Volume II covers the introduction and spread of painting and photography, illustrated with approximately 200 photographs. (Volume I is out of print.)

Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.

In the process he created a remarkable historical portrait of an African American community. Through his lens we glimpse the daily patterns of segregated Pine Bluff, and we also participate in the excitement of greeting extraordinary visitors. Martin Luther King Jr., Mary McLeod Bethune, Harry S. Truman, and others all came through town.".

A photographic record of Arkansas's rich material heritage. This first volume covers the introduction and establishment of such artisan traditions as furniture making and silversmithing, notes the materials and special techniques used by potters, gunsmiths, and jewelers, and illustrates the delicate craftsmanship with about 400 photographs. The sec

Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.

2020 Unmasked is a comprehensive visual story of the year that changed America. The images were captured by three photographers from three different cities: Susan Baggett in Boston, Robin Fader in Washington, DC, Victor Mirontschuk in New York City, and edited by multi-award-winning photographer Ari Espay. We decided to create a book together when we realized we were each out in our own city's streets photographing and trying to make sense of this crazy new world. 2020 UNMASKED will also include personal narratives of people most seriously impacted by the events of the year. There are four sections: Election, Resistance, Covid, and Lockdown.

In Champion Trees of Arkansas, Linda Williams Palmer explores the state’s largest trees of their species, registered with the Arkansas Forestry Commission as “champions.” Through her beautiful colored-pencil drawings, each magnificent tree is interpreted through the lens of season, location, history, and human connection. Readers will get to know the cherrybark oak, rendered in fall colors, an avatar for the passing of seasons. The sugar maple, with its bare limbs and weather-beaten trunk, stands sentry over the headstones in a confederate cemetery. The 350-year-old white oak was once dubbed the Council Oak by Native Americans, and the post oak, cared for by generations of the same family, has its own story to tell. Palmer travelled from Delta swamps to Ozark and Ouachita mountain ridges over a seven-year period to see and document the champions and to talk with property owners and others willing to share the stories of how these trees are beloved and protected by the community, and often entwined with its history. Champion Trees of Arkansas is sure to inspire art and nature lovers everywhere.

Eugene Richards first came to the southeastern part of Arkansas--the so-called Delta--in 1968 as a VISTA volunteer. After nearly two years in that organization working to set up a daycare center and recreation programs, he and some of his associates in it left to found RESPECT Inc., a private social-action program providing paralegal services, publishing a community newspaper, and distributing food and clothing in West Memphis (across the Mississippi River from Memphis, Tennessee).As he lived and became increasingly involved in the black community, Richards, a skilled photographer, began to use his camera to record what he observed--not only the poverty and suffering of these people but also their laughter, contemplation, and triumphs. His subjects range from children at play to an African-style wedding to scenes of work and home life. Death, religion, and imprisonment are major elements of Delta existence, and so of these photos.The 110 photographs collected here express the quality of life in a part of the South where 60 percent of the black families barely earn $2000 a year, and 70 percent of the dwellings are deteriorated and without plumbing. Richards' camera catches the cotton compresses, the cement mill, the broken fields and small cafes, Logan the mortician, the two blind brothers Willy and Isaiah McCowan, and the Reverend Ezra Greer at the state capitol in Little Rock, while his few but carefully chosen words complement these images. Together they hold the people and the place in a world that Richards feels "slipping by, while I merely observed its disappearance."I feared being only eyes, only a cameraman," he says, but through his camera his eyes become ours, and the power of his feelings, ours too.

A landmark photography book, presenting the never-before-seen original vintage prints of this enigmatic and eccentric portrait photographer, whose prized and rare images are collected by museums and galleries around the world. Disfarmer's studio portraits present the people of the American heartland during the turbulent and troubled times of the early 20th century. The culmination of a two-year historical reclamation project in which researchers scoured thousands of albums, Disfarmer is a truly unique, original and important collection.