Examples of over 600 dazzling full color Art Nouveau tiles. A very useful and beautiful collectors guide, it provides information about many major tile manufacturers. It is arranged by company and design and contains a guide to market prices, as well as suggestions and tips for tile collectors.

To conclude their survey, the authors look at how elements of Art Nouveau were absorbed into Art Deco after World War I and how Art Nouveau styles of tile-making have been revived in the 1980s and 1990s. A final chapter gives useful advice to the collector of Art Nouveau tiles, suggesting ways of organizing, restoring and preserving them."--BOOK JACKET.

500 vivid photos show many and varied interpretations of Art Nouveau forms in the balustrades and balconies, lanterns and gates, doorways and elevator door faades of Budapest, Hungary, and Vienna, Austria. Explanations of the settings discuss the details and decorative motifs on the ironwork.

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

This book looks at decorative tiles manufactured in Germany, Austria, Hungary, and Bohemia/Moravia/Czechoslovakia in the years between 1895 and 1935. These ceramic tiles, used primarily on walls, floors, and stoves, but also furniture, trays, and more, were an affordable decor element that made art accessible to many. They would also turn out to be some of the best examples of the Jugendstil and Secession movements in design: Both were variations of international art nouveau and rejected the conservative aesthetics of mainstream art. In Part I of the book, the author places these movements within the context of art history, then explores the history of the tiles. In Part II, a broad look is taken at Arts & Crafts and Art Nouveau tiles, including influences from other Western and Central European nations. With almost 600 color photos of tiles, this book will appeal to art historians, decorative arts aficionados, and anyone who appreciates beautiful, inspirational design.

Illustrates how Edwardian houses were built, how they were used, and what they meant at the time.

Fife's most famous buildings include Dunfermline Abbey, with its sturdy Norman nave; St Andrews cathedral, the focus of the old University town on the North Sea coast; the foursquare post-Reformation kirk at Burntisland; the palace of Falkland, where James V became Britain's first patron of Renaissance architecture on the grand scale; and the little royal burghs along the coastal fringe, each with its harbour and its strings of vernacular houses presided over by the kirk and tollbooth. Cupar, at the centre of Fife's long peninsula, is the seat of local government and one of the most charming and prosperous of Scottish towns. Less well known are Fife's tower houses like Scotstarvit, the old seaboard castles of St Andrews and Ravenscraig, the picturesque Balgonie Castle and the thoroughly domesticated Kellie Castle. Of Fife's churches one of the most beautiful is Dairsie; and three centuries of inventive design in burial monuments come to an unexpected climax in a work by Charles Rennie Mackintosh in the MacDuff cemetery, East Wemyss.