This classic work explores the full range of Art Nouveau ironwork. It includes 137 photographic illustrations of railings, gates, balconies, doorways, staircases, and much more.

500 vivid photos show many and varied interpretations of Art Nouveau forms in the balustrades and balconies, lanterns and gates, doorways and elevator door faades of Budapest, Hungary, and Vienna, Austria. Explanations of the settings discuss the details and decorative motifs on the ironwork.

Elaborately wrought designs for gates, fences, finials, banisters, window grilles, bedsteads, cathedral screens, other architectural and decorative appointments, Gothic to Art Nouveau — meticulously rendered in black-and-white drawings reprinted from vintage publications.

Over 300 spectacular pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps, and scissors in detailed photographs reprinted from rare, turn-of-the-century folios.

Sumptuous treasury of 320 lavish examples of architectural ornamentation from the 1920s and '30s by Paul Kiss, Raymond Subes, Edgar Brandt and other artisans. Meticulously reproduced photographs from three rare portfolios depict magnificent designs for doors, grilles, gates, lamps, balustrades, chandeliers, screens, mirrors, and other objects.

Edgar Brandt: Master of Art Deco Ironwork is the first book to document the life and work of the premier metalsmith of the twentieth century. A member of a group of extraordinary artist-craftsmen that included Emile-Jacques Ruhlmann, Jean Puiforcat, and Jean Dunand, among others, Edgar Brandt (1880-1960) was a leading force during a period of great achievement in French decorative arts and design, creating an entirely new aesthetic for the medium of wrought iron.

Invaluable source of information for art historians, craftspeople, dealers, collectors, and preservationists includes hundreds of finely detailed illustrations of garden seats, candelabras, moldings, gates, balcony grilles, vases, crosses, funerary ornaments and monuments, finials, doorknobs and many other ornamental features. A rich source of inspiration and royalty-free graphics, as well, for commercial artists and designers.

Examines Art Nouveau worldwide in the context of the issues of the age, from end of century anxieties about the pressures of modern life to nationalism, spiritualism, the emancipation of women and the heroic cult of youth.

At the turn of the 20th century, artists and craftsmen throughout Europe and America were profoundly affected by a new art style that took its inspiration from nature. Generally referred to as Art Nouveau, the trend influenced all manner of creative types, from painters, illustrators, and architects to ironworkers, interior decorators, and designers of furniture and jewelry. Although broad and varied, the style is almost uniformly characterized by abstract, asymmetrical, curvilinear design. This "new art" both elevated the status of crafts to fine arts and brought objects into a harmonious relationship with their environment through the use of lines that were natural, vital, and, most importantly, organic. The decorative images in this volume, reproduced from a rare 1902 portfolio, reflect the era's exotic and imaginative approach to architecture and applied design. Sixty plates, 12 in full color and many with partial and varied color, exhibit the influence of the artwork of naturalist Ernst Haeckel on artist René Binet's designs, especially as related to Binet's "Monumental Door," prepared for the 1900 World's Fair in Paris. Illustrations reflecting the styles of Art Nouveau include a wealth of examples that range from doorbells and keys to stairways, fountains, jewelry, ceramics, and other items. Graphic designers, illustrators, architects, artists, and crafters will find this volume a rich source of ornamental ideas, authentic motifs, and design inspiration.

Forty plates of meticulously rendered hinges, grilles, railings, latches, door knockers, and more — selected from English chapels, tombs, castles, and other structures — span more than 600 years of metalworking history.