Peter Bruegel's paintings---a peasant wedding in a barn, hunters in the snow, a rollicking street festival, and many others---have long defined our idea of everyday life in sixteenth century Europe. They are classic icons of a time and place in much the same way as Norman Rockwell's depictions of twentieth-century America. We know relatively little about Bruegel, but after years of research, novelist Rudy Rucker has built upon what is known and has created for us the life and world of a true master who never got old. In sixteen chapters, each headed by a reproduction of one of the famous works, Rucker brings Bruegel's painter's progress and his colorful world to vibrant life, doing for Bruegel what the best-selling Girl with a Pearl Earring did for Vermeer. We follow the artist from the winding streets of Antwerp and Brussels to the glowing skies and decaying monuments of Rome and back. He and his friends, the cartographer Ortelius and Williblad Cheroo, an American Indian, are as vivid on the page as the multifarious denizens of Bruegel's unforgettable canvases. Here is a world of conflict, change, and discovery, a world where Carnival battles Lent every day, preserved for us in paint by the engaging genius you will meet in the pages of As Above, So Below. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This volume addresses the nexus of religion and geography in the ancient Near East through case studies of various time periods and regions. Using Sumerian, Akkadian, and Aramaic text corpora, iconography, and archaeological evidence, the contributors illuminate the diverse phenomena that occur when religion is viewed through the lenses of space and place. Gina Konstantopoulos draws upon Sumerian literature to understand mythicized and semimythicized locations. Seth Richardson and Elizabeth Knott focus on the Old Babylonian period, with Richardson addressing the interplay between law, location, and the gods, while Knott turns from text to image, relocating the reader to Syria and realizing the potential of royal iconography when situated in the “right” space. Shana Zaia moves forward to the first millennium, following the capital of the Neo-Assyrian Empire as it shifted from city to city, with divine implications. Finally, Arnulf Hausleiter and Sebastiano Lora focus on northwest Arabia, unearthing a local pantheon and situating it among the various influences in the region from the second millennium onward. Covering a broad geographical and temporal scope while maintaining a cohesive focus on the theme, this book will appeal especially to Assyriologists, scholars of the ancient Near East, and specialists in historical geography.

“There’s an inspiring and wacky solemnity in these organizations—high values reinforced through pageantry and performance in an ecumenical social setting—which deep down must also have been a whole lot of fun. Now it’s as if that foundational Other America, that underpinning of the America we know, has gradually eroded, and here we remain, living in a world that is a mere shell, a movie set, of the world that made our world manifest, that brought it into being, and all we have left are these perplexing masks, banners, and costumes to puzzle over.” —David Byrne, from the foreword Featuring more than two hundred outstanding objects gathered from private and public collections, As Above, So Below provides the first comprehensive survey of the rich vein of art created during the “golden age” of the American fraternal society. By the turn of the twentieth century, an estimated 70,000 local lodges affiliated with hundreds of distinct American fraternal societies claimed a combined five and a half million members. It has been estimated that at least 20 percent of the American adult male population belonged to one or more fraternal orders, including the two largest groups, the Freemasons and the Independent Order of Odd Fellows. The esoteric knowledge, visual symbols, and moral teachings revealed to lodge brothers during secret rituals inspired an abundant and expressive body of objects that form an important facet of American folk art. Lynne Adele and Bruce Lee Webb introduce the reader to fraternal societies and explore the function and meaning of fraternal objects, including paintings and banners, costumes and ceremonial regalia, ritual objects, and an array of idiosyncratic objects that represent a grassroots response to fraternalism. Setting the art in historical context, the authors examine how fraternal societies contributed to American visual culture during this era of burgeoning fraternal activity. Simultaneously entertaining and respectful of the fraternal tradition, As Above, So Below opens lodge room doors and invites the reader to explore the compelling and often misunderstood works from the golden age of fraternity, once largely forgotten and now coveted by collectors.

The Emerald Tablet, also known as the Smaragdine Table, or Tabula Smaragdina, is a compact and cryptic piece of the Hermetica reputed to contain the secret of the prima materia and its transmutation. It was highly regarded by European alchemists as the foundation of their art and its Hermetic tradition. The original source of the Emerald Tablet is unknown. Hermes Trismegistus is the author named in the text.The layers of meaning in the Emerald Tablet have been associated with the creation of the philosopher's stone, laboratory experimentation, phase transition, the alchemical magnum opus, the ancient, classical, element system, and the correspondence between macrocosm and microcosm.

Winner of the 2018 Clive Cussler Grandmaster Adventure Writer's Competition 2019 Oregon Book Awards Finalist For fans of Clive Cussler and Michael Crichton, a thrilling tale of an underground expedition to the deep . . . and the ultimate struggle for survival. Milo Luttrell never expected to step inside the mouth of an ancient cave in rural Tanzania. After all, he's a historian—not an archaeologist. Summoned under the guise of a mysterious life-changing opportunity, Milo suddenly finds himself in the midst of an expedition into the largest underground system in Africa, helmed by a brash billionaire-turned-exploration guru and his elite team of cavers. It's a once-in-a-lifetime chance to finally solve a century-old disappearance of the famed explorer Lord Riley DeWar, an enigmatic figure who both made—and nearly ruined—Milo's fledgling career. Determined to make the most of his second chance, Milo joins the team and begins a harrowing descent into one of Earth's last secrets: a dangerous, pitch-black realm of twisting passages and ancient fossils nearly two thousand feet underground. But when a storm hits the surface base camp, stranding the cavers and washing away supplies, all communication to the outside world is lost. As the remaining resources dwindle and members of the team begin to exhibit strange and terrifying abilities, Milo must brave the encroaching darkness to unearth the truth behind DeWar's fascination with the deep—and why he never left.

After questioning the scholarly assumptions regarding the "heretical" Nag Hammadi Library and the "apocalyptic" Dead Sea Scrolls, Fairen will argue that they were not diametrically opposed, but represent a scribal reconfiguration of an Enochic worldview as a critique of foreign rule.

The forty articles contained in this Anthology, originally appeared in issues of Atlantis Rising magazine from 2001 until 2019. The articles in this two-volume anthology are arranged by category, or topic, and not chronologically as they first appeared in Atlantis Rising over two decades. This two-volume Anthology contains a collection of articles on astrology, astronomy, and mythology that were published in Atlantis Rising magazine, spanning two decades of contributions. For many years, Julie Loar's column in Atlantis Rising was the clearest, most reliable, and most readable source of ancient sky lore to be found in print or on the web. Her thoughtful presentation of historical and mythical detail, informed by extensive in-depth personal research into classic astrology, made her an authority not only to the astrologically minded, but to anyone interested in the forgotten riches of our ancient, and little understood, past.