved from Chicago to New York, where he took a small apartment at 69 Bedford Street and began a heroin addiction that was to last until 1956? That meanwhile, Gregory Corso, thirteen and homeless, was being arrested for petty larceny, while Hubert Selby, Jr., fifteen, joined the Merchant Marines? And that the very same year, Allen Ginsberg, a new graduate from Eastside High School in Patterson, New Jersey, began his first semester at Columbia University, where he first made the acquaintance of Herbert Gold and Jack Kerouac? Packed with month-by-month and week-by-week anecdotes, The Ultimate, Illustrated Beats Chronology is a meticulous timeline detailing the life events and literary accomplishments of the writers who became known as the Beat Generation. Covering an entire century and then some, this beautifully illustrated volume is certain to be an invaluable resource for anyone curious about the Beat Generation.

Fifty years ago, Norman Mailer asserted, "William Burroughs is the only American novelist living today who may conceivably be possessed by genius." Few since have taken such literary risks, developed such individual political or spiritual ideas, or spanned such a wide range of media. Burroughs wrote novels, memoirs, technical manuals, and poetry. He painted, made collages, took thousands of photographs, produced hundreds of hours of experimental recordings, acted in movies, and recorded more CDs than most rock bands. Burroughs was the original cult figure of the Beat Movement, and with the publication of his novel Naked Lunch, which was originally banned for obscenity, he became a guru to the 60s youth counterculture. In Call Me Burroughs, biographer and Beat historian Barry Miles presents the first full-length biography of Burroughs to be published in a quarter century-and the first one to chronicle the last decade of Burroughs's life and examine his long-term cultural legacy. Written with the full support of the Burroughs estate and drawing from countless interviews with figures like Allen Ginsberg, Lucien Carr, and Burroughs himself, Call Me Burroughs is a rigorously researched biography that finally gets to the heart of its notoriously mercurial subject.

“Eravamo anti-sistema in tutto e per tutto, nella musica e nell’arte. Volevamo distruggere qualsiasi cosa avesse regole prestabilite, tutto quel che c’era di asfissiante, tutte le certezze. Eravamo decisi a infrangere tutte le regole in tutti i modi possibili”. La Londra di Barry Miles è quella della cultura underground che nasce fra le macerie della Seconda guerra mondiale ed esplode nel corso degli anni Sessanta e Settanta, concentrandosi sul West End e su Soho, le zone in cui era confluita un’eterogenea popolazione di personaggi creativi e fuori dalle righe, intolleranti nei confronti delle costrizioni della cultura e del costume ufficiale: scrittori, poeti, registi, musicisti, artisti, pubblicitari, architetti, stilisti, e una miriade di più anonimi personaggi decisi a fare della propria vita un’arte. È la storia di una rivoluzione culturale determinata a ottenere una “totale confusione dei sensi”, che si sviluppa fra le vie di una metropoli artisticamente onnivora, fatta di locali, librerie, club, pub, teatri, piazze, vicoli, scantinati, case occupate o case borghesi. Una storia di sconvolgente energia vitale e al tempo stesso autodistruttiva, raccontata sul filo di quell’ironia che solo un testimone diretto può comunicare. Mettere in fila i nomi che si incontrano fra queste pagine fa tremare l’idea stessa di ‘controcultura’, poiché vi si ritrova molta della creatività che animerà per ibridazione la cultura ufficiale del Novecento: Dylan Thomas, Francis Bacon, i Situazionisti, il cool jazz, il rock ’n’ roll, Mary Quant, Kingsley Amis, J.G. Ballard, i Rolling Stones, i Beatles, William Burroughs, Jimi Hendrix, i Pink Floyd, Allen Ginsberg, Pete Townshend, Yoko Ono, Derek Jarman, David Hockney, i Clash, i Police, Gilbert & George, Vivienne Westwood, i Sex Pistols, Boy George, Charles Saatchi, Lucian Freud, Damien Hirst e moltissimi altri. Un libro-mondo brulicante di storie e di personaggi, il ritratto più preciso e divertente mai scritto sull’avventura gloriosa e infame di un’epoca oggi entrata nella leggenda.

