This volume presents new essays on art, mind, and narrative inspired by the work of the late Peter Goldie, who was Samuel Hall Professor of Philosophy at the University of Manchester until 2011. Its three sections cover Narrative Thinking; Emotion, Mind, and Art; and Art, Value, and Ontology. Within these sections, leading authorities in the philosophy of mind, aesthetics and the emotions offer the reader entry points into many of the most exciting contemporary debates in these areas of philosophy. Topics covered include the role that narrative thinking plays in our lives, our imaginative engagement with fiction, the emotions and their role in the motivation of action, the connection between artistic activity and human well-being, and the appreciation and ontological status of conceptual artworks.

"A collection of essays, written for this volume by leaders in the field, that study the emotional and cognitive significance of narrative and its implications for aesthetics and the philosophy of art"--Provided by publisher.

Narratives enable readers to vividly experience fictional and non-fictional contexts. Writers use a variety of language features to control these experiences: they direct readers in how to construct contexts, how to draw inferences and how to identify the key parts of a story. Writers can skilfully convey physical sensations, prompt emotional states, effect moral responses and even alter the readers' attitudes. Mind, Brain and Narrative examines the psychological and neuroscientific evidence for the mechanisms which underlie narrative comprehension. The authors explore the scientific developments which demonstrate the importance of attention, counterfactuals, depth of processing, perspective and embodiment in these processes. In so doing, this timely, interdisciplinary work provides an integrated account of the research which links psychological mechanisms of language comprehension to humanities work on narrative and style.

This is a field guide to the visionaries - and the fans - who are reinventing the art of storytelling.

Narrative Naturalism: An Alternative Framework for Philosophy of Mind provides an original framework for a non-reductive approach to mind and philosophical psychology. Jessica Wahman challenges the reductive (i.e., mechanistic and physicalist) assumptions that render the mind-body problem intractable, and claims that George Santayana’s naturalism provides a more beneficial epistemological method and ontological framework for thinking about the place of consciousness in the natural world. She uses Santayana’s thought as the primary inspiration for her own specific viewpoint, one that draws on a variety of sources, from analytic philosophy of mind to existentialism and psychoanalysis. This outlook, narrative naturalism, depicts sense-making as a kind of storytelling where different narratives serve different purposes, and Wahman offer a unique worldview to accommodate a variety of true expressions about the world, including truths about subjective existence. Motivated by a desire to challenge the reductionist approaches that explain human motivation and experience in terms of neuroscience and by the increasingly pharmacological interpretations of and solutions to psychological problems, Wahman’s overarching purpose is to reconstruct the issue so that neuroscience can be embraced as an indispensable story among others in our understanding of the human condition. When placed in this context, neurobiological discoveries better serve the values and practices associated with human self-knowledge and well-being. Narrative Naturalism will appeal to those interested in American philosophy, Santayana scholarship, pragmatist epistemology, philosophy of mind, philosophical psychology, and metaphysics.

Instant New York Times bestseller The story of art as it’s never been told before, from the Renaissance to the present day, with more than 300 works of art. How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the “readymade.” Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened to many artforms often ignored or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan, this is the history of art as it’s never been told before.

There are profound, extensive, and surprising universals in literature, which are bound up with universals in emotion. Hogan maintains that debates over the cultural specificity of emotion are misdirected because they have ignored a vast body of data that bear directly on the way different cultures imagine and experience emotion - literature. This is the first empirically and cognitively based discussion of narrative universals. Professor Hogan argues that, to a remarkable degree, the stories people admire in different cultures follow a limited number of patterns and that these patterns are determined by cross-culturally constant ideas about emotion. In formulating his argument, Professor Hogan draws on his extensive reading in world literature, experimental research treating emotion and emotion concepts, and methodological principles from the contemporary linguistics and the philosophy of science. He concludes with a discussion of the relations among narrative, emotion concepts, and the biological and social components of emotion.

The book explores the role of narrative intelligence in the influence on human behaviour. Presenting the material in a vibrant and down-to-earth style, the author shares ways and methods to cultivate narrative intelligence, opening a world of opportunities for anyone. An original outlook on the phenomena of emerging crises and the anthropogenic factors shows the true causes of human decisions and actions. For all those who want to understand, influence, act, and empower their minds.

Integrates narrative theory, multimodality studies, cognitive sciences, and disability studies to situate contemporary literature's depiction of thought within current debates about cognition.

Rethinking Thought compares the insights of creative thinkers with neuroscientific findings to show how people vary in their uses of visual mental imagery and verbal language. Written by a neuroscientist-turned literary scholar, it conjoins science and art to explore innovative thinking.