"Art Under Control in North Korea is the first publication in the West to explore the role of art in one of the world's most isolated nations. This timely publication places North Korean art in its historical, political and social contexts, discusses the state system of producing, employing, promoting and honouring artists, and examines the range of art produced, from painting and calligraphy to architecture and applied art. Jane Portal also compares the control exerted over artists by North Korean leaders to that of other absolute dictatorships, and looks at the way in which archaeology has been employed for political ends to justify the present leadership and its lineage."--BOOK JACKET.

In The Real North Korea, Lankov substitutes cold, clear analysis for the overheated rhetoric surrounding this opaque police state. Based on vast expertise, this book reveals how average North Koreans live, how their leaders rule, and how both survive

This timely, pathbreaking study of North Korea’s political history and culture sheds invaluable light on the country’s unique leadership continuity and succession. Leading scholars Heonik Kwon and Byung-Ho Chung begin by tracing Kim Il Sung’s rise to power during the Cold War. They show how his successor, his eldest son, Kim Jong Il, sponsored the production of revolutionary art to unleash a public political culture that would consolidate Kim’s charismatic power and his own hereditary authority. The result was the birth of a powerful modern theater state that sustains North Korean leaders’ sovereignty now to a third generation. In defiance of the instability to which so many revolutionary states eventually succumb, the durability of charismatic politics in North Korea defines its exceptional place in modern history. Kwon and Chung make an innovative contribution to comparative socialism and postsocialism as well as to the anthropology of the state. Their pioneering work is essential for all readers interested in understanding North Korea’s past and future, the destiny of charismatic power in modern politics, the role of art in enabling this power.

North Korean Art: Paradoxical Realism at the 2018 Gwangju Biennale is an exhibition that reflects the culmination of an eight-year exploration into the art of the Democratic People's Republic of Korea (DPRK). During that time, BG Muhn made nine research trips to the DPRK to pursue a growing passion for the uniqueness and mystery surrounding Chosonhwa, the North Korean name for traditional ink wash painting on rice paper. The DPRK is notably the only country in the world after the fall of the Soviet Union in 1991 that continues to create Socialist Realism art. This exhibition is likely the first opportunity for people around the world to see North Korean Chosonhwa in such a broad range of images within Socialist Realism art.

Part horror story, part historical document, part memoir, part political tract, one man's suffering gives eyewitness proof to an ongoing sorrowful chapter of modern history.

This volume aims to question, challenge, supplement, and revise current understandings of the relationship between aesthetic and political operations. The authors transcend disciplinary boundaries and nurture a wide-ranging sensibility about art and sovereignty, two highly complex and interwoven dimensions of human experience that have rarely been explored by scholars in one conceptual space. Several chapters consider the intertwining of modern philosophical currents and modernist artistic forms, in particular those revealing formal abstraction, stylistic experimentation, self-conscious expression, and resistance to traditional definitions of “Art.” Other chapters deal with currents that emerged as facets of art became increasingly commercialized, merging with industrial design and popular entertainment industries. Some contributors address Post-Modernist art and theory, highlighting power relations and providing sceptical, critical commentary on repercussions of colonialism and notions of universal truths rooted in Western ideals. By interfering with established dichotomies and unsettling stable debates related to art and sovereignty, all contributors frame new perspectives on the co-constitution of artworks and practices of sovereignty.

“A crisp, dramatic examination of how technology and human ingenuity are undermining North Korea’s secretive dictatorship.”—Kirkus Reviews One of the least understood countries in the world, North Korea has long been known for its repressive regime. Yet it is far from being an impenetrable black box. Media flows covertly into the country, and fault lines are appearing in the government’s sealed informational borders. Drawing on deeply personal interviews with North Korean defectors from all walks of life, ranging from propaganda artists to diplomats, Jieun Baek tells the story of North Korea’s information underground—the network of citizens who take extraordinary risks by circulating illicit content such as foreign films, television shows, soap operas, books, and encyclopedias. By fostering an awareness of life outside North Korea and enhancing cultural knowledge, the materials these citizens disseminate are affecting the social and political consciousness of a people, as well as their everyday lives. “A fine primer on the country, based on extensive interviews with defectors.”—Times Literary Supplement “A fascinating book.”—The New York Times “[A] timely and cogent book.”—Los Angeles Review of Books “A fascinating and intelligent overview of the ways that information is liberating North Koreans’ minds.”—Robert S. Boynton, author of The Invitation-Only Zone: The True Story of North Korea's Abduction Project “A fascinating, important, and vivid account of how unofficial information is increasingly seeping into the North and chipping away at the regime’s myths—and hence its control of North Korean society.”—Sue Mi Terry, former CIA analyst and senior research scholar at the Weatherhead East Asia Institute, Columbia University

The first photographic exploration of North Korea, from a Westerner who lived in Pyongyang and explored the country beyond for nearly two years. What happens when you travel to a place where even basic truths are ambiguous? Where sometimes you can't trust your own eyes or feelings? Where the divide between real and imagined is never clear? For two years, Lindsey Miller lived in North Korea, long regarded as one of the most closed societies on earth. As one of Pyongyang's small community of resident foreigners, Lindsey was granted remarkable freedoms to experience the country without government minders. She had a front row seat as North Korea shot into the headlines during an unprecedented period of military tension with the US and the subsequent historic Singapore Summit. However, it was the connection with individuals and their families, and the day-to-day reality of control and repression, that delivered the real revelations of North Korean life, and which left Lindsey utterly changed from the woman who had nervously disembarked from her plane onto an empty runway just two years before. This is her extraordinary photographic account, a testament to the hidden humanity of North Korea. 'There was much of the North Koreans and their way of life that I liked and admired, and Lindsey Miller's book brought back those positive feelings. And if we don't acknowledge those we will never begin to understand the country.' Michael Palin Please note this is a fixed-format ebook with colour images and may not be well-suited for older e-readers.

In his preface the author states: "The cinema is now one of the main objects on which efforts should be concentrated in order to conduct the revolution in art and literature. The cinema occupies an important place in the overall development of art and literature. As such it is a powerful ideological weapon for the revolution and construction. Therefore, concentrating efforts on the cinema, making breakthroughs and following up success in all areas of art and literature is the basic principle that we must adhere to in revolutionizing art and literature."Kim Jong Il (1942- ) is leader of North Korea (1994- ). Kim Jong Il succeeded his father, Kim Il Sung, who had ruled North Korea since 1948.

In Kim Jong-un’s Strategy for Survival, David W. Shin contends that Kim Jong-un's consolidation of power at home and the leveraging of Beijing, Moscow, Seoul, and Washington, and others abroad show that he is not a madman and, like the two earlier Kims, has consistently been underestimated. Shin presents an alternative framework for Kim Jong-un’s behavior through his analysis of Kim's background and his development as the successor to his father, Kim Jong-il; the evolution of the totalitarian system Kim inherited from his grandfather, Kim Il-sung; and the security environment after Kim Jong-il’s death in 2011. This book is recommended for scholars and students of political science, Asian studies, international relations, and history.