'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.

A revolutionary guide to acknowledging fear and developing the tools we need to build a healthy relationship with this confusing emotion—and use it as a positive force in our lives. We all feel fear. Yet we are often taught to ignore it, overcome it, push past it. But to what benefit? This is the essential question that guides Kristen Ulmer’s remarkable exploration of our most misunderstood emotion in The Art of Fear. Once recognized as the best extreme skier in the world (an honor she held for twelve years), Ulmer knows fear well. In this conversation-changing book, she argues that fear is not here to cause us problems—and that in fact, the only true issue we face with fear is our misguided reaction to it (not the fear itself). Rebuilding our experience with fear from the ground up, Ulmer starts by exploring why we’ve come to view it as a negative. From here, she unpacks fear and shows it to be just one of 10,000 voices that make up our reality, here to help us come alive alongside joy, love, and gratitude. Introducing a mindfulness tool called “Shift,” Ulmer teaches readers how to experience fear in a simpler, more authentic way, transforming our relationship with this emotion from that of a draining battle into one that’s in line with our true nature. Influenced by Ulmer’s own complicated relationship with fear and her over 15 years as a mindset facilitator, The Art of Fear will reconstruct the way we react to and experience fear—empowering us to easily and permanently address the underlying cause of our fear-based problems, and setting us on course to live a happier, more expansive future.

"THE ART OF FEAR: A PHOTOGRAPHIC MEMOIR" BY KIMBERLY BUTLER Foreword by NEIL GAIMAN: "[Kimberly Butler] says I'm her muse, but all I ever do is tell her how beautiful and strange her pictures are, and how hard it is for me to get them out of my head" Photojournalist and celebrity photographer Kimberly Butler has published her first book, "The Art of Fear: A Photographic Memoir" publisher Sky Perspectives Publishingan epic poem and story of survival featuring 34 exquisite yet disturbing images - without using Photoshop -- where she faces her fears to reveal the childhood trauma she experienced when,at 8 years old, she was removed from her home and placed in Ottilie Orphanage in Jamaica, New York. The young woman posing in the photographs wearing a gas mask -a metaphor for the protective walls Butler built around her life - is her own daughter, Caitlin, whom she adopted from a Lithuanian orphanage - coincidentally - at the age of 8 years old.The locations for the photographs in this 100-page softcover book (which features a foreword by award-winning author Neil Gaiman) include a collapsed abandoned building, a deserted icy beach during winter, and an empty church and cemetery - each representing the loneliness, isolation, and fear she fought to overcome by using masks to cloak feelings of shame and worthlessness. "I wanted to share my journey to help others," says the award-winning photographer. "Those who are born into circumstances that make life even more difficult than it already is -- whether dueto dysfunctional childhoods or personal demons¿And, of course," Butler adds, "this turns out to be just about everyone to some degree or another."

This title provides an illustrated exploration of fear in contemporary art. The book identifies many manifestations of fear in art, from body terror and contagion to trauma and phobias, feelings of dislocation, displacement and alienation, narratives of guilt and shame, virtual fear, and fear as entertainment.

What keeps so many of us from doing what we long to do? Why is there a naysayer within? How can we avoid the roadblocks of any creative endeavor—be it starting up a dream business venture, writing a novel, or painting a masterpiece? The War of Art identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success. The War of Art emphasizes the resolve needed to recognize and overcome the obstacles of ambition and then effectively shows how to reach the highest level of creative discipline. Think of it as tough love . . . for yourself.

A NEW YORK TIMES EDITORS’ CHOICE In a series of poignant vignettes, a preeminent historian makes a compelling case for Machiavelli as an unjustly maligned figure with valuable political insights that resonate as strongly today as they did in his time. Whenever a tempestuous period in history begins, Machiavelli is summoned, because he is known as one for philosophizing in dark times. In fact, since his death in 1527, we have never ceased to read him to pull ourselves out of torpors. But what do we really know about this man apart from the term invented by his detractors to refer to that political evil, Machiavellianism? It was Machiavelli's luck to be disappointed by every statesman he encountered throughout his life—that was why he had to write The Prince. If the book endeavors to dissociate political action from common morality, the question still remains today, not why, but for whom Machiavelli wrote. For princes, or for those who want to resist them? Is the art of governing to take power or to keep it? And what is “the people?” Can they govern themselves? Beyond cynical advice for the powerful, Machiavelli meditates profoundly on the idea of popular sovereignty, because the people know best who oppresses them. With verve and a delightful erudition, Patrick Boucheron sheds light on the life and works of this unclassifiable visionary, illustrating how we can continue to use him as a guide in times of crisis.

