This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.

Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.

High Renaissance in Florence and Rome - Mannerist crisis - Neoclassicism - Romanticism - Realism - Impressionism - The Fauves and expression - Cubism and abstract art - Modern architecture - Renaissance art - Daumier (p.335) - Street map (plan) of Renaissance Florence.

How we define, prepare and consume food can detail a full range of social expression. Examining the subject through the dual lens of archaeology and art history, this book argues that cuisine as an art form deserves a higher reputation.

This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.

Criss-crossing the globe from the prehistoric era to the modern day, Professor Jeremy Black takes you on a whirlwind tour of our past, leaving no stone unturned as he brings to life the fascinating history of civilisation. Mankind has accomplished remarkable feats - building great cities, creating beautiful art forms and developing new modes of communication. At the same time, warfare discrimination and poverty reveal the darker side of human nature. This incredible illustrated volume covers all of the above, from the birth of agriculture to the two world wars, delving into the vast range of human experience over the millennia. A History of the World forms an essential reference guide for modern-day amateur historians, providing a perfect foothold into this sprawling history.

Discover more than 160 exhibits in this virtual museum, open all hours. Welcome to the museum! There are more than 160 historical artifacts to be discovered in Welcome to the Museum: Historium. Wander the galleries of this museum whenever you wish—it’s open 365 days a year!—and discover a collection of curated objects on every page, accompanied by informative text. Each chapter features a different ancient civilization, from the Silla dynasty of Korea to ancient Rome.

Did ancient Europeans truly believe in an active after-life, as modern Europeans would like to think they did? What purpose did grave-goods actually serve? Are archaeology and the historical sciences in general able to shed, once and for all, a curse placed upon them at their inception as research disciplines in the early nineteenth century? Searching for answers to these questions is the aim of this book which has been written on the basis of widely spread, typical components of grave-goods. For the last two centuries, they have been interpreted incorrectly, because of being aligned with archaeologists' ideas about the spiritual world of the society in question.0The book introduces a recently discovered phenomenon that accompanied mankind from his discovery of the uses of metal all the way through to the Middle Ages - that is the importance of touchstones, tools used to determine the nature and test the nature and value of non-ferrous metals. Of the hundreds of thousands of such finds, which have most often been regarded as 'whetstones', the author has made a selection of specimens that cast light on the role of touchstones in the culture of ancient societies, especially in the burial ritual.