A collection of the dream-like science-fiction images and visual storytelling techniques of Jean Giraud ("Moebius"), including his wordless "pantomime" work and the character Arzach.

The epic fantasy novel featuring the classic hero created by the internationally acclaimed artist Moebius is now available in mass market paperback.

Working closely with Moebius Productions in France, Dark Horse is putting the work of a master storyteller back in print--with some material in English for the first time! Stel and Atan are interstellar investigators trying to find a lost space station and its crew. When they discover the mythical paradise planet Edena, their lives are changed forever. The long out-of-print Edena Cycle from Moebius gets a deluxe hardcover treatment! Moebius's World of Edena story arc is comprised of five chapters--Upon a Star, Gardens of Edena, The Goddess, Stel, and Sra--which are all collected here. A storyboard artist and designer (Alien, Tron, The Fifth Element, among many others) as well as comic book master, Moebius's work has influenced creators in countless fields. “Moebius is a master draftsman, a superb artist, and more—his vision is original and strong.” —George Lucas

The very first graphic storytelling collaboration between two masters of the medium, Alexandro Jodorowsky and Moebius.

In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed—and marketed—as children's literature. But in Belgium and France, their respective countries of origin, such strips—known as bandes dessinées—are considered a genuine art form, or, more specifically, "the ninth art." But what accounts for the drastic difference in the way such comics are received? In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture. Illustrated with images from the artists discussed, Masters of the Ninth Art will appeal to students of European popular culture, literature, and graphic art.

"Here at last are the finest of Lafferty's shorter works, stories about: a man who found one day that he knew absolutely everyone in the world; a race who kept their most ancient ancestors on shelves in the basements; a speeded-up world where a man could earn and lose a dozen fortunes a night; a friendly bearlike creature named Snuffles who said he was God ... In all, twenty-one immensely enjoyable stories that will continue to delight you long after you've finished reading them."--Page 1

Known as France’s Ninth Art, the bande dessinée has a status far surpassing that of the equivalent English-language comic strip. This publication, one of the first predominantly in English on the subject, provides a thorough introduction to questions of BD history, context and bibliography. Theoretical issues – including the reception of the early proto-BD prior to its modern definition, approaches to the construction of a BD (presented here in BD form by leading artist Tanitoc), semiology and the reading of the current form, or the specificity of the French/US (non)overlap – complement historical approaches, such as Bécassine read in the light of postcolonialism, Le Corbusier and BD techniques in architecture, post-war BD and nostalgia for the Resistance, or Pilote and the 1960s revolution. And whilst broaching issues such as feminism or masculinity, social class, AIDS, exoticism or futurism, the volume presents chapters on some of the cutting-edge artists in the field today: Baru, Moebius, Juillard, Binet, Bilal... This book supplies an introduction to the BD that will be of use to students and researchers at all levels. In addition, the format of the individual case studies provides in-depth analysis allowing the reader to grasp specific examples in terms both of their place vis-a-vis the evolution of the BD and, more generally, of the wider role they play within French and Francophone cultural studies.

Carbon and Silicon are the first of a new generation of robots meant to care for the aging human population. Raised in the protective cocoon of a laboratory, they are eager to discover the outside world but are dramatically separated during an escape attempt. Lost and alone, they will gather three centuries' worth of experiences, observing the last gasps of humanity facing the ecological, economic, and social disasters that they themselves have created. Faced with this declining world, will Carbon and Silicon manage to find their place? Born in a laboratory in Silicon Valley, two androids named Carbon and Silicon will witness the evolution of humanity. From this dawn of true artificial intelligence, the pinnacle of human achievement, they will directly witness ecological, economic, and cultural crises that alter civilization as we know it. Through their eyes, we rediscover our planet as it reaches the point of no return. The latest project by celebrated author Mathieu Bablet, this ambitious work addresses themes separating artificial intelligence from humanity. A fable about the ravages of capitalism and the illusion of transhumanism. A cautionary tale spanning 300 years of frighteningly plausible future scenarios.