This novel typifies the ethical and moral preoccupations of Arthur Schnitzler. Berta Garlan, a young widow with a small child, feeling isolated in the small Austrian town where she lives, attempts to renew her relationship with her childhood sweetheart after a lapse of many years. Her lover, now a famous Viennese violin virtuoso, takes advantage of Berta's trusting love. At last, a wiser and more mature woman, she returns home and becomes reconciled to her destiny.

A fresh collection of essays on the work of one of the leading figures of the Viennese fin de siècle.This volume of specially commissioned essays takes a fresh look at the Viennese Jewish dramatist and prose writer Arthur Schnitzler. Fascinatingly, Schnitzler''s productive years spanned the final phase of the Habsburg monarchy, World War I, the First Austrian Republic, and the rise of National Socialism, and he realized earlier than many of his contemporaries the threat that racist anti-Semitism posed to the then almost complete assimilation of Austrian Jews. His writings also reflect the irresolvable conflict between emerging feminism and the relentless "scientific" discourse of misogyny, and he chronicles the collapse of traditional social structures at the end of the Habsburg monarchy and the struggles of the newly founded republic. In the 1950s Schnitzler''s powerful literary record assumed model character for Viennese Jewish intellectuals born after the Shoah, and his portrayal of gender relations and role expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.e expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.e expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.e expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.n time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.

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Written almost as an interior monologue, ‘Bertha Garlan’ follows the eponymous Bertha on her quest for love. A widow in her thirties, Bertha previously married out of convention. However, after a trip to Vienna with her friend, she is determined to experience what she never has and gets in touch with her childhood sweetheart, Emil Lindbach. Will Bertha find what she’s been lacking, or is there a greater lesson to be learned? A fast-paced story that effectively dissects the social constructs of the time and looks at the life of women against this backdrop, ‘Bertha Garlan’ is an ideal read for anyone familiar with Schnitzler's body of work. The son of a physician, Arthur Schnitzler (1862 – 1931) was born in Vienna. At the age of 17, he enrolled at the city’s university, studying medicine. After graduating, he began work as a doctor at the Vienna General Hospital. Despite seeing himself primarily as a man of science, Schnitzler began writing when he was 31. His first works, poems, and short stories, focusing on the themes of jealousy and adultery, laid the foundations for his first play, ‘Anatol.’ Due to its psychological nature, ‘Anatol’ was praised by Sigmund Freud and later adapted for film, starring Gloria Swanson. Schnitzler eventually retired from the medical profession to pursue his literary career. In addition to numerous plays, he also wrote two full-length novels, a dozen short stories, and two non-fiction books.

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Arthur Schnitzler (15 May 1862 - 21 October 1931) was an Austrian author and dramatist.Arthur Schnitzler was born at Praterstrasse 16, Leopoldstadt, Vienna, capital of the Austrian Empire (as of 1867, part of the dual monarchy of Austria-Hungary). He was the son of a prominent Hungarian laryngologist, Johann Schnitzler (1835-1893), and Luise Markbreiter (1838-1911), a daughter of the Viennese doctor Philipp Markbreiter. His parents were both from Jewish families. In 1879 Schnitzler began studying medicine at the University of Vienna and in 1885 he received his doctorate of medicine. He began work at Vienna's General Hospital (German: Allgemeines Krankenhaus der Stadt Wien), but ultimately abandoned the practice of medicine in favour of writing.

An analysis of the scholarly criticism of the great Viennese writer up to the year 2000. Schnitzler, one of the most prolific Austrian writers of the 20th century, ruthlessly dissected his society's erotic posturing and phobias about sex and death. His most penetrating analyses include Lieutenant Gustl, the first stream-of-consciousness novella in German; Reigen, a devastating cycle of one-acts mapping the social limits of a sexual daisy-chain; and Der Weg ins Freie, a novel that combines a love story with a discussion ofthe roadblocks facing Austria's Jews. Today, his popularity is reflected by new editions and translations and by adaptations for theater, television, and film by artists such as Tom Stoppard and Stanley Kubrick. This book examinesSchnitzler reception up to 2000, beginning with the journalistic reception of the early plays. Before being suspended by a decade of Nazism, criticism in the 1920s and 30s emphasized Schnitzler's determinism and decadence. Not until the early 60s was humanist scholarship able to challenge this verdict by pointing out Schnitzler's ethical indictment of impressionism in the late novellas. During the same period, Schnitzler, whom Freud considered his literary "Doppelgänger," was often subjected to Freudian psychoanalytical criticism; but by the 80s, scholarship was citing his own thoroughgoing objections to such categories. Since the 70s, Schnitzler's remonstrance toward the Austrianestablishment has been examined by social historians and feminist critics alike, and the recently completed ten-volume edition of Schnitzler's diary has met with vibrant interest. Andrew C. Wisely is associate professor of German at Baylor University.

Vienna's Dreams of Europe puts forward a convincing counter-narrative to the prevailing story of Austria's place in Europe since the Enlightenment. For a millennium, Austrian writers have used images of Europe and its hegemonic culture as their political and cultural reference points. Yet in discussions of Europe's nation-states, Austria appears only as an afterthought, no matter that its precursor states-the Holy Roman Empire, the Austrian Empire, and Austria Hungary-represented a globalized European cultural space outside the dominant paradigm of nationalist colonialism. Austrian writers today confront reunited Europe in full acknowledgment of Austro-Hungary's multicultural heritage, which mixes various nationalities, ethnicities, and cultural forms, including ancestors from the Balkans and beyond. Challenging standard accounts of 18th- through 20th-century European imperial identity construction, Vienna's Dreams of Europe introduces a group of Austrian public intellectuals and authors who have since the 18th century construed their own public as European. Working in different terms than today's theorist-critics of the hegemonic West, Katherine Arens posits a political identity resisting two hundred years of European nationalism.