NYPD sketch artist Nate Rodriguez possesses a remarkable gift. From the smallest clues—an off-hand comment, a brief flash of fear in a victim's eyes—he is able to create an uncanny likeness of the assailant. Now Detective Terri Russo needs his help to solve a particularly shocking series of murders, perpetrated by a psychopath who enjoys drawing pictures of his crimes before committing them. Nate is being asked to enter the dark, twisted mind of a monster—to re-create a face that no one has lived to identify. But as a portrait slowly begins taking shape in Nate's mind and on the page, an electrifying game of cat and mouse reaches an unexpected new level—as a brilliant killer uses his own unique talents to turn the investigation in a terrifying new direction... A breathtakingly original novel of suspense, Jonathan Santlofer's Anatomy of Fear mixes prose and pictures to create a story that burns its way into the brain and brilliantly revitalizes the crime fiction genre.

Vincent Price, whose name is virtually synonymous with the American horror film, was a major screen presence for more than four decades. His early films include such film noir classics as Laura and Leave Her to Heaven, but it was the release of House of Wax in 1953 that established the actor as the silky-voiced master of menace. The late 50s saw Price starring in William Castle’s extraordinary cycle of gimmick-driven films, including The Tingler, with cinema seats wired to simulate the movie monster’s electrical attacks. In the 60s, Price excelled in leading roles in Roger Corman’s The Fall of the House of Usher and The Pit and the Pendulum—mysterious, almost meditative films based on the work of Poe. Among his later career highlights are The Abominable Dr. Phibes, Theater of Blood, and Edward Scissorhands. Now, in this judicious, well-illustrated survey, Denis Meikle looks at both the highs and lows of an enduring film career.

Do you want to give your readers goose bumps? Do you want to inspire nightmares? Author James Colton shares everything he's learned from a decade of writing ghost stories, including: The Principles of Terror Discover the basic qualities that make something scary Learn how to apply the unknown, uncanniness, subtlety, and more to your writing The Ghost Story Process Crack the secrets of idea generation to craft a story that is both original and terrifying Understand the structure of a ghost story for maximum fright impact Creepy Case Studies Study examples from novels, short stories, and films Dive deep into one of my own ghost stories to see how it all works in practice Practical Exercises Stretch your creativity and train your spooky skills with specially crafted writing assignments Put together everything you've learned to write your own scary ghost story

An talented artist is currently working on his "magnum opus" after his wife died from suicide. After he adds the first layer, he starts having hallucinations about his past encounters. The man was an ambitious young painter who used his pianist wife as a model for his painting. Soon his wife became pregnant and she bore a daughter. After she gave birth, he decided to spend more time working on his paintings, leaving his wife to care for their daughter. After buying a dog for his family, he started to have drinking problems due to constant stress and noise outside his workshop. He attached a muzzle to the dog, but was soon plagued by rats, likely a figment of his schizophrenia. The dog may have later been killed by him. His talent started to slowly decay and his vision for the painting became twisted, and he began to drive away his friends by painting gory and horrific works for simple jobs, including a set of illustrations for Little Red Riding Hood. After a long period of neglect, his wife decided to burn his paintings, including his most cherished work, "The Lady In Black". He had a drunken fit and apparently beat her, driving her to leave with their child. He tried calling her multiple times but failed to reconcile with her. After some time, he got a phone call telling him that she was critically injured in a fire. She ended up horribly disfigured, but their daughter survived. After the fire, he took his wife, now a wheelchair user, and daughter back home so he could take care of them. His drinking problems continued due to the constant "distractions" of their presence. After regaining her ability to walk, the wife was neglected even more because her husband thought she lacked "beauty". After he had another drunken outburst, his wife committed suicide by slitting her wrists in the bathroom. In the present day, it is revealed that he went insane and possibly took six body parts of his wife to work on his painting: her skin as the canvas, her blood as the overlay, her bone marrow as the undercoating, a brush made from her hair, her finger for the smearing and her eye as the spectator ...