In recent times Ford Madox Ford has become one of the neglected figures of modernist literature, although he was a leading writer of his time, producing innovative novels, whilst promoting the works of struggling fellow writers. This comprehensive eBook presents the most complete edition possible of Ford’s works in the US, allowing readers to enjoy masterpieces that have suffered obscurity for decades. Containing 20 novels, beautiful illustrations, informative introductions and the usual Delphi bonus material, this collection is a must for all readers interested in modernist literature. (14MB Version 1) * Beautifully illustrated with images relating to Ford's life and works * Concise introductions to the novels and other works * Images of how the books were first printed, giving your eReader a taste of the original texts * ALL 20 novels published before 1923 – most complete American edition possible, with many rare works appearing for the first time in digital print * Excellent formatting of the texts * Includes Ford’s children’s books, appearing for the first time in digital print * Ford’s collected poetry, with individual contents table * Even includes Ford's first literary success – the non-fiction study of his beloved city THE SOUL OF LONDON * Features Ford’s memoir ANCIENT LIGHTS, charting his literary beginnings in his grandfather’s Pre-Raphaelite circle * Scholarly ordering of texts into chronological order and literary genres Please note: due to US copyright laws, eleven later novels cannot appear in this volume. However, once they enter the US public domain, they will be added to the eBook as a free upgrade for all of our customers. Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Children’s Fiction THE BROWN OWL THE FEATHER THE QUEEN WHO FLEW The Novels THE SHIFTING OF THE FIRE THE INHERITORS ROMANCE THE BENEFACTOR THE FIFTH QUEEN THE PRIVY SEAL AN ENGLISH GIRL THE FIFTH QUEEN CROWNED MR. APOLLO THE ‘HALF MOON’ A CALL THE PORTRAIT THE SIMPLE LIFE LIMITED LADIES WHOSE BRIGHT EYES THE PANEL THE NEW HUMPTY-DUMPTY MR. FLEIGHT THE YOUNG LOVELL THE GOOD SOLDIER THE MARSDEN CASE The Poetry THE COLLECTED POEMS Non-Fiction THE SOUL OF LONDON THE HEART OF THE COUNTRY ROSSETTI: A CRITICAL ESSAY ON HIS ART THE SPIRIT OF THE PEOPLE HENRY JAMES: A CRITICAL STUDY JOSEPH CONRAD: A PERSONAL REMEMBRANCE The Memoir ANCIENT LIGHTS Please visit www.delphiclassics.com to browse through our range of exciting titles

An original and eclectic view of cookbooks as political acts Cookbooks are not political in conventional ways. They neither proclaim, as do manifestos, nor do they forbid, as do laws. They do not command agreement, as do arguments, and their stipulations often lack specificity — cook "until browned." Yet, as repositories of human taste, cookbooks transmit specific blends of flavor, texture, and nutrition across space and time. Cookbooks both form and reflect who we are. In Cookbook Politics, Kennan Ferguson explores the sensual and political implications of these repositories, demonstrating how they create nations, establish ideologies, shape international relations, and structure communities. Cookbook Politics argues that cookbooks highlight aspects of our lives we rarely recognize as political—taste, production, domesticity, collectivity, and imagination—and considers the ways in which cookbooks have or do politics, from the most overt to the most subtle. Cookbooks turn regional diversity into national unity, as Pellegrino Artusi's Science in the Kitchen and the Art of Eating Well did for Italy in 1891. Politically affiliated organizations compile and sell cookbooks—for example, the early United Nations published The World's Favorite Recipes. From the First Baptist Church of Midland, Tennessee's community cookbook, to Julia Child's Mastering the Art of French Cooking, to the Italian Futurists' proto-fascist guide to food preparation, Ferguson demonstrates how cookbooks mark desires and reveal social commitments: your table becomes a representation of who you are. Authoritative, yet flexible; collective, yet individualized; cooperative, yet personal—cookbooks invite participation, editing, and transformation. Created to convey flavor and taste across generations, communities, and nations, they enact the continuities and changes of social lives. Their functioning in the name of creativity and preparation—with readers happily consuming them in similar ways—makes cookbooks an exemplary model for democratic politics.

The book is about the way that people feel about the world and what makes it possible. Since it is completely fictional it is not an educational book but a thought on what we know is normal as opposed to what we want to think about as normal. The book does not cover everything but is fun to read and when it is a story is actually interesting to experience. Once in a while a book comes out that is original and Sean Mckeithen hit a home run on originality with the book Redux. The book is a little long and the editing will be interesting some times the voice fails slightly but if it is printed it will be a good book for children.